According to the Records of Tai Po County in the thirty-sixth year of Jiajing in the Ming Dynasty (A.D. 1557), Zhong Jun's class in Tai Po has been engaged in music, eight tones and stringed music, and there are ancient music scores of "Zhong and Lu". The Record says: "Pu's poems in the tide are better than Zou Lu's" and "Pu's custom is the poem of the family". During the Ming and Qing Dynasties, Tai Po County was under the jurisdiction of Chaozhou Prefecture, so it was called "Puzaichao". Since then, the custom of Pu has also been described in Six Counties: "memorizing family strings" or "comparing family strings". In the Qing Dynasty, scholars such as Luo Shuyu from Dapu, Yang Youlie from Baihou and Zhang Zhennan were all good at playing the piano and flute. Zhang Zhennan's family knew about it more than ten times, and it became a much-told story at once. During the Guangxu period of Qing Dynasty (1882), Chayang Xiucai Rao was good at playing Sanxian and Pipa, and even copied the music title "Kangle Collection", which included 182 pieces of China music. It has been more than10/0 years. During the Republic of China, China music was very popular in Tai Po. There are string clubs in every corner of the countryside, such as Yi Tong Folk Music Club, Yi Tong Folk Music Club, Baoding Folk Music Club and Le Xuan. Li Lantian, a famous artist of Shuangxi National Military Class in Tai Po, once said: "My ancestors played singing for a living, and my generation has about six or seven generations."
According to reports, there were nearly 100 "flute halls" in Tai Po at that time (Pu people called suona flutes), which shows its prosperity. The vigorous development of Han music activities in the Republic of China has created a large number of artists and musicians with high artistic achievements, such as how to educate Zhai, Rao Tuosheng, Qian Ruochu, Rao Congju, Luo Jiuxiang, Rao Bichu, Li Lantian and Li Zhitian. They are not only active in dapu county, but also spread China music to Singapore, Malaysia, Shanghai, Guangzhou, Shantou and other places. The National Music Department of Singapore Hakka Association hired Tai Po musicians as guidance; 1990 In the spring, He Yuzhai and Rao Tuosheng organized "Chaomei Music Club" in Guangzhou. In 2 1 year, He Yuzhai went to Shanghai to establish "Xiangyi Society", and in two or three years, a group of China music talents were created. In Shantou, Qian Ruo, a native of Tai Po, started the commonweal musical Yueyue, which together with Rao, Rao Tuosheng, Rao Congju and Rao Bichu promoted the recreational activities of Shantou commonweal society. At that time, many China music records with dense patterns were of high quality and have been treasured up to now.
After the founding of New China, under the guidance of the Party's policy of "letting a hundred flowers blossom", dapu county's national music activities flourished, and clubs mainly playing national music were established in various places. Larger organizations are: dapu county Zhong Junban Artists Union and dapu county Folk Music Research Association. There are 1, 2 and 3 episodes of Tai Po folk music in the compilation and publication of music scores. Han Qu Ji, Suona Qupai, Gong Gu Jing, etc. During this period, Rao, Rao Congju, Luo Jiuxiang, Yu Dunchang, Luo Lian, Li Deli and other China musicians went to Ann, Beijing, Guangzhou and Meizhou to perform and record films. Ten years of turmoil during the "Cultural Revolution" forced China's music activities to stop. After the reform and opening up, China music activities in Tai Po have been revived.
1989110 In October, dapu county China Music Research Association was established, and China music performance teams all over the country resumed their activities one after another; Editing and publishing "300 pieces of Guangdong Han music" and "300 pieces of Guangdong Han music new songs"; "China Research Association" publishes the academic journal "Music Research in China"; Since the 1990s, he has received many visits from British, American and Filipino musicians, sent delegations to perform in Singapore, Hong Kong and other countries and regions, and received many audio and video recordings from china national radio, CCTV and Taiwan TV stations.
In order to promote the popularization and improvement of mass China music activities, the county held many China music performances, special evenings and large-scale concerts. China Music Training Course for Summer Teenagers was also held. In 200 4, due to the wide spread and popularization of Guangdong Han music, dapu county was named as "the hometown of ethnic folk art in Guangdong Province" by the Guangdong Provincial Department of Culture.
