The Capital Museum is a large comprehensive museum in Beijing. It was officially opened to the public in June 198 10. At that time, the museum was located in the Confucius Temple in imperial academy, and the environment was elegant.
For decades, the Capital Museum has collected a large number of cultural relics, with a collection of 250,000 pieces, including bronzes, pottery, calligraphy and painting, stone carvings, coins, jade articles, seals, embroidery, horns of bamboo and wood, Buddha statues, stationery and folk handicrafts. There are also many orphans and treasures in the collection that are well-known at home and abroad.
Since its opening, the Capital Museum has held many well-received exhibitions of historical relics at home and abroad, such as: Beijing Historical Relics Exhibition, Yuan Dynasty History Exhibition, Old Beijing Spring Festival Folk Exhibition, ceramics collection, calligraphy and painting authenticity identification exhibition, Beijing historical and cultural exhibition, etc.
Address: Fuxingmenwai Street 16, Xicheng District, Beijing
Postal code: 100045
Tel: 0 10-6337049 1/92
Fax: 0 10-633 10689
E-mail :bjm@beijingmuseum.org.cn.
Website:
Boutique Exhibition Hall: Learning Collection Boutique Exhibition
"Study Boutique Exhibition" is the first exhibition launched by the Capital Museum with the clue of study Four Treasures of the Study. The exhibition is divided into three parts. The first part is Four Treasures of the Study, including pen, ink, paper and inkstone. The second part is the Wan Wen in the study, which consists of a pen container, a pen container, inkstone drops, a water bucket, a pen washer, handrails, paperweights, a fuming stove, Yin He, Yin Chuang and a seal. The third part sets up a relaxed and interesting learning environment, which consists of painting cases, piano cases, round tables, embroidered piers, treasures and bookcases. A total of 149 pieces of cultural relics were exhibited, including Qianlong Imperial Ink, Yuchuanxuan Carved Paper, Four Famous Ink, Bamboo Carved Zhang Shanshui Pavilion Pen Container in Ming Dynasty and other precious cultural relics. Formal design adopts brand-new ideas, uses modern museum exhibition art language, and uses high-tech means to design avant-garde. The exhibition line is reasonable, concise, smooth and obvious, which highlights the appreciation. The exhibits are novel in design, beautiful, safe and easy to watch, and the style is in harmony with the connotation of the exhibits.
Ancient jade art exhibition
The "Fine Exhibition of Ancient Jade Art" focuses on revealing the historical development of jade cultural relics. According to the current research situation of jade cultural relics in academic circles, combined with specific cultural relics, this paper shows the basic context of jade development to the audience from the vertical time of jade craft development and the horizontal direction of different kinds of jade, which embodies the technological characteristics of jade development in different periods. The exhibition is divided into three parts, showing the cultural relics 18 1. A large number of jade articles have been unearthed from the tombs of princes and nobles, as well as jade articles such as the emperor's year number and imperial poems, which highlights the cultural characteristics of Beijing as the capital. At the same time, based on the people-oriented principle, a "List of Main Jade Materials in Ancient China" and some schematic diagrams of jade articles were set up to help the audience understand the contents of the exhibition. The design is divided into static exhibition areas; Dynamic exhibition area. The lighting is directed by a point light source, which highlights jade artifacts and reproduces the moist beauty of jade artworks. The color temperature is based on the original color.
Yan Di Bronze Art Exhibition
"Yan Di Bronze Art Exhibition" reflects the cultural characteristics of Yan bronze and shows the earliest bronze art in Beijing from the aspects of casting technology, modeling and ornamentation. The exhibition is divided into two parts, with 132 components. It shows the brilliance of ancient bronze art in Beijing and the superb skills of ancient craftsmen from exquisite casting technology, strange and vivid modeling and exquisite ornamentation.
In order to highlight the characteristics of Yan culture, a square city with rammed earth was designed in the center of the exhibition hall, symbolizing Liu Lihe in Fangshan, the capital of Yan State in the Western Zhou Dynasty. The inner and outer walls of the city wall and the display cabinets on the four walls of the exhibition hall form three concentric exhibition lines. The exhibits of the Western Zhou Dynasty are located in the center of the exhibition hall, and the exhibits of the Eastern Zhou Dynasty are located in the circular display cabinets on the four walls of the exhibition hall. The exhibits in the two weeks were placed in the order of weapons, ritual vessels and miscellaneous vessels, which realized the contrast between the two bronze cultures.
