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Translation and appreciation of the original text of "Island on the River"
Jiangnan has traveled for a long time, and Jiangbei has opened up the world. Huaixin Road turned around and looked for another kind of scenery without hesitation. Turbulence is becoming more and more inevitable, and the island is charming. The clouds are sunny and the water is clear. There is no reward for expressing spirituality, and whoever is true is biography. Imagine the posture of Kunshan, the middle edge of Myanmar. When you begin to believe in the safety period, you will have to stay healthy for many years. -Xie Lingyun in the Northern and Southern Dynasties "Boarding the Island in the River" Jiangnan Island is tired and Jiangbei is wandering.

Huaixin Road turned around and looked for another kind of scenery without hesitation.

Turbulence is becoming more and more inevitable, and the island is charming.

The clouds are sunny and the water is clear.

There is no reward for expressing spirituality, and whoever is true is biography.

Imagine the posture of Kunshan, the middle edge of Myanmar.

When you begin to believe in the safety period, you will have to stay healthy for many years. 300 ancient poems, translations and annotations that express feelings about things.

Tired of visiting the beautiful scenery in the south of the Yangtze River, I haven't seen the scenery in the north of the Yangtze River for a long time.

The road to new scenery is far away, and there is no delay in watching wonders.

After the rapids, the island is beautiful in the middle of the river.

The white clouds and the red sun complement each other, and the water and the sky are the same color, which is incomparable.

No one appreciates the aura, but they are really interested. Who is the rumor monger?

Looking back at the heroic spirit of the immortals in Kunshan, I feel that the world is far away from the hubbub.

At first, I believed in the art of peaceful health preservation, so that I could enjoy all my health preservation years.

Appreciation of creative background: the first four sentences are tired of traveling in the south of the Yangtze River and tired of traveling in the north. The poet first explained the reason for crossing the river to the north by saying that "the south of the Yangtze River is tired and the north of the Yangtze River is around". Later, I described my psychological feelings on the way to the north by saying, "Turn around with my heart, and find another kind of scenery without delay." The Tao is different, and the square is far away. The scenery can't be delayed, and it's strange not to delay. Under the influence of subjective ideas, there are unreasonable and reasonable contrasts and variations in space and time. Taking advantage of the contradiction between subjective and objective, it highlights the eagerness to explore new scenery. Under the control of this emotion, crossing the river by boat is not inclined to cross the river downstream, but "turbulence tends to the right" to shorten the journey and gain time, which is in line with the previous two sentences. This sentence was written because of the next sentence, "An isolated island is beautiful in a river". I can't wait to cross the river because I saw the unique scenery on the isolated island. There are three sentences in the poem written on the front of the island scenery. "The island is charming in the middle of the river" is the overall beauty that can be seen from a distance before landing on the island. The word "Mei" is extremely written that Gudao Mountain is in the middle of Qinghe, which is beautiful.

The last two sentences, "Clouds and the sun look at each other, empty water is fresh", are the scenery you see after landing on the island. The last sentence is that clouds and the sun shine together, and the last sentence is that the sky and rivers shine together. Against the background of white clouds, bright sunshine, blue sky and Chengjiang, the island in the middle of the river is like a indigo snail, which is particularly beautiful and charming. Just when the poet was reluctant to part with the desert island, his feelings suddenly fluctuated. He lamented that no one appreciated and described this novel and strange scene, so he wrote, "What expresses the spirit is not worth it, who is true." These two sentences have three meanings: first, I feel sorry for the beauty of the island and the story of the fairy. The second is to express from the opposite side that I am willing to write praise for it by "things are not paid" and "who is biography". The third is to echo the above-mentioned "cherishing the new" and "seeking the difference" and highlight the beauty of the island. It can be described as killing three birds with one stone, with far-reaching implications. These two sentences also point out the "expressing spirit" and "accumulating truth" of the island. I have seen the aura, I have seen the fairy heart, and then I am eager to see the scenery, and my thoughts are galloping, so I naturally think of the fairy magic. Therefore, it is logical to write the last four sentences: "Imagine Kunshan. The central edge of the Burmese village. When you start to believe in the safety period, you have to go all out. " In the poet's dream, the island in the middle of the river shows that it is really an Olympic area for immortals, and its supernatural posture and world far away from the hubbub have some internal connection with Kunlun Mountain. Therefore, meditation on apricots is based on illusion and self-enlightenment, and the art of faith and knowledge can be preserved for many years. On the one hand, it is brave and depressed, eager to transcend the world and seek the true expression of immortality; On the other hand, it describes the beauty of the isolated island in the middle of the river with a magical gesture.

Xie Lingyun (385-433), a native of Taikang, Henan Province, and a native of Shining, Huiji (Shangyu, Zhejiang Province), was originally Chen Jun's Xie family. Posthumous title "Ke", the grandson of Xie Xuan, a famous soldier in the Eastern Jin Dynasty, was called "". He also attacked Gong to thank Kang Gong and Xie. A famous landscape poet in Liu and Song Dynasties was the pioneer of the landscape poetry school in the history of China literature. Lingyun, landscape poetry has become a major school in the history of China literature, the most famous of which is "Mountain Residence Fu", which is also the first great traveler in history. Xie Lingyun also studied history, engaged in calligraphy, translated Buddhist scriptures, and wrote the Book of Jin. There are 14 kinds of Xie Lingyun's books in Gyeonggi, Sui Shu and Jin Shu. Xie lingyun

On a cold night, guests come to tea for wine, and the bamboo stove soup is boiling red at first. As usual, there are plum blossoms in front of the window, and there are plum blossoms before the month. -Song Du Lei "Cold Night" Cold Night

On a cold night, guests come to tea for wine, and the bamboo stove soup is boiling red at first.

As usual, there are plum blossoms in front of the window, and there are plum blossoms before the month. 300 ancient poems, visiting friends, writing flowers, plum blossoms, moonlight, autumn wind, and Sasha Vujacic are worried about killing people. No one in the seat is worried. Let my hair turn white. It's windy around Hu, why not repair trees? The distance from home is getting farther and farther, and the clothes are slowing down. The brain can't talk, and the wheels in the intestines turn. -the ancient songs of the Han Dynasty, which were anonymous.

Han Dynasty: Anonymous

Three Hundred Ancient Poems, Zou's younger brother, was sent to Yingzhou in autumn. Cut the knife to the pig's tail quickly and bring the beef as dry food. Heroes sneak into prison, and the world grieves for you. Death will also help, a great glorious death! -Zhang imprisoned Zou Rong in "Imprisoning Zou Rong"

Zou Rong, my little brother, Mix is as old as him.

Cut the knife to the pig's tail quickly and bring the beef as dry food.

Heroes sneak into prison, and the world grieves for you.

Death will also help, a great glorious death! Three hundred ancient poems