In the thirty-sixth year of Jiajing in the Ming Dynasty (1557), the column of sacrificial rites and music was set up in Tai Po County Records, which included musical instruments such as Qin, Qin, Zhong, Qing, Sheng and Xiao in detail, and attached five kinds of ancient music scores, which were used to greet, commemorate and send the gods. In the folk, in the late Ming Dynasty, Luo Shuyu, a native of Langfeng, Tai Po, fled to the deep mountains and enjoyed himself by playing the piano and reading books every day.
In the first year of Qing Qianlong, Yang Youlie, a scholar from Tong Ming, Tai Po, boarded the Ming Building while giving a lecture at Hainan Qiongshan College. His biography says: The willow leaves are Xu Ming, and the moonlight is frost. He went back and lent it to Dong Xiao to play "Shui Long Yin" and couldn't get rid of it. See the characters in "Tai Po County Records" above, and call them Confucian music. As for Zhong Jun's music, folk gongs and drums and octaves, etc. The tenth volume of Tai Po County Records, Ten Years of Qing Qianlong (1745) is a folk custom. "beginning of spring" contains: On the first day in beginning of spring, various social performances advocated that plowing cattle was against the soil, and farmers could tell the rain by the color of plowing cattle. D. Advocacy is the general term for Zhong Junban's music and eight-tone gongs and drums. Let's talk about temple fair music. In the Tang Dynasty, monks and nuns were enshrined in temples. In order to adapt to the local folk customs, Buddhist songs have absorbed folk songs, ballads and popular tunes, and invited China military musicians to accompany them with suona, which has been inherited.
From the late Qing Dynasty to the Anti-Japanese War, Guangdong Han Yuefu was quite common in eastern Guangdong. And there are more regular music clubs in the town. Confucian music in this period has the following characteristics:
One is to play China music and Pihuang at the same time. Han music and Han opera music promote each other.
The second is to do research. Since the 1920s, Qian Ruochu (a native of Tai Po) has often published comments on China's music in Shantou Daily. In the 22nd year of the Republic of China (1933), the monthly musical of the public welfare society was founded and published 1 1 issue. He Yuzhai, a famous master of Chinese music, arranged nearly 100 pieces of traditional silk string music, marked paragraphs and recorded the flowers in the performance in fine print. Notation has been improved.
The third is the appearance of the empty board of silk string. Compared with the music score of this century, the old music score of 100 years ago has words and sounds appearing on the board (that is, the first beat of the bar), while the latter has become an empty board, such as Cui Zideng Detective, Your Legend and Thousand Miles Destiny. This is a re-creation in the performance of music artists, which has been recognized and licensed.
Fourth, music materials are published one after another. For example, the Guide to Qin Xue compiled by Wan Chuan of Jinyang Paradise (the name of the old county in Tai Po) was printed and published by Shilai (Singapore) and Shengyin Bureau in the 22nd year of the Republic of China (1933), which included 42 scores of public records such as Water Lotus and Xiaoyangzhou. In the 23rd year of the Republic of China, the Collection of the 5th Anniversary of the National Music Department of Xingzhou Hakka Association was published, and nearly 200 I-scale scores were annotated in detail. In the same year, the Music Score of China edited by Chen Xiaohu in Tai Po was published, which included 45 pieces of Gongchi music. On the eve of War of Resistance against Japanese Aggression, Xingning Guoleshe published the lithographed "China's Music Score", with about 65,438+000 copies of Gong Chi music score. These publications have played a great role in the inheritance of Guangdong Han music.
The fifth is to establish mass music organizations. For example, the foreign wind national music club in Chaozhou; Yi Tong Chinese Music Club in Tai Po. Yi Tong National Music Club and Baihou Confucian Music Club; Shantou's public welfare society and Yicheng society; Xihe Baoding National Music Society; Meizhou Meixian District Yiguang National Music Society; Meizhou xingning city Xingning National Music Society; Chaomei Music Club in Guangzhou and so on. It can be seen that Guangdong Han music flourished during this period. Sixth, the predecessor of Guangdong Hanle was Rao Yu in the Republic of China 16 (1927), and he successfully created a body Hu based on the erhu. With soft and rich timbre and wide range, the teapot is more suitable for Guangdong national music, thus replacing the hexagonal erhu.
