◆ Ancient times
Confucius: a famous educator and musician in the Spring and Autumn Period. In about 48 1 BC, he composed the piano music Cao Cao to mourn the two wise men killed by Zhao Jianzi. The existing Qin songs "Turtle Hill Grass", "Holly Grass" and "Yao Lan Grass" are all works of Confucius according to legend.
Shi Kuang: A famous court musician in the late Spring and Autumn Period. Blind people, good at judging temperament, are extremely sensitive to sound sense. Qin Pu in Ming and Qing Dynasties said that Chun Xue and other Qin Le were his works.
Boya: Qin Qin pianist. Lu's "Spring and Autumn Annals" recorded the story of Guqin's ambition in high mountains and flowing water, but it can be understood. It is recorded that Boya failed to learn piano for three years, and the teacher took him to Penglai Mountain in the East China Sea to experience "empathy" on the spot, thus creating the Water Cao Xian. The existing qinqu "Mountain Flowing Water" and "Water Cao Xian" are all works derived from these legends.
Zhou: A pianist in the Warring States Period. Good at drumming, suitable for Meng Changjun taste. Later generations said that he was the first person to invent music score.
Huan Tan: a pianist in the Eastern Han Dynasty. Dr. Ren Zhang Le. His new theory often talks about music. He also wrote Qindao, introducing the deeds of Qin and Qin music.
Cai Yong: Qin family at the end of Han Dynasty. He wrote the famous Five Alleys of Chua's, including Youchun, Green Water, Meditation, Sitting Sorrow and Qiu Si. The existing "Mao Ting Autumn Moon" and "Thinking of Friends in the Mountains" have also been handed down as his works.
Cai Yan: Moon Hee, a female pianist in the late Han Dynasty, was the daughter of Cai Yong. At the end of the Han Dynasty, she was taken to Alakazam and redeemed by Cao Cao twelve years later. This theme is reflected in Qin music, such as Jian, Xiao Hu Jian and eighteen beats of Hu Jian. These are usually regarded as her works.
Ji Kang: A pianist, a music theorist and one of the Seven Sages of Bamboo Forest in the late Wei Dynasty. The four major squares of Changqing, Short Celebration, Long Side and Short Side, which are the author of Qin Yue Ji, are called the Nine Square together with Cai's Five Square. His "Fu Qin" vividly depicts various manifestations of Qin Le's art and comments on some Qin music at that time, which is of historical value. In addition, piano music such as "Xuan Mo" and "Lonely Hall Meeting God" has also been handed down as his works.
Ruan Ji: a famous person in Wei and Jin Dynasties, one of the seven sages of bamboo forest. Good at piano. The existing legendary piano music "Drunk" is his work. There is a music paper "On Music" handed down from generation to generation.
Ruan Xian: Wei, one of the seven sages of bamboo forest. The piano piece "Three Gorges Liu Quan" is said to be his work.
Liu Kun: Qin family in Jin Dynasty. Hu Jia's first piano piece "Hu Nong" includes: climbing the dragon and looking at Qin, singing the wind on the bamboo, mourning for truffles and mourning for the moon in Han Dynasty.
He Ruobi: Teacher Qin of Sui Dynasty. He created Stone, Ye Qingyin and Don't Change Jade. Yin is in Lutang.
Zhao Yili, a pianist in the early Tang Dynasty. Qin art is the best in the world. Arranged by Cai's "Wu Nong" and Hu Jia's "Wu Nong" and other piano music. He is the author of nine volumes of Xu Qinlu, Piano Gesture Atlas and Piano Right Hand Method. He summed up the Qin school and said: "Wu Sheng is gentle, and if the Yangtze River flows slowly, it will have the wind of a national scholar;" The sound of Shu is impatient, and if the waves rush, they will be handsome for a while. " These comments are in line with the characteristics of Wu and Shu factions.
Dong: A pianist in the prosperous Tang Dynasty. Chen Huaigu, who joined the army in Fengzhou, took care of you while learning the popular Shen Jiasheng and Zhu Jiasheng at that time. It enjoyed a high reputation in the Tang Dynasty. Today, Qin music such as Da Hu Jia, Xiao Hu Jia and Yi Zhen have been handed down as his works.
