Wang Changling (699-757), born in Chang 'an, Jingzhao (now Xi, Shaanxi) and Taiyuan (now Taiyuan, Shanxi), was a famous frontier poet in the Tang Dynasty. He is good at seven-character quatrains, and later generations call him "the poet's son of heaven" and "seven quatrains". His Seven Wonders and Li Bai's Seven Wonders are called "Shuang Bao". There are also many excellent poems about palace grievances. There are more than 80 poems by Wang Changling/kloc-0, of which 57 are quatrains, accounting for almost half. %D%A Gao Shi, a famous frontier poet in Tang Dynasty, is rich and simple in style, vigorous and solemn. For example, Cen Can, D%A of Ge Yanxing, a famous frontier poet in Tang Dynasty, is as famous as Gao Shi. Style, like Gao Shi, has a bold and tragic style. For example, A Song of Farewell to the Field in the Snow-Wu, the clerk, goes home, also belongs to the frontier poet of the same era, and Wang Changling's "Going beyond the Great Wall" (Mingyue Pass in Qin Dynasty, but the recruiter did not return in Han Dynasty. If Wei Qing, who attacked Longcheng, and Li Guang, the flying general, were alive today, the Huns would not be allowed to go south to spend their horses in Yinshan. ), Wang Zhihuan's "Liangzhou Ci", "In the Lodge of the Heron" and so on. They all have the same style. %D%A William Wang, a native of Jinyang (now Taiyuan, Shanxi), was a scholar in the first year of Jing Yun, Tang Ruizong (7 10). When he was young, he was brave and good at fighting. He can write poetry, sing and dance. Biography of the Tang Dynasty called William Wang "a magnificent poem". Tang Xuanzong was born in Bianzhou (now Kaifeng City, Henan Province) and was a scholar in the 11th year of Kaiyuan (723). He used to be Taipusi Cheng and Si Xun Yuan Wailang. As can be seen from Cui Hao's poems, he roamed Jiangnan in his early years and once lived in Chang 'an and Luoyang. In the late kaiyuan period, he worked in Hedong and went to the frontiers of Youyanhe and Shuozhou. %D%A Li Jie. Angelababy (now west of Dengfeng County, Henan Province) was a scholar in the 23rd year of Kaiyuan (735) %D%A and was appointed as the magistrate of Xinxiang County. After a long time, he resigned and retired. His frontier poems, poems describing music, and farewell poems that are good at depicting characters are all distinctive, passionate and artistic. He is good at five ancient seven-character songs, although there are only a few songs left in the seven laws. Realistic skills in du fu's poems. Although the feelings expressed in Du Fu's poems around the age of 34 are obviously different, they all reflect the realistic characteristics of his poems. For example, before the age of 34, Kanyue: How majestic Mount Tai is! Endless green spans Qilu and Qilu .. magical nature brings together thousands of beautiful mountains in the south and the separation between morning and dusk in the north. Zeng Yun was born with a swaying chest. He must have returned to the embrace of a bird. Once you climb to the top of the mountain, you will see that other mountains are short under the sky ... "It's really open-minded and magnificent. After the age of 34, as in Wei Zuocheng's Twenty-two Rhymes of Cinnamomum camphora, it said, "Never starve to death, and Confucian crowns often make mistakes. The husband listens to the audition, and the child is clear and Chen. Just yesterday's Youth Day, I saw the ambassador in advance. Reading breaks thousands of books, writing is like a god, giving the enemy material, reading poems to build relatives, Li Yong seeking knowledge, and Wang Han willing to make friends. Boasting that he is quite outstanding, Li Deng wants the Admiralty. To the monarch, Yao and Shun, and then make the customs pure. It shows Du Fu's self-esteem, but he is powerless and his career is bumpy. Followed by% D% A；; Du Fu's poems are full of tears because of current events. In poetry creation, he inherited the patriotic care spirit of The Book of Songs and Li Sao, and carried forward the fine tradition of "writing current affairs" in Han folk songs. Write practical things with poems, independent new topics and original styles. For example, Car Shop satirizes Tang Xuanzong's belligerence and disregard for people's lives. Another example is "The Second Way", which satirizes Yang's brother and sister's gorgeous clothes, fine diet and their elder brother's imposing manner. There is no irony, but there is no irony or exclamation in the description, but there is emotion between sentences. Another example is: "Zhumen wine stinks, and the road has frozen bones. It is difficult to distinguish between glory and death. "The famous sayings of the ages reflect that Du Fu