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Yan Ti Copybook for calligraphy's Works
Prepare more inkstone Copybook for calligraphy to copy at home, which will improve the level of inkstone calligraphy and poetry writing. The following are the works of Yan Ti Copybook for calligraphy that I sorted out for you. I hope they are useful to you!

Appreciation of Yan Ti Copybook for calligraphy's Works

Pictures of Yan Ti Copybook for calligraphy's Works 1

Pictures of Yan Ti Copybook for calligraphy's Works 2

Yan Ti Copybook for calligraphy's Works Figure 3

Yan Ti Copybook for calligraphy's Works Figure 4

Yan style calligraphy

Among the numerous calligraphy inscriptions in China, the first calligraphy I came into contact with in Tang Dynasty was Dover Pagoda published by China cultural relics. The full name of the multi-tower is the multi-tower induction monument of Qianfu Temple in Xijing, Datang. Built in the 11th year of Tianbao, it was written by Cen Can, inscribed by Yan Zhenqing Shu Dan and Xu Hao, and engraved by Shihua. It is now in the forest of steles in Xi 'an. The inscription tells that longxing temple in Xijing and Monk Chu read The Goblet of Fire on a quiet night today, as if many stupas appeared from time to time. He is determined to turn the stupa in illusion into reality. In the first year of Tianbao, Qianfu Temple was built, which took four years to complete.

Yan Zhenqing, whose real name is Chen Qing, was born in Linyi, Langya, Tang Dynasty. Kaiyuan Jinshi, moved to the palace as a counselor, was hated by Yang, the satrap of the plain, so the world called Yan Plain. An Shi Rebellion, who made meritorious service in resisting thieves, entered Beijing as an official, prince and founder of the county, so it was also called Yan.

Ten Thousand Pagodas is a famous work of Yan Zhenqing in his early days. His writing style is respectful and sincere, which is directly related to the legacy of the two kings of Europe, Yu and Chu, and has obvious similarities with the writing style of the Tang Dynasty. While learning from the previous generation of calligraphers, Yan Zhenqing also paid great attention to absorbing nutrition from folk calligraphy art. The whole article has a tight structure and a fence between the lines. The stippling is round, dignified and beautiful, as static as moving, and fascinating. "Many Pagodas" is a work that inherits the tradition and is a book with great personality, such as? Jing Qing pressed the sword, Fan Kuai held the shield, King Kong was furious, and Lux punched. ? "Postscript of Painting and Calligraphy" cloud:? Lu Gong, the originator of modern historians, is the most balanced and stable book, charming and colorful, with a touch of vulgarity. ?

Yan Zhenqing's calligraphy works include "Duota Monument" and "Biography of Magu Xiantan". The cursive script includes Sacrifice to the Nephew, Contention for Seats, Pei Jun Post, Confessions, etc.

Contending for Seats is a masterpiece of Yan Zhenqing's cursive script, also known as On Seats and Guo Servant Shooting. It is a letter manuscript of Yan Zhenqing and Guo Yingzhi in the second year of Tang Guangde (764). In the Song Dynasty, it was once owned by a stone man in Chang 'an, who regarded it as a stone. This stone is now in the forest of steles in Xi, Shaanxi, and the ink has not been handed down. Su Shi once saw the original in Anyi and was full of praise. This official book is strange. It's a gesture. ? Throughout the calligraphy, the characters are consistent, and the tiger is powerful. Yan Zhenqing wrote a straight book because he was dissatisfied with the arrogance of powerful traitors. Therefore, the whole story is magnificent, strong and open-minded, and there is a sense of loyalty between the lines, which shows Yan Zhenqing's upright and honest character. It has been more than a thousand years, and it is awe-inspiring to read.

"Book for Seats" was originally a draft. The author meditated between words, but did not care about pen and ink. Instead, it was full of paper and became a masterpiece in the history of calligraphy. Later generations called this post together with Preface to Lanting? Shuangbi? .

The Draft for Sacrificing a Nephew is a cursive script written by Yan Zhenqing in a state of extreme grief and excitement. During the Anshi Rebellion, Lv Gong's cousin Yan Gaoqing was appointed as the prefect of Changshan County. Thieves and soldiers advanced on him, so that Taiyuan saved our army, and Yan Gaoqing and his son were killed. So the article says? Thieves and ministers don't save, the lonely city is besieged, the father is trapped and the child is dead, and the nest is tilted. ? Later, Duke Zhuang of Lu sent his nephew Quan Ming to clean up the mess. He only got one foot and Ji Ming's skull, so he did it. Duke Lu is fifty years old. Calligraphy works are words, and people say there are words. Duke Lu is a loyal and heroic man, and his life is awe-inspiring. His spiritual integrity is embodied in calligraphy, which is the most enjoyable thing for book writers.

"Sacrifice to a Nephew" is also a manuscript. The abridgement, modification and daubing in it can be seen that Lu Gong conceived words and his feelings fluctuated from beginning to end, so his writing style was passionate, his brushwork was magnificent, his posture was full of vitality and natural excitement. All the places where the pen is used up and the belt is pulled can be seen clearly. From beginning to end, I used a slightly bald pen, a round and healthy brushwork, and finally surrendered because the ink was not dry. Although the ink color changed greatly because of the initial pause, the black ash was thick and dry, but it was done at one go. In Yuan Dynasty, Zhang Jingyan wrote an inscription:? It is better to sue than to write a letter. It is better to draft a letter. The cover is an official work, although the end of the letter is a rope contract; Letters are quite indulgent when they are on a whim; It's wonderful to see that the drafting was unintentional and forgotten by his palm. ?

"Sacrificing a Nephew" is the highest artistic realm entered in extreme sadness. What is Yuan Xian's comment on this post? The second running script in the world? . Miffy's book history:? "Competing for Seats" is full of characters of seal script, which is the first in Yan Shu. The characters are connected and fly unexpectedly. ?

In the history of calligraphy, Yan Zhenqing is the most accomplished and influential calligrapher after the two kings. Yan Zhenqing, a beginner of Chu Suiliang, studied under Zhang Xu and four masters in the early Tang Dynasty. He accepted both the seal script and the brushwork of the Northern Wei Dynasty. Later, he learned from others' strengths, became unique, turned thin into hard, turned plump into vigorous, magnificent, vigorous and awe-inspiring. This style also embodies the style of the prosperous Tang Dynasty, which is in line with his noble personality and is a typical example of the perfect combination of calligraphy beauty and personality beauty. His writing style is called. Face? , and Liu Gongquan said? Yan Liu? , is it? Yan gu? Fame.

Gong Yan is upright, honest and clean, has a sense of justice, never condescends to the powerful, condescends to flatter, and is famous for his benevolence and righteousness. His loyal and glorious deeds throughout his life improved his position in calligraphy. Song Ouyang xiu commented on the cloud:? Uncle Yan is as dignified and respectful as a loyal minister, martyr and moral gentleman. The longer people are afraid, the cuter they are. Not many people in the world see the treasure, but they never tire of it. ? Zhu also praised his book: Points like falling rocks, paintings like Xia Yun, hooks like gold, and ge like crossbows. There are images in both vertical and horizontal directions. Since Xi 'an, there have been no so-called public figures. ? Yan-style calligraphy has had a far-reaching impact on the development of calligraphy art in later generations. After the Tang Dynasty, many famous artists learned from the success of Yan Zhenqing's political reform. Especially cursive script, after the Tang Dynasty, some famous artists learned from Yan Zhenqing and established their own style on the basis of learning from the two kings.