Xue: A pianist in the Tang Dynasty. At the age of nine, he could play the piano. At the age of 12, he can play Zaqu 30 and Three Gorges Liu Quan, and at the age of 17, he can play such famous songs as Hu Jia Two Books, Farewell to the Crane and Snow White. In addition to paying attention to "using the fingers lightly, taking the sound warm, infinite rhyme and beautiful sentences", he also emphasized the internal performance of "each rhyme has its own master" It is also pointed out that the "seven diseases" of inattention reflected from the posture of playing the piano are valued by later pianists, which leads to many piano playing norms.
Yihai: a pianist in the Northern Song Dynasty. Yi Zhong's junior disciple. Learning piano in Fahuashan, Yuezhou "has not gone downhill for ten years, and I can't let go of my strings day and night, and I am poor." He is the author of Fingering the Rhythm of Monks.
Chuwang Guo: a musician in the Southern Song Dynasty. Because the sense of political corruption is like a cloud covering Mount Jiuyi, he wrote the piano piece Xiaoxiang Water Cloud. In addition, there are Qin Le's works such as Qiu Hong and Pan Canglang. Inheriting piano skills, together with Mao Minzhong and Xu, he formed a famous Zhejiang school. Chuwang Guo is the founder of Zhejiang School.
Xu: A musician in the Southern Song Dynasty. When he was a guest in Yang Zan, he changed from studying Jiangxi music to studying Guo Chuwang's music and participated in editing Xia Zidong Qin's music. His four generations are all famous pianists. Later generations praised it as "the true story of Xu Men". The existing "Song of Zepan" in "Magic Secret Spectrum" is his work.
Mao Minzhong: a musician in the Southern Song Dynasty. When I was a guest in Yang Zan, I learned about Chuwang Guo's biography from Liu Zhifang. There are many pieces of Qin music, including fisherman's songs, woodcutter's songs, Liezi Yufeng, Shanju songs and Perrin. Among them, fishing songs and woodcutter songs are of high artistic level.
Yan Zheng: A pianist in the late Ming Dynasty. Founder of yushan school. The piano style is "clear, subtle, light and far", and the piano score compiled by Songxiange is the main score collection of Yushan School.
Xu Shangying: A pianist in the late Ming Dynasty. Yushan School is a master. He and Chen are both apprentices, but their piano styles are quite different. He absorbed fast-paced piano music such as Luo Chaofei and Wu Ye Tune, and included it in the Piano Music of Dahuangge. The piano style "Jixu Xianbei" makes up for Yan Zheng's deficiency. The book "Xishan Qinqing" systematically and deeply expounds the aesthetic theory of piano performance.
Zhuang Zhenfeng: Qin family in Qing Dynasty. He played the piano for nearly 30 years, and created a piano music, which was recorded in Qin Xue's heart. The more popular ones are Autumn Wind in Wu Ye, Listening to Du Fu in Chunshan and so on.
Xu Changyu: A pianist in the early Qing Dynasty. The predecessor of Guangling Qinpai. The transmitted music score was published as Chengjiantang music score in 1702, which is the earliest music score collection of Guangling School.
Xu Qi: a pianist in Qing Dynasty. A descendant of Guangling School. The music collection is Wuzhizhai piano score, and most of the collected music is Yushan School, and each music has been processed and developed, from which we can see the origin relationship between Guangling School and Yushan School.
Wu Hong: a pianist in Qing Dynasty. Xu Jintang, grandson of Xuchang who is studying piano. At that time, it was the heyday of Guangling School, and musicians gathered together and played day and night, which was very helpful to him. He devoted himself to learning the piano for decades, composed 82 piano pieces, and published the piano score of Ziyuantang in 1802. He is a master of Guangling School.
Zhu: A pianist in Qing Dynasty. He/Kloc-began to learn piano at the age of 0/9 and has been working on it for more than 30 years. He is the author of "Ancient Zhai Pu", which has an in-depth discussion on Qin theory.
Zhang Kongshan: a pianist in Qing Dynasty. Feng, a native of Zhejiang, studies piano. Xianfeng, a Taoist priest in Qingcheng Mountain, Sichuan Province, once assisted Tang Yu 1875 in compiling the piano score of Tianwen Pavilion. Running water, drunken fisherman singing late, Pu 'an mantra and other songs are all very distinctive. After his development and processing, flowing water is widely circulated.