was in danger and adversity at that time, but he still loved the monarch and worried about the country and the people. % D% A； again; Du Fu's poems are full of sorrow and indignation, and full of the flavor of the times. Du Fu's poems reflect a tragedy imposed on the innocent by the times, and are shrouded in melancholy and sadness. When the poet writes about his own experience, it is even more bitter. For example, "Escape": "Five straightforward head jars, north and south escape the world. Matte cloth wrapped in bones, running around is not warm. Exhausted and terminally ill, the whole world is covered with charcoal. Gankun Wan Li, no shelter. My wife and children are fragrant, and I look back and lament. "This is really sad. Another example is "Eight Poems of Autumn Prosperity"; The dew hurts the maple tree, the Wushan gorge is bleak, the waves between the river and the sky are rough, and the north wind is grounded in the race. Tears are shed in places like Congju, and the lonely boat is the heart of the homeland. Cold clothes make me cry everywhere, and Baidicheng is in a hurry at dusk (I). The poem is gloomy and frustrated, the feelings of grief and indignation are deep and heavy, the potential turns inward, and the waves are old. %D%A finally; Another feature of Du Fu's poems is his great and comprehensive achievements. On the legal side; It has various styles. His works include five ancient poems, seven ancient poems and seven-character poems. His skill is profound, and he can create big words by himself, and the words are not amazing and endless. In terms of integration; Du Fu said in the sixth sentence of "The Play is a Six-quatrain": "Don't cut it for the sake of intimacy, transfer to a multi-teacher is your teacher." Learn from predecessors and contemporary writers extensively, love the past and pay attention to innovation. In short, it is% D% A；; Since ancient times, not only Du Fu has been regarded as the personification of Confucianism, but also Du Fu's poems have been worshipped as a comprehensive artistic paradigm. Du Fu's poems are rich in creation, skillful and diverse in style, so he deserves to be called "the sage of poetry" and his poems deserve to be called "the history of poetry". %D%A Artistic features of Li Bai's poems: Li Bai's poems and songs are strongly subjective, mainly expressing heroism and passion, and rarely describing objective images and specific events in detail. Li Bai's poems often run through with unrestrained momentum, paying attention to galloping vertically and horizontally and in one go, and have the characteristics of winning with gas. Such as "On Li Yong": "Dapeng rises with the wind one day and shakes Wan Li. If the wind stops, it can still lift away the raging water. " To compare Dapeng, it is not a carefree Dapeng of Zhuangzi style, but a Dapeng who bravely flies and causes shock and surprise. In this extraordinary momentum, it embodies self-confidence and enterprising ambition and independent personality strength. This is the reason why Li Bai's poems disturb eternity. As he said in the poem "Ode to the River": "Xing Han put pen to paper to shake the five mountains, and the poem became Cangzhou." The free and easy temperament, arrogant and independent personality, approachable feelings and strong feelings of %D%A form the distinctive characteristics of Li Bai's lyric style. It is often explosive. Once the emotion is aroused, it gushes out without restraint, just like a raging and overflowing volcano in the sky. For example, "Singing Gao Song to Send Cen Zheng Jun" expresses indignation at the political darkness and the inversion of right and wrong: %D%A chickens get together for food, and the phoenix flies alone without neighbors. Dragonflies laugh at dragons, and good and evil people are mixed. Well-dressed, not paid. If you nest, the shackles in the porch are different from the dragons in the dust? %D%A was indignant and impassioned. With the change of cadence and rhythm, we can trace the ups and downs of emotional eruption when emotional impulse occurs, which makes people feel the shock of the soul directly. Another example is Answering the King on Twelve Cold Nights, which expresses strong feelings like running water at the beginning, and then bursts into uncontrollable emotional waves: %D%A Jun can't learn cockfighting from a distance, but he sits still, snores and blows the rainbow. You can't learn from Shu Ge. You went to Qinghai at night with a knife and took the purple robe of Xitu Shi Bao. Poetry is not worth a glass of water in the north window. The world turned around after hearing the news, just like the east wind shooting at a horse. Fisheye also