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one
Clouds want to be the clothes of the imperial concubine, and flowers want to be the appearance and beauty of the imperial concubine, such as peony exposed in the spring breeze beside the agarwood pavilion.
If it is not a fluttering fairy that can only be seen on Yuxian Mountain, it must be a fairy that can only be met under the moon in Yaotai.
Secondly,
Beauty is like a red peony with fragrant dew. Compared with Wushan Goddess, it can only be a waste of liver and intestines.
Excuse me, who can compare with her in Han Palace? YiWen Zhao Yan Fei can only compare with her because of her new makeup.
third
The famous flowers and the stunning beauty set each other off and made the king look at them with a smile.
Relying on the railing of Xiangting in the north, your infinite spring worries are swept away with the spring breeze.
works appreciation
complete
These three poems written by Mu Shaoyao (Peony) and Yang Fei in an interactive way show that flowers are people and people are flowers, which makes people's faces smooth and smooth, thanks to Emperor Xuanzong of the Tang Dynasty. From the perspective of text structure, the first one was written from space and introduced Yuan Long on the Moon to readers. The second song was written at that time, introducing the balcony of the King of Chu and the court of Emperor Hancheng to readers. The third song returns to the present reality, pointing out that the Tang Palace is north of Chenxiang Temple. Poetry and pen are not only easy to write, but also interlinked. The spring breeze in "The First" echoes the spring breeze in "The Third".
one
The first song, with the words "clouds need clothes, flowers need capacity", makes Yang Fei's clothes look like clothes, surrounded by her plump jade capacity. The word "Xiang" has both positive and negative understandings. It can be said that when you see clouds, you think of clothes, and when you see flowers, you think of looks. It can also be said that you think of clothes as clouds and looks as flowers, so the interaction is uneven, and the seven words give people a feeling of flowers. Next, "the spring breeze blows the sill to show the flowers", and the beauty of peony flowers is more colorful in the crystal dew, which makes the above sentence more full. At the same time, the wind dew symbolizes the grace of the king and makes the painted face more spiritual. Below, the poet's imagination suddenly rose to the Yushan and Yaotai groups where the Queen Mother of the West lived in heaven. "If it weren't for" and "meeting", the poet pretended to choose, but he was sure that such a beautiful painted face could only be seen in the fairyland of heaven, either the fluttering fairy seen by Yushantou or the goddess in front of Yaotai Temple in the moonlight. Yushan, Yaotai and moonlight, with simple words, set off a beautiful face, naturally reminiscent of a white jade-like person, a warm white peony flower. At the same time, the poet did not show any trace, and compared Yang Fei to a fairy, which was really exquisite.
"Bi Ji Man Zhi": "Song Chuang Miscellaneous Notes" says: At the beginning of Kaiyuan, it was forbidden to plant peony for the first time, and four copies were obtained, red, purple, reddish and white. The first-class photos are white at night, and Princess Zhenzhen follows them step by step. Li Guinian has a good board in his hand, and he will sing it before the music is played. Shang Yue: Why use old words? Li Baili, a bachelor of Hanlin in the Year of the Tortoise, was appointed to the "Three Chapters of Qingpingdiao", and Bai Cheng wrote to Fu Ci for promotion in the Year of the Tortoise. I ordered the disciples of Liyuan to make a gesture to caress the silk and bamboo and preach the song of the Year of the Tortoise. Princess Taizhen smiled and led the song with great meaning. Zhang Junfang's Shuo called this song "Qingping Music".
Selected passages of Tang poetry: Jiang Zhongshu said: "Thinking" and "thinking" are wonderful. The second sentence is abrupt and unknown.
Du Li's two poets commented on the forest: the word "thinking" is wonderful and trance-like.
Tang Yun: If the voice is high, the gas is light, and there is sour gas in the throat, you should not read it.
The second word "Xiang" is the word "Hou concubine".
"Two Tang Poems": "Spring breeze blows the threshold to reveal the wealth of China", this sentence should be slightly heavier. The wind blows on the flowers, and the jade concubine is swaying; Dew is thick, and Yu Junen's solemnity.