◆ Modern
Zhang Chun: (about 1779- about 1846), known as Jutian and Zhaoyang, is good at calligraphy and painting, especially piano. His most prominent feature is that he dares to compose popular folk music into subtraction music. In Zhang Jutian's music score, there are music works adapted from Ancient Paintings, Daoqing, Falling, Broken Jade, Four Great Scenery, Four Beautiful Instruments, Beside the Dressing Table and Kunqu Opera Judgment Writing Book. Before him, although there were many piano pieces closely related to folk music, it was rare for him to use folk music in such a large amount and directly. He found and pointed out the shortcomings of traditional piano music score, and thought that the rhythm of subtraction music score was very imprecise, with only staccato and priority division at most, but no beat. So he added a scale score to the piano score, which is a pioneering work in the piano field. After him, Zhu, Zhang He, Yang Zongji and others also adopted Gongchi notation. Although this practice was the general trend at that time, there was great resistance. Until a hundred years later, some people still strongly dislike it. Accordingly, it can be seen that Zhang Jutian's move is commendable.
Z Ryan: Jingmi is from Ruian, Zhejiang. He is a Taoist in Yuqing Temple in Shanghai. He is good at poetry, calligraphy, piano and painting. He studied in Zhu. On the basis of Gongchi, he added Zhu Shi's biography, and adopted the exposition in Guzhai Pu published in Tongzhi three years (1864), and later reprinted it twice. This is a popular introductory piano book.
Chen Shijie: Good character, Wujiang people, piano works, but also a long writer, painter, stylus. After he got the "Book of Ancient Zhai", "He who sleeps and eats with others will read three books on cold and heat". During the performance, he combined Wang Tan's Qin Zhi, discussed with Zhu Tingtong and He Guisheng in Shanghai, and edited Qin Xue Jin Chu. Rewrite it three times in 20 years and finalize it 1902. Although it is not printed, it is still quite influential. He made a detailed comment on all 50 songs in the book, which was considered as "all successful, inspiring between the lines and inspiring every sentence." "All the monarchs in the same tune are impressed" and "From a scholar to a plum blossom".
Zhang: Zigan Mountain,No. Banxiu, is from Zhejiang, and Zeng Xueqin is from Feng. When Xianfeng was a Taoist in Huang Guan Temple in Qingcheng Mountain, many people came to Qingcheng Mountain to practice the piano. However, Zhang himself often travels abroad, exchanging piano skills with guanxian Taoist Yang Zidong and Qian Shouzhan, the author of Qian Shilian. In the early years of Guangxu (1875), after that, Tangjiamen helped him to carefully revise hundreds of piano scores he had searched for for many years, selected 145 pieces and compiled them into Tianwenge Piano Score, which is the most collected music collection since Ming and Qing Dynasties. Guangxu thirty years (1904), taught piano in Wuchang, with many disciples. It was handed down from Huayang Gu Yucheng. His name is Shao Geng. His two sons: Gu Juan and Zi Zheqing (1879- 1949). Gu Yu, whose real name is Zhuo Qun (1881-kloc-0/936), inherited his learning and compiled his biography into Hundred Bottles of Qinqu. Gu organized a piano club in Changsha, Peng Qingshou1912-1916. Zhang Kongshan's piano music is characterized by flowing water, drunken fishing songs, Pu 'an mantra and Confucius' reading changes. The song "Running Water" is Zhang Kongshan's masterpiece, which is especially valued by the piano circle.
Several famous Wang Xing artists emerged in Zhucheng. At that time, it was called "Two Kings of Zhucheng" or "Three Kings of Langya". Later, Wang Rubin developed a piano music with local characteristics in Shandong.
Wang Puchang: (A.D. 1807~ 1886), whose name is Fu, was sent to Yushan. These fifteen songs were edited by later generations as Music Score of Tongyin Mountain Hall. His son, Wang, whose name is Xin Yuan (A.D. 1842~ 192 1), is well-known and learned. He lived with Wang in Jinling, and was called "Two Kings of Zhucheng" with the word (about AD 1807~ 1877). Although the two piano schools are different, after exchange and discussion, most of the songs played are the same. Wang Yimen compiled Piano Music, in which Nagato Complaint of Zhucheng School was published for the first time.