After War of Resistance against Japanese Aggression, people's life was difficult, and China's music activities in Guangdong were greatly reduced.
After the founding of New China, Guangdong folk music has been fully valued and greatly developed. The original music club was renamed as a society, and some became
Chinese opera class club. Some China military artists have also joined the Han Opera Troupe, and their activities are more extensive. Especially in 1956, the Hakka Music Troupe represented by Rao Congju, Rao and Luo Jiuxiang went to Beijing with the Guangdong Troupe to participate in the first National Music Week, which was a success. His performance of Guangdong Han music was well received, and Jing Guan produced more than ten music records such as "Single Nod" and "Zhao Jun's Complaint". 65438-0959 Luo Jiuxiang, a famous guzheng expert, went to Xi 'an to attend the National Guzheng Textbook Conference, and was praised as the representative of Guzheng South School.
1962, dapu county 16 musicians, including Luo Jiuxiang and Luo Lian, gave five concerts, made special performances and recorded records for the first Yangcheng Music Flower Festival. In particular, the interesting folk songs such as Tea After Dinner and Marry a Good Lang performed by the China Military Class are highly praised by people in the national music industry. The Propaganda Department of Guangdong Provincial Party Committee specially held a forum for "Guangdong Chinese Band". Since then, Guangzhou Conservatory of Music has opened a music class in China, Guangdong Province, to train musical talents in China. 1987 From late May to early June, Guangdong Province held Music Performance Week, and Guangdong Zhongle Group was invited to participate in six performances, which had a great influence.
After 1980s, Guangdong Han music developed further, and many music materials and score materials were published. For example, there are 300 pieces of China music published by 1982.
More than 700 years ago, the ancient music of the Central Plains spread from the Central Plains to remote mountainous areas such as eastern Guangdong, and merged with folk percussion and temple fair music in the guest residence, forming a unique music genre and becoming one of the three major music types in Guangdong Province. Tai Po has a good foundation of Chinese music, and folk Chinese music activities have a long history, and Chinese music performance points are all over urban and rural areas. According to "Tai Po County Records", the folklorists in Pu are reciting "Family String". According to incomplete statistics, there are 38 China bands, more than 60 family China music venues and more than 200 members of Guangdong China Music Research Association.
The state attaches great importance to the protection of intangible cultural heritage. On May 20th, 2006, Guangdong Hanle was approved by the State Council to be included in the first batch of national intangible cultural heritage list.
In order to promote Guangdong Chinese Music, Shenzhen Shengping Primary School established the Guangdong Chinese Orchestra in 2006, with more than 38 members/kloc-0, all of whom are students. After several years of training, the performance level of the orchestra in Shengping Primary School is getting higher and higher, and it has won many provincial and municipal competitions.
20 10 In May, the organizing committee of the 6th Guangzhou Asian Games issued an invitation to the Guangdong Chinese Orchestra of Shenzhen Shengping Primary School to perform the Asian Games. As the only student Chinese Orchestra in China, the Guangdong Chinese Orchestra of Shengping Primary School will perform in the Asian Games Town, the official headquarters hotel, tianhe sports center and other important venues to show the people of Asia the precious intangible cultural heritage of Guangdong national music.
Guangdong Hanle, a brand special of Shenzhen Buji Hakka Music Association, made its debut at the Guangzhou Asian Games on 20 10/6, and then staged the Universiade on 2010, and made a wonderful appearance at the opening ceremony of the Universiade Cultural Park on July 19. During the Universiade, Hakka music culture will be displayed to friends all over the world.
20 12,12/October 24th, in the final of traditional folk music group of 20 12CCTV National Instrumental TV Competition, the Guangdong national music Cui Zi Deng Tan, selected and presented by Meizhou Guangdong Han Theatre, won the first place in this group with excellent results, which was the first time that Meizhou literary and art groups participated in the national competition.
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