Li Taibai's Complete Works: Note: Qi follows Cai's poems, and takes "cloud thinking" as "leaf thinking". Recently, Wu Shufu has followed suit, and the cloud "leaf thinking is beautiful", which is different from Wang Changling's "Lotus leaf skirt cuts one color, hibiscus opens two sides" and is separated from the article "Lotus leaf is messy, and fragrance follows clothes" Li used the word "Xiang" to turn reality into fiction, especially novelty. I don't know who made a mistake in the word "cloud", but the translation attached two poems, Chu Ci and Cloud and White Clothes, which made me feel meaningless. I don't know how to turn "clouds" into "leaves", but it's like chewing wax, which is boring. This must be a mistake when you put pen to paper. You didn't mean to turn gold into iron. If Taibai is originally the word "leaf", it would be even more absurd.
Notes on Tang Poetry: This poem is so true that the word "thinking" is wonderful. The second sentence can't be answered, but it reflects the flower and says it is the soul of "thinking" "Spring breeze blows the sill" thinks graceful, "Revlon" thinks gorgeous, baked and dyed, and turns the pen into a pen.
"A Brief Record of Poems": All three people know that flowers and human words are one, but they don't know that their meaning is really about people, not flowers, so they are led by the word "flowers want to accommodate". "Spring breeze blows open the threshold, revealing the richness of China", which is the most vivid and charming time for flowers. Where is its beauty? To say flowers means people, so the following two sentences praise him very much.
Miscellaneous words: "clouds want clothes, flowers want capacity", so beautiful. Liu Tuntian: "It's easy to compare famous flowers, for fear that others will laugh at me!" I'm afraid of being abrupt, especially when I see tenderness, and I can appreciate the way to change the old for the new.
Yucun flower thorn: Diao Liyuan rhyme: Taibai ci has a swan song of "clouds want clothes, flowers want capacity" Wei Zhuang's "gold is like clothes, jade is like body" is still worthy of attention, while Xiangzi's "beauty is like waist" is lifeless and disgusting.
Li Taibai's poem wine: Turn around clearly, don't be complacent. Xie Yun: Praise beauty and praise China, which means that there are rules and admonitions. Yan Canglang said: I want to be ethereal, and I can't ignore it with my familiar eyes.
Secondly,
The second song begins with the sentence "a piece of red dew condenses fragrance", which writes both color and fragrance; Not only the natural beauty, but also the dew beauty, which is a step further than the previous Revlon. Use the story of the king of Chu to humanize the flowers in the previous sentence, and point out that the king of Chu is heartbroken as a goddess. In fact, the goddess in the dream is not as good as the beauty now. After that, Zhao, the queen of Emperor Han Chengdi, was a peerless beauty, but Zhao still had to rely on new makeup. Those who looked like beauties in front of her eyes did not need makeup, which was naturally amazing. This song also respects the topic by depressing the goddess and the flying swallow and raising Yang Fei. According to legend, Zhao is light and can dance in the crystal plate held by imperial secretary, while he is relatively fat, with the inherent saying that "the ring is fat and thin" (Yang Guifei's real name is Yuhuan). On this basis, it was later said that Yang Fei liked these three poems very much and often recited them. Gao Lishi thought it was a great insult, because Li Bai had ordered him to take off his boots, so he summoned Yang Fei, saying that Li Bai mocked Yang Fei's fatness with the thinness of the swallow and mocked Yang Fei's palace chaos with the adultery of the swallow. However, this view has been opposed by many scholars. These scholars believe that if there is such an intention in Li Bai's poems, first of all, he can't escape Xuanzong, who has knowledge and culture, and Yang Fei is not a man without cultural accomplishment. According to the original poem, it has obvious meaning of restraining the ancient and respecting the present.
Direct interpretation of Tang poetry: wonderful knot and wind.
"Don't pick up the gold in Tang poetry": The first sentence takes "flowers want beauty" as the main line, saying that the beauty of the princess can only be compared with flowers, and that she is the goddess of Wushan, which has become a dream. Isn't it "heartbreak"? You must look for it, but the flies in the Han Palace, leaning on their new clothes, still have a few ears.
Detailed explanation of Selected Poems of Tang Dynasty Mei Yu Jinyun: Xiao (Shi Zan) said that the goddess of the Ming Dynasty should be called to gather the emperor and laugh at the noblewoman for being cheap. She was as drunk as a fiddler. Unexpectedly, the demon dream in Wushan and the disaster in Zhaoyang are subtle and subtle.