Wang Lu: (A.D. 1877~ 192 1). I followed my father, Wang Xueqin, for three years since I was a child, and later I learned the songs handed down by Wang Yumen, which combined the characteristics of Yushan and Jinling, and the former was the main one. Eight years later, he went to Japan to study western music for six years. He engaged in revolutionary propaganda with Sun Yat-sen's Zhong Xing Society. After returning to China, he refused Yuan Shikai's invitation to "be happy in Beijing" and made a piano producer in his hometown. His most cherished Qin Song was stolen in the mutiny and later redeemed with ten acres of fertile land. In a.d. 19 15, "Zhao Yan traveled north and Wu Chu traveled south". Inspired by Zhang Taiyan, he returned to Daming Lake in Jinan to form "Deyin Qinshe", which attracted many literati. 19 18, Cai Xiumin hired him as a teacher of Peking University. Organized the National Music Research Association in Beijing. Zhang Youhe and Zhan are both his disciples. The 28-song series is "Summary of Yuqin Snow", which was once called "Three Kings of Langya" with "Two Kings of Zhucheng".
Wang Rubin: (AD1866 ~1921) Yan Qing, a student of Wang, was introduced by Kang Youwei to teach piano at Nanjing Normal University. He is good at absorbing time music into the piano, and fourteen pieces handed down by him were compiled into Meian piano score by disciples Xu Zhuo and Shao Sen.
Huang Mianzhi: (A.D. 1853~ 19 19) was born in Jiangning, Jiangsu. I studied in Taomenglan, Xiaoshan, and my piano music skills include: Fishing Songs, Three Alleys of Plum Blossoms, Questions and Answers of Fishermen, Wild Goose in Pingsha and so on. At the end of the Qing Dynasty, he provoked his disciples in Beijing with the signboard of "Jinling Qinshe", among which Yang Zongji, Jia Kuofeng, Shi Yinmei and Pu Dong were all famous.
Yang Zongji: (A.D. 1865~ 1933) was born in Jiuyishan, Ningyuan, Hunan Province, in the late Qing Dynasty. I studied piano in my hometown, and continued to learn piano from Huang Mianzhi when I arrived in Beijing. I am diligent in reading and writing. In1911~1931,I have compiled 43 volumes of Qin Xue Series with about 700,000 words. The writing part covers a wide range, with 32 songs, a ruler and a board eye. In his later years, he founded the Nine-Style Piano Club to preach the piano. Guan Pinghu, a contemporary pianist, studied from him, and his son Yang Baoyuan can also play the piano (Qin Yu Magazine today).
◆ Modern
Under the influence of the October Revolution, a cultural revolution marked by the May 4th Movement rose in China. This movement dealt a heavy blow to the dying feudal cultural forces. 19 19 held two piano concerts in Suzhou and Shanghai. One was hosted by salt merchant Ye and held in Suzhou Yiyuan. This time, thirty-one musicians from eleven regions in six provinces including Beijing, Changsha, Yangzhou, Shanghai, Zhejiang and Sichuan were brought together for one day. Fifteen people were played at the meeting, and a comprehensive piano record of Yiyuanshe was printed after the meeting. The other was hosted by salt merchants, newspaper reporters and others, and was held in Chenfeng Road, Shanghai, which lasted for three days, two days of performance and one day of discussion. Zhou Qingyun's Addendum to the History of Qin and Shu Qin Cun Mu were distributed at the meeting. After the meeting, Li, Hao Shiyang, Fu Huaxuan, and Li stayed behind to continue editing the Village Eye. 1934, Cha Fuxi and others organized "Today's Qin Yu Society", first in Suzhou, then moved to Shanghai, and met regularly. Contemporary violinists, such as Wu Jinglue in Changshu and Zhang Ziqian in Yangzhou, are the backbone of this society. They contacted and promoted the activities of Qin clubs in various places, including Beijing Qin Club, Changsha Qin Club, Taiyuan Vowel Qin Club, Yangzhou Guangling Qin Club, Nanjing Qingxi Qin Club and Nantong Mei 'an Qin Club. And quite active for some time. Among them, the activities of the Qin Yu Institution continued until the national liberation.
There are Xia Yifeng in Nanjing, Long in Chengdu, Zhan in Jinan, Xu in Nantong and Zhao Jianfen in Guangzhou. They are famous in the local area. Zhou Qingyun, Guan Pinghu, Cha Fuxi, Wu Jinglue, Zhang Ziqian, etc. all have great influence in the national piano field.
