Ma Kan's works
Director/screenwriter

Past events (3) 2006-2008

Drastic changes and changes 2007

Huangmei Opera 2009

Sea ups and downs 2009

Brother Tactics 20 1 1

Under the temptation of 20 12

Manglietia (in preparation)

film producer

Documentary Wen Jun's Western Expedition 2007

On-the-spot mystery of the Republic of China in 2008

The TV series "Defending the Western Xinjiang" 20 12

TV series Conscience 20 13

The movie "best friend" 20 14

The movie Gui Xiang 20 15.

Introduction of works

Chinese Name of "Under the Temptation": mbth, Under the Temptation: Under the Temptation Type: Comedy, Plot Other Translation Names: Things Not Suitable for Starring: Feng Lei, Liu Hua, Dong Lifan, Wang Shuilin, Jiang Ke Region: Chinese mainland Length: 95 minutes Director: Ma Kan Release Time: 2065438+June 8, 2002 Screenwriter: Ma Houke, Miao Qiang Dialogue Language: The ordinary characters in the film, such as "pseudo-health owner, coal boss, hostess, doctor, insurance salesman and black car driver", were originally operated according to their own life clues. With the unfolding of the plot and the escalation of contradictions, the original potential connection between the characters gradually surfaced, and everyone was entangled in a car accident, and their fate suddenly changed. The film was released in Chinese mainland on June 8th, 20 12.

The film evokes the thinking of social contradictions in China's transition period with a story structure that conforms to China's social reality, dramatizes the fate of characters through black humor, reflects the complicated and misplaced interpersonal relationships and desires in modern China, and emphasizes the balance between people, people and society, and the balance of desires.

Huangmei Opera

Huangmei Opera (also known as Huangmei Opera) is directed by the famous documentary producer Chen Xiaoqing, directed by Ma Kan and photographed by Jin Chenyu. After the documentary team of Chen Xiaoqing created the large-scale nature documentary Song of the Forest in 2007, they turned their attention to the unique charm of Huang Meiyun. After long-term and in-depth investigation and expert argumentation, we strive to make this film the most authoritative video record of Huangmei Opera. The great drama Huangmei resolutely adopts the concept and method of "grand historical view" to observe the history of Huangmei opera for more than 100 years. The grand view of history is also called the holistic view of history, and its main spirit is the overall transformation from the separated history of people, politics, economy and culture to "social history" (note: not "social history"), which is "the whole society". A country's politics, economy, culture, mental state, social life and ecological environment. They are all interrelated organic components, which affect the whole body, so we must look at history comprehensively from the overall perspective. The film boldly broke through the traditional documentary and stage shooting techniques and created a unique and alternative style in image.

Huangmei Opera is about the development of Huangmei Opera, a folk opera that originated in the countryside for more than 100 years, but it is not very narrow. No matter the origin and development of Huangmei Opera or the legendary figures in Huangmei Opera circle, they all discuss "from big to small" in the big background, trying to make the seemingly "isolated" phenomenon find the appropriate coordinates in the complex framework of cultural factors. Among the first national intangible cultural heritage list "Traditional Opera" in China, Huangmei Opera declared by Anqing City, Anhui Province and Huangmei County, Hubei Province is on the list. This is something to be happy about, but it also shows that Huangmei Opera has faced difficulties and is in a weak position in China society where multiculturalism originated. The filming of Huangmei Opera can be said to be a kind of "rescue" for Huangmei Opera. Most of the historical witnesses involved in Huangmei Opera, such as performers and fans, have passed away, and many of them are elderly people. With a serious attitude towards art, the film master visited old artists and old opera fans again and again. Witnesses such as Shi Bolin and Zheng are all veterans. They were moved by the sincerity of the crew and told many unknown stories. Many opinions and facts were first revealed in this film.

In the process of combing the hundred-year history of Huangmei Opera, the creators gradually found that the emergence and development of a folk opera had its own laws. As long as we pay attention to innovation and audience experience, we can break through the bottleneck and achieve new development, from a Huangmei opera class or a Huangmei opera movie to the whole Huangmei opera industry and culture. Huangmei Opera is full of hope. In the long river of history, to dig deep into the artistic vitality of Huangmei Opera itself is also to provide some thinking and reference for today's Huangmei Opera. Over the past 100 years, Huangmei Opera has not stagnated, but has kept forging ahead in line with the trend of the times, playing an increasingly important role in maintaining a relatively original cultural development environment and giving play to the social functions of Huangmei Opera culture. In the process of globalization, how to maintain its unique cultural and aesthetic value and move forward steadily in the stormy waves of market economy is the primary problem faced by Huangmei Opera.

With this kind of thinking, Huangmei opera pays special attention to the "nodes" that have a great impact on society in the process of creation. One is that in the 1950s, Huangmei Opera produced many popular movies such as The Fairy Couple and Female Ma Xu with the help of the art form of movies, which cultivated many opera fans. Secondly, in the last two decades of the last century, Huangmei Opera created a myth of Huangmei Opera in the form of TV series, which also made Huangmei Opera a household name.

Word of mouth has been further improved. In the new century, Huangmei Opera has absorbed elements such as traditional opera, dance drama and historical drama, and created new dramas such as Huizhou Woman, Swing Up, Storm II, and constantly explored on the two roads of tradition and innovation.