Complete Works: Note: Lux is evil, especially Xiao. It's safe when the draft is too white! Wuyun in Wushan and Yan Fei in Han Palace were widely used in Tang Dynasty. If, as the second son said, Wushan can only be described as a glamorous affair, and Yan Fei can only be described as a humble palace doll, this is not appropriate. Why didn't the three philosophers in the early Tang Dynasty take this as a taboo? In ancient times, the works of Xintai and Ai Yi were mostly written by savages, but if Qingpingdiao was written by imperial edict, there would be no comparability. Do you dare to use Gong Yu's secret story as a metaphor? You will know what you know, but you won't know what you know? What's the use if he doesn't know? As we all know, it is to criticize dragons and tigers' tails. People who are not stupid or stupid should not do this.
Notes on Tang Poetry: This poem is too true, but compared with flowers, the first one is behind.
Du Li's two poems and notes about forests: Wushan demon dream, Zhaoyang disaster, micro-prose and satire, charming people's purpose.
"A Brief Record of Changes in Poetic Arts": We still adhere to the word "flowers want to be beautiful", take "one branch" as a practical pen, and closely inherit the previous work. After three or four sentences, the words are like flowers. Although the world is rich, the existing people are like a famous flower, just like the former. The two songs are in harmony, and the second one is the first one. Who can have such an ethereal pen?
Li Taibai's Poetry Wine: My mind is full of thoughts, my mind is full of seaweed, but I have a contradiction with poetry! It's strange what happened in the world. Xie Yun: It's ironic to link the dream of Wushan with the disaster of Zhaoyang.
third
The third song, from the fairyland ancients back to reality. The first two sentences, "Famous flowers pour over the country and care for each other, which makes the king smile." The beauty in "Pour Out the Country" refers to Yang Fei, of course. The poem only points out here that the peony and "dumping the country" and "dumping the country" are combined into one, and the words "smiling and looking" are unified, so that the peony, Yang Fei and Xuanzong are integrated. Because the word "laugh" in the second sentence aroused the third sentence "show infinite hatred for the spring breeze", and the word "spring breeze" is synonymous with the king. This sentence made the beauty of peony interesting, and the king smiled, of course, without hatred, and all his troubles were relieved. At the end of the reign of Emperor Xuanzong, the place where Yang Fei enjoyed flowers was "north of the Aquilaria Pavilion". The flowers outside the diaphragm are very elegant and romantic when people lean on them.
These three poems are rich in language and words, and the most prominent thing is to write flowers and people together, such as "the cloud wants clothes and flowers to look good", as if writing flowers and faces. "A red dew condenses fragrance" is also a blend of people and things, referring to this and that. After reading these three poems, if you feel that the spring breeze is full of paper, the flowers are full of eyes and the face is blurred, you don't need to portray it. Naturally, people think that this is a peony, a beautiful jade, and nothing else. No wonder these three poems were deeply appreciated by Xuanzong of Tang Dynasty at that time. ?
Song Chuang Zalu: (In the middle of Kaiyuan, Xuanzong and Yang Guifei enjoyed peony in Chenxiang Temple) It said, "How do I use old music words?" He ordered Li Bai, a bachelor of Hanlin in the Year of the Tortoise, to present a golden flower note and enter the three chapters of Qingpingdiao. Bai Xincheng wrote an imperial edict, but he still stayed in the cave for a long time. Because of the pen, he gave: "Clouds need clothes, flowers and beauty ..." Princess Taizhen held the pear seven treasures cup and drank the wine from Xiliangzhou, with a deep smile. Because the tune of the flute of the Year of the Tortoise ... naturally, Li Han Linda is very different from his bachelor.
Zhou Wei said: Taibai's Qingpingdiao has three chapters, with gorgeous language, elegant dictionary, barbed beauty and nuance. There is a saying in the village: Poetry is a combination of words. The so-called adventure cuts through the stone and catches fish in dry land. The recent anthology of Poetry Return is extremely rich. Why not accept it separately? I don't understand.
