Su Shi's "Die Lian Hua";

Flowers wither and red apricots are small.

Swallows fly, green water people go around.

Little catkins are blowing on the branches,

There are many fish in the sea.

Swing inside and outside the wall.

The layman in the wall, the beauty in the wall laughs.

Laughter fades away, voice fades away,

Affectionate but heartless chagrin.

Make an appreciative comment

This topic is called "Spring is bursting". The first film is about the natural scenery in late spring. From the perspective of an outing teenager, from small to large, from near to far, it is full of layering, color and movement. "The grass in the sea is flourishing", which not only opens up a scene for the late spring scenery, but also points out the melancholy of the young people who travel in spring and triggers the next realm. The following film describes the personnel in the natural background: a low wall separates the teenager from the beautiful girl, whose laughter touched the teenager's heart and caused the teenager's troubles. The combination of natural spring and Chun Qing beautifully shows that young people cherish the delicate romance of spring and the disappointment of being lost in a short time in the flowing breath of spring. Vivid, romantic and charming. This is a masterpiece with beautiful rhyme. The Chronicle of Linz (Volume 5) quotes the cloud "Ci Tan Xia Lin": "Zi Zhan is in Huizhou, sitting idly with Chaoyun. The young woman (referring to autumn frost) first arrived, and the wood was rustling, which was autumn sorrow. Life sings to the clouds? Flowers fade and remain red? . The cloud will sing, and tears will fill her skirt. Zi Zhan read his reasons and answered:? What slaves can't sing is "there are fewer willows blowing on the branches, and there are more grass on earth." ? Zi Zhan suddenly smiled and said, I am sad for autumn, and my makeup hurts spring. ? Then stop. Chao Yun died of illness soon. Zi Zhan will never listen to this word again. " Flowers wither and red apricots are small. Swallows fly, green water people go around. There are few willows blowing on the branches, but there are many herbs in the sea. Swing inside and outside the wall. The layman in the wall, the beauty in the wall laughs. Laughter dies in silence, but passion is mercilessly annoyed.

Appreciation: This is a small word that laments that the beautiful scenery is hard to see when you go to Qiu Lai in spring. The poet's frustrated feelings and broad-minded attitude towards life are also faintly revealed here.

In the last film, I wrote what I saw in front of my eyes and said that spring would pass, which is true. Injury to spring implies homesickness.

In the first sentence, "Flowers fall and green apricots are small", all the red flowers are gone, and only the residual flowers and bitter green apricots are left on the branches, which not only points out the season at the turn of spring and summer, but also reveals the natural metabolic law of spring flowers and green apricots. Although it is a landscape, it still contains ideas.

In the word "Yan", the little swallow borrows spring to fly and loves spring. Surrounded by green water in the mountain village, Chun Qing lingers. Deliberate, broken, desolate feeling arises spontaneously. It not only brings location, but also depicts the environment of this family. The air is light and swallows fly obliquely, surrounded by green water outside, how beautiful and peaceful it is! The word "others" implies and paves the way for the appearance of the next film "Beauty in the Wall". But when we read the lyrics, we will inevitably think of the beautiful scene of that spring: the flowers are blooming, the catkins are flying, the streams after the melting of ice and snow flow through the people in the mountain village, and the swallows are playing in the water. How can such a spring day not be fascinating! In contrast, the return of spring is not sad! The wonderful pen of this kind of scene is only better than a touch of colorful clouds, leaving no trace. But this yearning for spring has left an indelible mark on our hearts.

"On the Branches" expresses the poet's profound and broad-minded feelings in the delicate description of the scenery. Catkin is all over the sky and grass is boundless. It is the easiest to arouse people's worries. With the word "you", it is not long to live in exile here. This is also the scene of spring returning to the earth. However, catkin is often a symbol of unfortunate women in classical poetry. When I see catkins, I naturally think of abandoning my wife, swaying in the wind, and there is no blank place. Although apricots are sour and bitter, they still remind people of falling flowers, but what about catkins? Who cares if it falls? I'm afraid this is the lament of the poet's life experience!