Please enter your answer ... This is a dream poem and a fairy poem. The magnificent artistic conception, unpredictable, colorful artistic images and novel expression techniques have always been told by people and are regarded as one of Li Bai's masterpieces. The title of this poem is "Biedonglu Zhu Gong", which was written after the Imperial Academy. In the third year of Tianbao, Li Bai was given gold by Emperor Xuanzong of the Tang Dynasty, which was a major political failure of Li Bai. After leaving Chang 'an, he made friends with Du Fu, Gao, Liang, Song, Qi, Lu and Dong Lu. At this time, Donglu's home is quite big, so you can enjoy killing time at home. But Li Bai didn't do it. He has an unstable soul, and he has a higher and further pursuit, so he left his home at the east foot and embarked on a wandering journey again. This poem was written when he bid farewell to Duke Lu Dong. Although it has been many years since I left the Imperial Academy, my anger and resentment against political setbacks are still smoldering, so at the end of the poem, I made such a radical voice. Li Bai walked between mountains and rivers all his life, loved mountains and rivers and realized his dreams. The sleepwalking described in this poem may not be completely illusory, but whether it is illusory or not, sleepwalking is more suitable for being divorced from reality and more convenient for exerting his imagination and exaggerated talent. "A sailing tourist will talk about Japan, and water and fog are hidden outside the method; But the more people talk about Tianmu Mountain, the clouds are clear or visible. " At the beginning of the poem, Yingzhou, an overseas wonderland in ancient legend, is illusory and cannot be found; In reality, Tianmu Mountain is hidden in clouds and neon lights, which is really better than fairyland. Virtual reality highlights the scenery of Tianmu Mountain and implies the poet's yearning for Tianmu Mountain. The writing style is full of magic and fascinating. Tianmu Mountain is near Tunxi. According to legend, climbers have heard the song of the immortal Tianmu Mountain, hence the name. Tianmu Mountain is opposite to Tiantai Mountain, with steep peaks. Looking up at it is like looking up at the sky and falling into a fairyland, which is easy to arouse tourists' reverie. The landscape of eastern Zhejiang is the place that Li Bai yearned for when he was young. When he first came out of Sichuan, he said, "This trip is not a bass, but a famous mountain." Before entering Hanlin, he traveled more than once. He not only likes the scenery here very much, but also is very familiar with it. Tianmu Mountain, known as the miracle, is a beautiful land in eastern Vietnam. But compared with other mountains, such as Wuyue, the five famous mountains in China, its position in people's minds is still dwarfed. However, in his poems, Li Bai boasted that he was "climbing to the top of the Five Mountains and penetrating China", which was even more tall and straight than the Five Mountains. The famous Tiantai Mountain leans as if it fell at the foot of Tianmu Mountain. This Tianmu Mountain is about standing out from the crowd and soaring into the sky, which is unusual. This dream of Tianmu Mountain should be said to be the illusion of strange mountains and strange mountains that Li Bai experienced all his life. It is the exaggerated shadow of Tianmu Mountain in the reality described by Li Bai. Then it shows a magnificent and changeable wonder: Tianmu Mountain is hidden in clouds and neon, which arouses the poet's desire for exploration. The poet entered a dream, as if he had flown over a mirror-like lake under the bright light of a moonlit night. Mingyue reflected his shadow on Jinghu Lake and sent him to land where Xie Lingyun once stayed. He put on Xie Lingyun's special clogs and climbed the stone road that Xie Gong had climbed in those years-the Qingqu ladder. "Halfway through the sunny ocean, the sacred rooster crows in space. Thousands of turns, flowers lure me, stones slow me down. The day suddenly ended. Bears, dragons and storms on mountains and rivers disturb forests and shake mountains. Clouds are dark because of rain, and streams are light because of fog. " Following the flight, I wrote down what I saw in the mountains, the stone path circled, the light in the deep mountains was dim, I saw the sea and the rising sun, and I saw the cock crow. This is a dawn; But in the charming mountain flowers, leaning against the stone for a moment, I suddenly feel that dusk is coming and how sudden the change is. In the twilight, bears roared and sang, shook in the valleys, the deep forest trembled, and the roof started up. Not only living bears and dragons express their feelings by singing and growling, but even the top of the floor and the depths of the forest can tremble and disturb. Smoke, water and Qingyun are full of gloom, and they are integrated