laughed at me and said they were like the bright moon. Fists can't be eaten, and donkeys are proud of the spring breeze. "Zheyang" and "Huanghua" are popular, and Jin Jun listens to the Qin Qing number. It is strange that Ba people are willing to be cheap with Yangchun and Chu Yuanyuan. Gold powder is not handed over, and white head is despised by Confucianism. When we talk about a smile, it loses its color and flies scream. The emotional expression of %D%A is completely Li Bai's style. Combining %D%A with explosive emotional expression, the imagination of Li Bai's poems is unpredictable and often unreasonable, such as: "How magnificent the Xiyue is! The Yellow River is like a silk sky, ... people roar, smash two mountains, and Hongbo sprays the East China Sea. " ("Xiyue Yuntai Song Send Dan Qiu Zi") "The Yellow River falls into the East China Sea, and Wan Li writes it in his heart." (For Pei Fourteen) "Didn't you see the lovely locks in the mirror of the high hall? Although it was silky black in the morning, it turned into snow at night?" ("I will enter the wine" "White hair and three thousands of feet, sorrow is like a long time." ("The Seventeen Songs of Qiupu", the fifteenth) "The ape makes white hair, and the length is silk." ("Seventeen Songs of Qiupu" (fourth) "The wind blows my heart and hangs Xianyang trees in the west." (Jin Xiang sends Wei Ba to Xijing) I really want to fall from the sky, which is incredible. %D%A His strange imagination often has an unusual connection and changes with the flow of emotions. There is a great leap between one imagination and the next, and the combination of images is also large-span, bizarre and dreamy, changing vertically and horizontally, and as smart as possible. %D%A is related to the verve and rich imagination in poetry. There are many magnificent images in Li Bai's poems, which are full of mountains and rivers and give birth to the sun and the moon. He seems to be particularly attracted by huge and spectacular things. Dapeng, giant fish, long whales, rivers, seas and snow-capped mountains are all objects he likes to recite. Li Bai described them in an unusually broad spatial background, which constituted a magnificent poetic image. Like, "I climbed to the top. I have a panoramic view of the world "In" Lu Shan Ge Yu Shi Lu Xuzhou ",the rivers are boundless and there is no return. Huang Yun and Wan Li moved the wind, and Jiuliu whirled around Bai Xuefeng. "The magnificent combination of images gives people a sense of sublimity. Another example is seeing a friend off at Jingmen Ferry: "This is the end of the mountain, the beginning of the plain, and the river winds through the wilderness. The moon rises like a mirror, and the sea clouds twinkle like palaces. "The image is also extremely broad and spectacular. %D%A However, there are many fresh and beautiful images in Li Bai's poems. For example, "in the pedestrian mirror, in the screen of birds" ("Qingxi Tour"). The green water is clear and the moon is clear, and the egrets fly on the moon "(the thirteenth part of Autumn Song). "Bamboo is green under the stream, and lotus is fragrant in the mirror" ("Not in existence"). "Her white jade stairs were cold with dew, and her silk soles were wet, so she stayed there for so long. Behind her closed window, why is she still waiting, looking at the glory of the autumn moon through the crystal glass? "("Jade Family "). These beautiful images of Qingxi, bright moon, egret, bamboo color and white dew have greatly enriched the artistic connotation of Li Bai's poems. So there are two kinds of images in Li Bai's poems: magnificent and beautiful. %D%A Li Bai said in the poem "Looking at Nanshan to Send a Purple Pavilion to a Hermit": "Sometimes white clouds rise and the sky unfolds. In my heart, I am not shallow. "He has an instinctive love for the white and transparent body, and the closest thing is the moon. When he was drinking with the moon alone, he said, "Until, holding up my cup, I asked the moon to bring me my shadow and let the three of us. The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring. I sang. The moon encourages me and I dance. My shadow is rolling in the back. "The image of the moon appears repeatedly in Li Bai's poems. In Li Bai's poems, the most commonly used color word is "white", followed by gold, cyan, yellow, green and purple. He is cheerful by nature and prefers bright colors to dark ones. The language style of Li Bai's poems is pure and bright, and bright and bright is the basic tone of his words. His poems, which are blurted out and unadorned, often show transparency, purity and dazzling brilliance, reflecting his rejection of secular noble personality.