Zhou Qingyun: (A.D.1861~1931) was born in Wucheng, Zhejiang. In the Qing Dynasty, he taught Oracle Bone Inscriptions and later took charge of salt industry. He is a famous wealthy businessman in Shanghai. He has a large collection of piano books and guqin, which is called "the first in Jiangnan". Because of his good piano skills, he often receives piano players from all directions. 19 19, he invited musicians from all over the world to hold a grand party in Chenfeng Road, Shanghai. At the meeting, he distributed books such as Qin Shi Bu, Qin Xu Shi and Shu Qin Village Pasturing. Qin Shi Bu is a supplement to Zhu's Qin Shi Bu. Qin Xu Shi is a continuation of Qin Shi from Song Dynasty to Qing Dynasty. More than 600 records of Qin people are included, and the sources are indicated one by one, which is convenient for users to consult the original materials. Qin Shu's catalogue was compiled in 19 14, which contains more than 300 kinds of Qin Shu bibliographies and music bibliographies. Cao Qin Cun Mu was compiled in 1929, which collected 855 works of past dynasties and accumulated rich materials for Qin studies.
Guan Pinghu: (A.D. 1897~ 1967) a native of Qimen, Suzhou. Father Guan Nianci, a painter of Ruyi Pavilion, was praised by Emperor Guangxu. Guan Pinghu studied piano and painting with his father since childhood. After losing his father at the age of thirteen, he continued to study piano with Ye Shimeng and Zhang Xiangtao. Later, I studied songs such as Fishing Song, Xiaoxiang and Narcissus with Yang Zongji for about two years. On 1923, when I was playing in Tianping Mountain, I met monk Wucheng. After practicing his fingering, his piano skills improved significantly after half a year. Later, I learned the living water of Sichuan School from Qin Daochang in Shandong. Before liberation, he lived in poverty. In addition to teaching at Yanjing Art College, he also accepts students from private schools, and also makes a living by taking piano lessons and ancient lacquer wood. 1952 was hired by the Music Institute, and since then, life has been stable and business activities have gained unprecedented advantages. In the institute for more than ten years, I sorted out the exercises I had learned before, actively engaged in the excavation and sorting of traditional famous songs, and successively popped up more than a dozen tracks such as Guangling San, You Lan and Li Sao. His "Guangling San" and "Running Water" are magnificent and good at fingering, enjoying a high reputation at home and abroad.
Cha Fuxi: (A.D. 1895~ 1976) The famous town lake, also known as Yiping, was born in Xiushui, Jiangxi. When I was a child, I learned to play the piano music "Modern Ancient Songs" and "Night Talk at the Guest Window". In the 1920s, he studied instrumental piano music in Shanghai and Changsha. In 1930s, Qin Yu Society Today was organized and Qin Yu Daily Today was founded. Through these activities, we contacted Qin people all over the country and investigated them. His main occupation is the head of civil aviation. On the eve of liberation, he participated in the civil aviation uprising and made contributions to the cause of people's liberation. 1953, he served as executive director and vice chairman of the National Music Association, communication researcher of China Conservatory of Music, president of Beijing Guqin Research Association, and head of the folk music department of the Central Conservatory of Music. In his later years, he devoted himself to piano learning activities. 1956 conducted a national guqin survey, and compiled Guqin Qupu Survey, Qinqu Integration, Biography of Qin People in Past Dynasties, and Qin Revision through Beijing Guqin Research Association, which did a lot of work for comprehensively and systematically sorting out historical materials of Qin studies.
Wu Jinglue: (1907~ 1987) Mr. Wu, a native of Changshu, Jiangsu. A weak crown is to learn Chinese music and then specialize in the seven-string guqin. In the 1940s, he was a director of Shanghai Qin Yu Society, and in the 1950s, he went to Tianjin as a professor of folk music department of Central Conservatory of Music. President of Beijing Guqin Research Association after the Cultural Revolution. Teacher Qin emphasizes tradition and is good at expressing. It is more important to look at the ups and downs than the times.