with the poet's feelings to form a unified atmosphere. The front is a romantic description of Tianmu Mountain, which is both high and strange; Here is a romantic lyric, both deep and far. This strange realm is shocking enough, but the poet did not stop there, but the realm of poetry changed from strange to absurd, and the whole poem entered a climax. In the deep and frightening twilight, in an instant, "the hills collapsed", a fairy world "vented in the sinkhole" and "an impenetrable shadow, but now the sun and the moon reflect a gold and silver platform. Wearing rainbow clothes and riding the wind, the queen of all clouds came and fell one after another. " The cave is blessed with land, appearing here. "Cloud King" is wearing a rainbow, driving a long wind as a horse, a tiger as a drum, and a phoenix as a car. It's all a grand gathering of poets ordering people to go to Xianshan. What a grand and warm scene this is. "Row after row, like hemp, lined with fairy figures"! The immortals seem to line up to welcome the poet. The golden platform, the silver platform and the sun and the moon complement each other. The scenery is magnificent and colorful. How shocking and dazzling! The grand occasion of fairy mountain is a reflection of human life. In addition to the impression of Qianshan, the ancient legend, the inspiration and influence of Qu Yuan's poems, and the traces of three years' court life in Chang 'an, these are all condensed together through the extraordinary imagination of romanticism, which leads to such a wonderful description. It is worth noting that this poem written in fairyland is different from ordinary fairy poems. It has deep feelings and fierce protests. It does not really rely on illusion, but still focuses on reality in the illusory description of the celestial world. I am wandering in the fairyland in the sky, but I feel that "this is the consistent way of human happiness". Wonderland suddenly disappeared, the dream was shattered, and the poet finally returned to reality in shock. After the dream is shattered, people don't fly lightly in the dream as they please, but lie heavily on the pillow. "Thousands of waters flow eastward in Qian Shan" contains the poet's helplessness and deep feelings about life. At this moment, the poet is most gratified by "but let me raise a white deer on my green slope and ride to you when I need you, Dashan". The pleasure of traveling in the mountains and water is the fastest meaning, that is, in the Preface to the Spring Banquet in the Peach Blossom Garden, it is said: "The ancients walked by candlelight at night, good." Originally, poetry seems to have been exhausted, but in the end, I added two sentences angrily: "Oh, how can I seriously bow and scrape to those high-ranking officials who will never be shown an honest face!" I spit out the depression of Chang 'an for three years. The pen falling from the sky lit up the theme of the whole poem: yearning for famous mountains and fairyland, from the struggle against powerful people, and singing the voices of many talented people in feudal society. In the hierarchical feudal society, how many people bow to the powerful and how many people are buried in obscurity! Compared with other dynasties, the Tang Dynasty was more open-minded and attached more importance to talents, but only in comparison. At that time, talents still could not get rid of the humiliating position of "the footman was in the gas chamber". The word "bend over" came from Tao Yuanming in the Eastern Jin Dynasty. Because he didn't want to be humiliated, he gave it the meaning of "going home". Although Li Bai was loved by the emperor, he was only a ci minister. We can get some news about his humiliation in court from these two poems. The feudal monarch claimed to be the "son of heaven" and ruled the world, raising himself to the supreme position, but denied the dignity of all people. Li Bai's resolute attitude here is a glance of contempt for feudal rulers. In feudal society, not many people dare to think and say so. Li Bai said and did, and this is his extraordinary greatness. The content of this poem is rich and tortuous, fantastic and changeable, and the images are colorful, which constitutes the romantic artistic conception of the whole poem. Its subjective intention was originally to publicize the negative thought that "thousands of waters flow eastward in Qian Shan", but its style is high-spirited and vigorous, with an indomitable spirit running through it, without any feeling of depression. [Note] ① Jingmen in autumn. (2) according to the history of the south. Xie Lingyun biography: "Looking for mountains and mountains, building a secluded and steep place, dozens of rocks, you must be prepared to climb." Always wear clogs, stop the mountain to pull out its front teeth, and pull out its back teeth down the mountain. "

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