"Don't pick up the gold in Tang poetry": All three poems are about concubines, which are embodied by "flowers" and have their own profound meanings. Or the first sentence sings people, the second sentence sings flowers, and the third sentence sings together. Those who don't know poetry are also. Taibai's four-line poem takes nature as its religion, and all the interesting words are like poems written by God's will, just by accident. Later generations tried their best to become geniuses, but the more they did, the worse they got.
Debate on Poetry: Taibai's Qingpingdiao's words "clouds want clothes, flowers want capacity" and "fragrance" have fallen into the lyrics, but they are slippery. "A Colorful Branch" and "A Smiling King" are not interesting, but "A Little Stone" is very frank. These three chapters are extremely satisfactory.
Ancient Tang Huan's Essays: Eight Poems of Autumn Prosperity by Shao Ling and Three Chapters of Qingping Ci by Qing Lian. After reading for more than 30 years, it is not easy to know more.
Original Poetry: Li Bai is a natural genius, outstanding, but as famous as Du Fu. He who gets this by covering up the white space does not get it by talent, but by anger. ..... As white as "Qing Ping Diao" trilogy, it is also plain, but the imperial concubine holds the inkstone, and Lux takes off his boots, no matter where the coward chills, the strong man on the Qin Wuyang can't help changing the color of many dissenting Confucian Temple, so he will be angry if he doesn't give up first. Would you like to see his talent? Before seeing glistening, it is no different from sleeping as drunk as a fiddler in Chang 'an. How angry this is!
Selected Poems of Tang Dynasty: Three chapters of Qingpingdiao are the best. The first song was given the color of concubine, the second song was given the beauty of Minghua, and the third song was written by Minghua and concubine. The situation here has been exhausted and it is impossible to continue. So it is better.
"Tang Poetry": The three chapters combine the words of flowers and people, which are charming and beautiful. Or the first chapter is about concubines, the second chapter is about flowers, and the third chapter is about singing together, which is very unusual.
Direct interpretation of Tang poetry: four coquetry, neither deliberate nor deliberate.
"Poetry": "The bright moon has come and gone, and no one leans on jade", "It shows that the east wind is infinitely hateful, and the agarwood pavilion is northward". Cui Lu and Li Bai sing Yuhuan, Cui Zeyi is extremely meticulous, and Li Zeyi talks nonsense, but the weather is different.
Interpretation of Tang poetry: when it is too white to be extremely unhappy, adding the word "hate" is meaningful.
Ten episodes of Tang poetry: Tang Yun: The three capitals are stone, and this one is even better. Every word is the true state of Chenxiang Temple.
Tong Jing said: "Smiling" is affectionate, and the third sentence depicts the heart of the imperial concubine.
"Don't pick up the gold in Tang poetry": Relieving hatred comes from "laughing". There is no hate to be released, and the clouds are natural, that is, Zuo Zhuan (Wild Prince): "You are not Ji's (referring to Fu Ji), and you are uneasy and have insufficient food."
"Adding Tang Poetry to Collect Money": graceful and touching, "explanation" is full of emotion.
Interpretation of ancient poems: This chapter is about the appreciation of peony flowers by the emperor of the Tang Dynasty and his concubines.
"Don't cut Tang poetry": it is a gentle wording to release the sorrow of heaven and rely on "spring breeze".
A brief record of the changes of poetic methods: this poem is a matter of fact, and it is a thing of the Ming emperor. Only the words "two-phase happiness" write the beauty of peerless Shen Feng directly, and the flowers are also vivid. The so-called poem has a soul, the third sentence is the second sentence, the last sentence should be the first sentence, and the composition is the best.
Li Taibai's poetic spirit: Yan Canglang said: Beautiful and moving. Embroidered with heart and mouth.
The essence of the quatrains in the Tang Dynasty: The third paragraph concludes that the famous flower princess can invite people who she likes for a long time, so that they can "dance out of the wind and hate infinitely".
source
Li Bai: Three Qingping Tunes
original text
one
Beautiful people who see the bright clouds, think of their clothes and see flowers come to see them.
If Yushan didn't see her, it would be Yaochi meeting under the moon.
Secondly,
A stick of incense and a stick of incense are heartbroken in vain.
Excuse me, who looks like Han Palace? The poor swallow relies on new cosmetics.
third
Famous flowers fall in love and laugh like kings.
Explain that the spring breeze is infinitely hateful, and the agarwood pavilion is northward.