Zhang Ziqian: (1899~ 199 1 year), formerly known as Zhang Yichang, was born in Yizheng, Jiangsu. At the age of 23, he left his hometown for Tianjin to make a living. He met famous violinists Cha Fuxi and Peng Zhiqing (celebrating their birthdays), and they often communicated and became bosom friends. At that time, they were called the three outstanding musicians in Pudong. People regard them as excellent piano composers Cha Xiaoxiang, Peng Yuge and Zhang Longxiang. Zhang Ziqian is good at playing three tricks of plum blossom geese in Pingsha, especially dragon vanilla, so he got this title. 1936, three pianists founded the Qin Yu Society, which has been widely influential in guqin for half a century. 196 1 year, Zhang Ziqian, Cha Fuxi and Shen Caonong co-authored the first issue of Guqin, which was published by Music Publishing House. From 65438 to 0956, Zhang Ziqian was transferred to Shanghai National Orchestra as a guqin player, who often performed and recorded. 1988 was hired as an honorary professor by Tianjin Conservatory of Music, and made contributions to the theoretical research, performance and teaching of Guqin music.
Cheng Gongliang: He successively studied with Liu Jingshao, a master of Mei 'an School, and Zhang Ziqian, a master of Guangling School, and inherited the style of Guangling Qin School in playing techniques. This piano school has a history of 300 years and is fickle in fingering. Cheng Gongliang used these fingering techniques to handle the sound delicately and richly, and fully expressed his inner feelings. Autumn Lai is a piano with a soft tone. When you listen to Qiu Lai, the sound of the strings, the sound of fingers sliding on the strings, and even Cheng Gongliang's breathing that fluctuates with the melody are all made into a complete piece of music. At this time, you will really feel that the piano he plays is alive. Kato, a contemporary Japanese philosopher, pointed out this feature in his comments on Monday: he thought Cheng Gongliang's piano showed "the ultimate inner feelings". Cheng Gongliang, who teaches in the Music Department of Nanjing Art Institute, not only experienced the spirit of guqin through playing, but also studied piano theory like all scholars. In this respect, his musical works are particularly outstanding. Guqin spectrum is a "subtraction spectrum" composed of radicals and strokes of Chinese characters, which does not directly represent sounds, but is a manual spectrum. In the eighty-sixth chapter of A Dream of Red Mansions, Jia Baoyu saw a tick beside the word "big" and a "five" in the middle. Lin Daiyu explained: "The characters' big' and' nine' are to press the' nine emblem' on the piano with the thumb of the left hand, while the character' five' is to tick the' five strings' with the right hand, not a word, but a sound." Cheng Gongliang called this kind of work musical archaeology. However, he believes that although the notation of Guqin is mysterious and simple, it legally tolerates Qin people to deal with the original score moderately and flexibly to show their understanding and personality. A few years later, he wrote ancient genealogies such as Fengxiang Qianqi, Shidun Grass, Lonely Bamboo King, Forgetting Worry and Wang Wencao. Wonderful music thousands of years ago reverberates in modern time and space. Playing music deepened Cheng Gongliang's understanding of Guqin, and he felt the deepest and most silent pulse of Guqin. 1989, he spent half a year playing the ancient song King Cao Wen, which became the theme song of the TV series Confucius. According to the Records of Han Dynasty, Confucius learned the piano from Xiangzi, musicians learned the piano from Lu, and composers knew the meaning of the song from the sound, pointing out that this was Cao, which made Xiangzi admire it very much. This is a rare ancient and sincere Confucian music. 1997, accompanied by the Chinese Symphony Orchestra, Cheng Gongliang's "King of Cao Wenguo" gained new life and charm again after blending ancient and modern music.
Shi Kuang:. "About the training of Huainanzi. "Rhyme" said: "If the stone beads also move up and down, there is no dimension, not alto." Zhou Shu records that he is not only good at playing the piano, but also plays the harp. Shi Kuang is also familiar with the tunes of north and south folk songs and musical instruments. "Zuo Zhuan" records: "Jin people heard of Teacher Chu and said,' It's harmless! I suddenly sang the north and south winds. The south wind does not dispute, Chu is ineffective! "Written by Fu Bao (100). In the music score of Ming and Qing Dynasties, Yangchun, Snow White and Xuan Mo were misinterpreted as Shi Kuang's works.
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Boya: Boya was a famous pianist in the Spring and Autumn Period. He is good at playing guqin (whether piano or A Zheng), and his skills are superb. He is not only an expert in piano performance, but also a composer, and is regarded as the "piano fairy". Xunzi? The article "Persuade to Learn" said that "Bo Ya can play the piano six horses and Yang Ke", which shows his superb piano playing skills. The taste of Lu's Spring and Autumn Annals records the story of guqin meeting a bosom friend and understanding the story of guqin in the mountains and rivers. "Cao Qin" records that after three years of unsuccessful piano learning, the teacher took him to Penglai Mountain in the East China Sea to listen to the sound of surging sea water and the whining of birds, so he wrote "Water Cao Xian" with emotion. Today's piano music "Mountain", "Running Water" and "Narcissus Exercise" are all legendary works of Boya. Later generations also created the piano music "Diaozi" based on the story of wrestling with Xie Lianqin.