Ancient calligraphy art exhibition
The "Exquisite Exhibition of Ancient Calligraphy Art" focuses on reflecting the calligraphy culture and art of the capital, and shows the characteristics of China's calligraphy art by displaying inscriptions, famous calligraphers in Yuan, Ming and Qing Dynasties and ink works collected or circulated in Beijing. The exhibition is divided into two parts. The first part is the treasure of the bookstore: the main content of the exhibition is the works of famous calligraphers who lived in Beijing during the Yuan, Ming and Qing Dynasties or were inextricably linked with Beijing. The second part is the royal style: the royal calligraphy with unique artistic style is on display. There are 53 cultural relics on display, including thirteen lines of jade carvings in Luo Shenfu's regular script in Jin Dynasty, Three Plum Blossoms in Huang Tingjian's cursive script in Song Dynasty, Jin Xuejie's cursive script in Yuan Dynasty, The Five Classics Manual in Zheng Xie's running script in Qing Dynasty and precious works of Emperor Kangxi and Emperor Qianlong.
Exhibition of ancient painting art
The "Fine Exhibition of Ancient Painting Art" combines the cultural theme of the capital to present paintings of major schools, famous artists, various categories and different techniques to the general audience. Through these works, the unique charm of China's ancient painting art is displayed. The exhibition is divided into three parts, focusing on the Ming and Qing dynasties, with a total of 56 works on display. Among them are The Disciple of Confucius, Eighty-seven Immortals, and Wen Zhiming's Color Map of Jiangnan Spring. The exhibition design arranges the exhibition lines and areas according to the architectural characteristics, which makes the exhibition hall space, people flow and logistics more harmonious and smooth.
Art exhibition of ancient Buddha statues
The "Ancient Buddha Art Exhibition" mainly shows the fine works of Chinese and Tibetan Buddha statues. The theme of the exhibition is to comprehensively and systematically show the historical features of the art of Sino-Tibetan Buddha statues, and at the same time show the rich background and regional cultural characteristics of Buddhist culture in Beijing. Through this exhibition, the audience can witness the development and evolution of the Buddha art in the Han and Tibetan areas of China and the different cultural and artistic characteristics formed; Appreciate the unique character and artistic charm of China culture expressed by the art of Buddha statues; Understand the rich historical and cultural connotation of Buddha statue art and its close relationship with China ancient social politics, economy, culture and people's aesthetic concept. The exhibition is divided into Han Buddhism art and Tibetan Buddhism art. A total of 262 Buddha statues with different types, shapes and styles are exhibited, most of which are treasures collected for the first time.
Ancient porcelain art exhibition
The "Fine Exhibition of Ancient Porcelain Art" shows the porcelains unearthed and circulated in the historical period when Beijing was the capital, including the porcelains unearthed in Beijing's ruins, tombs and cellars during the Song, Liao, Jin and Ming and Qing Dynasties. The exhibition is divided into four parts, with 170 components. During the Song, Liao and Jin Dynasties, the Yue Kiln's green glazed carved figure-patterned banknote pot, the Ding Kiln's white glazed boy's chanting pot, and the green glazed enamel "Dujia" water bottle. Blue-and-white multi-wood pot, blue-and-white flat pot with phoenix head, spring bottle with red flower and jade pot in glaze, blue glazed applique with animal face in Jun kiln, flat pot with black flower and dragon and phoenix pattern on white background in Cizhou kiln, etc. In the Ming and Qing Dynasties, precious porcelain such as Xuande blue glazed bowl, Chenghua Doucai grape grain Cup, Yongzheng coral red enameled flower-and-bird bottle, Gan Long turquoise Greenland pastel Fan Lian wooden pot and so on are even more rare. It reflects the historical development stage of China ceramics and the historical development track of Beijing at that time. The exhibition atmosphere is quiet and soft, and it is displayed in groups.
Virtual exhibition
Virtual exhibition is not simply to show the exhibition in cyberspace by digital means, let alone to virtualize the exhibition. It should show exhibitions that have never been held in reality or are difficult to show by practical means to the public in cyberspace by digital means, give full play to advanced digital technical means, and make use of the freedom of cyberspace to present them in various forms, angles, all directions and in depth.
The Capital Museum is rich in collections, historical and folk materials, and has unique advantages in displaying Beijing's history and culture. Due to the limited space in the exhibition hall of the museum, it is impossible for us to hold exhibitions with different themes often, but we can make full use of the vast network virtual space to introduce various virtual exhibitions with the characteristics of the Capital Museum to the public, and push the virtual exhibitions to reality in an appropriate way at an appropriate time.
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