Keyword annotation
subject
Qingpingdiao: The title of Tang Daqu and Yuefu Poems (Volume 80) were included in Modern Quci and later used as inscriptions.
one
"Yunsi" sentence: the words of mourning are called the beauty of the imperial concubine. See brilliant clouds, think of gorgeous clothes, see gorgeous flowers, think of the beauty's face. In fact, clouds are used to describe clothes and flowers are used to describe people.
Threshold: railing. Revlon: Peony flowers are more colorful with crystal dew.
Qunyu: the name of the mountain, the place where the western queen mother lived in myths and legends. Because there are many jade in the mountains, it is named.
Yes: yes. Yaotai: the legendary palace where the Empress Dowager lived.
Secondly,
One branch (nóng) is gorgeous: it refers to peony (wood peony). Well, one is "red".
Yu Yun in Wushan: It is said that the Wushan Goddess of the Three Gorges and the King of Chu will accept the love of the King of Chu.
Unfortunately: cute and gratified. Yan Fei: Zhao, the queen of Emperor Hancheng. Rely on new makeup: describe the posture of women with gorgeous clothes and good makeup. Shit, wear it, shit.
third
Famous flower: peony flower. Fall in love with the country: amazingly beautiful, referring to Yang Guifei. The classic Li Han Yannian's Beautiful Song says: "When you care about the city, you will care about the country."
Look (kān): It rhymes. Read horizontally.
Explanation: dissolution and the meaning of dissolution. Release means release and dissipation. One is "knowledge". Spring breeze: This refers to Xuanzong of the Tang Dynasty.
Aquilaria sinensis: the name of the pavilion, built by Daphne, is in the east of Longchi, Xingqing Palace in Tang Dynasty. So the address is in Xingqing Park in Xi today. Shen, with "Shen". Dry: It's the railing.
Creation background
According to the records of the late Tang Dynasty and the Five Dynasties, these three poems were written by Li Bai when he offered sacrifices to the Hanlin in Chang 'an. In the spring of the second year of Tianbao (743) or the third year of Tianbao (744), Emperor Xuanzong of Tang Dynasty and Yang Fei were watching peony flowers in the palace Chenxiang Temple, and the musicians were preparing to perform song and dance entertainment. However, Tang Xuanzong said that old music words should not be used for concubines to enjoy famous flowers. Li Bai entered the palace to write a new movement because he urgently called Hanlin and other imperial edicts. Li Bai wrote these three poems on the golden flower stationery when his letter entered the palace. Inscription of "All Tang Poems": "Tianbao is dedicated to Hanlin for nothing. Those who were forbidden to pay more attention to Peony and got four books, red, purple, light red and white, were transplanted to Chenxiang Temple, the east side of Xingqing Dongchi. It will bloom, and the night will be white, and the princess will step by step. Especially those who choose their disciples in the pear garden will be happy to have 16 color. Li Guinian is good at singing. He has a sandalwood board in his hand. He wants to sing in front of music. The master said,' When appreciating famous flowers, why don't you use old music words for concubines?' He ordered the Year of the Tortoise to hold a golden flower, announce Li Bai, and enter the three chapters of Qingpingdiao. The imperial edict was written in vain, but it was not solved in the night, so it was given by pen. The song of the Year of the Tortoise, Taizhen holding a pear seven treasures cup, drinking Pu Tao wine from Xiliangzhou, laughing and lyrics, is meaningful. Because Yu Di leans on the tune of the song, every song will change, and her voice will be flattering in the later period. So real. Drink it, wrap the embroidered towel and worship again. Naturally, Li Hanlin is different from (his) bachelor. "
Brief introduction of the author
Li Bai (70 1-762), whose word is Taibai, was a romantic poet in the Tang Dynasty and was praised as a "poetic immortal" by later generations. My ancestral home is Ji Cheng in Longxi (to be tested), and I was born in Broken Leaf City in the Western Regions. At the age of 4, he moved to Mianzhou City, Jiannan Province with his father. Li Bai has more than 1000 poems, among which Li Taibai Ji has been handed down from generation to generation. He died in 762 at the age of 6 1. Its tomb is in Dangtu, Anhui, and there are memorial halls in Jiangyou, Sichuan and Anlu, Hubei.