Zheng Yutong's Liezi Tang Wen in the Warring States Period: "Boya drums and harps against the mountains, and Zhong Ziqi said,' Good, majestic as Mount Tai!'" "Determined to manage water, Zhong Ziqi said,' Well, the ocean is like running water.' "
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Zhou: Zhou: A famous musician of Qi during the Warring States Period. He lived in Ximen, the capital of Qi, and was called "Yong Men" at that time, so he thought it was a number, also known as Yongmenzi or Yong Men Zizhou.
In "On the Garden Mountain", he said that he "tasted Meng Changjun and played it on the piano. Creeping palace sign, slightly waving feather angle, cut into curves. Meng Changjun shed more and more tears and sweat. He said, "Mr. Guqin made Wen's country perish. "That is to say, he told Meng Changjun to die, and then led the piano to drum it up, making Meng Changjun cry as soon as he heard the piano. It is said that he was the first person to invent music score.
Huan Tan: Wang Chong praised his work "litigating what's going on in the world, distinguishing whether it's obvious or not, and whether it's untrue or disguised can be proved". On Qi had an influence on the development of atheism. His works include 29 new theories, which were lost long ago. Now a new theory of form and spirit is passed down, and it is included in Hongming Collection. The New Theory was better edited by Yan Qingke Jun (see Ancient Three Dynasties, Qin and Han Dynasties and Six Dynasties). In addition, there are 26 pieces of fu, obituary, calligraphy and recitation. Today, there are such articles, such as Xianfu and Chenshu, which restrain and reward Shu (see this biography). There are five volumes in Sui Shu Jing Ji Zhi, which has been lost. See Biography of Huan Tan in the Later Han Dynasty.
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Cai Yong: According to the Biography of Cai Yong in the Later Han Dynasty, [/font] some people in the State of Wu burned paulownia for food, and only when they heard the sound of the fire did they know its good wood. Because the invitation was cut into a piano, the fruit was beautiful and the tail was disturbed, so it was called "coke". At first, Yong lived in, and some of his neighbors called Yong with wine and food, which was more extravagant than in the past. When the guest was playing the piano on the screen, he went to the door and tried to listen. He said, "Hey! What's the point of killing me with joy? " The traitor told his master, "Cai Jun always goes to the door." Su Yong was ruled by a rural country. When the host asked him why he was chasing him, he had to tell him, so he was very angry. The violinist said, "I pulled the string and saw cicadas singing in the direction of mantis." Cicada can walk but can't fly. Mantis is the first batch. I was surprised that I was afraid of losing the mantis. Is this a heart-killer, a person shaped by sound? " However, Wan Yong smiled and said, "That's enough."
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Cai Yan: Eighteen Beats of Hu Jian in Song Dynasty/view/5379.htm.
Ji Kang: The Book of Jin Ji Kang Chuan Zi Tong Zhi Jian. The leader of "Seven Sages of Bamboo Forest". During the Three Kingdoms period, a writer, thinker and musician at the end of Wei Dynasty, one of the representatives of metaphysics in Wei and Jin Dynasties, was good at temperament. His works include Changqing, Short Qing, Long Side, Short Side, etc., which are collectively called "Four Seasons" and "Nine Roads" with the five roads of Cai in the Eastern Han Dynasty. Yang Di once regarded "nine farmers" as one of the conditions for selecting scholars in the imperial examination. The story of "The Sound of Guangling" he left behind was passed down as a much-told story by later generations, and Guangling III became one of the top ten guqin songs in China. His works such as Sound Without Sorrow, Breaking Up with Mountain Home, Fu Qin, and Health Preservation are also masterpieces handed down from generation to generation.
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Ruan Xian: He is good at playing pipa and proficient in melody. It is said that Ruan Xian transformed the pipa introduced from Qiuci, which was later called Ruan Xian, or Ruan for short.
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Liu Kun: Biography of Liu Kun in the Book of Jin and Annals of Jing consist of 9 volumes of Liu Kun Ji and 12 volumes of Bieji.
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