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Author of the whole poem: Zhao Yi in Qing Dynasty
Five Poems by Zhao Yi

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Zhao Yi wrote five essays on Poetry and put forward his own thoughts on literary creation.

First of all,

Full of energy, the workers strive for new things every day.

Promote 500 years of new ideas and a thousand years of feeling.

Second,

The poems of Li Bai and Du Fu have been read by thousands of people, and it is nothing new to read them now.

There are many talented people all over the country, and their poems and popularity will last for hundreds of years.

Third,

Only one eye must be independent, and there are many art parks.

When dwarves go to the theater, they always chat with others.

Fourth,

I learned to speak English when I was young, but I didn't learn enough.

It takes three minutes and seven days to study before you get old.

Fifth,

I can't freely understand the poor through poetry, because I don't think poetry has been created yet.

Bear fish laugh at themselves and are greedy. He wants to work hard, but he is afraid of poverty.

The second song

Brief comments:

It is written that future generations inherit their predecessors, and "the waves behind the Yangtze River push the waves before" comes from this poem. The language is straightforward, but the meaning is profound.

To annotate ...

Coquettish: Wind refers to the national style in The Book of Songs, and Sao refers to Qu Yuan's Li Sao.

"coquettish" refers to the position and influence of works in the literary world.

In the history of China literature, "Sao" is as famous as "Guo Feng" who represents the Book of Songs and "Li Sao" who represents the Songs of Chu. "Sao" tradition is two fine traditions of China ancient poetry developed under the influence of The Book of Songs and Songs of the South, namely "Feng" poetry tradition represented by The Book of Songs and "Sao" poetry tradition represented by Li Sao.

The so-called "wind" poetry tradition is the realistic spirit handed down from generation to generation. The basic principle of realism is to reproduce life according to the actual style of life, express the author's thoughts and feelings through a true, concrete and vivid description of life, and reflect the essence or some aspects of social life. The folk songs in Guo Feng and the political allegorical poems of the literati in Qing Dynasty in Er Ya embody this realistic spirit. In content, they face up to reality, describe reality, expose reality and criticize reality; In terms of artistic expression, they are good at using simple writing, concise language and clever metaphors to create real, natural and vivid images, and to paint a kind and touching picture of life to express their feelings and reflect reality. This is the main feature of Feng's poetic tradition, that is, the realistic poetic tradition. The realistic spirit of the tradition of "Feng" poetry in later literature mainly includes: Yuefu folk songs in Han Dynasty, literati poems in Jian 'an Cao Wei era, folk songs in Northern Dynasty, Du Fu's "Poetry History" works in Tang Dynasty, the "New Yuefu Movement" advocated by Bai Juyi in mid-Tang Dynasty, Bai Juyi's poems represented by Wang Yucheng in Song Dynasty and Yuan Haowen's poems in Jin and Yuan Dynasties. Although Guan Hanqing's zaju in Yuan Dynasty and Cao Xueqin's novel A Dream of Red Mansions in Qing Dynasty are not poems, they also inherit the fine tradition of realistic literature.

The so-called "Sao" poetry tradition is a creative method of positive romanticism full of passion and fantasy. The principle of positive romanticism is to "strive to strengthen man's will to survive and arouse his inner resistance to reality and all its oppression". The poet Qu Yuan's long political lyric poem Li Sao embodies the creative spirit of this positive romanticism. This is manifested in the ideological content and artistic techniques of Li Sao. In content, Li Sao shows Qu Yuan's progressive ideal and his unremitting pursuit of this ideal. This is the essence of positive romanticism. In terms of artistic techniques, on the one hand, Qu Yuan used rich mythological materials to form a strange mythological world through free fantasy, so as to express the poet's inner contradictions and conflicts, his pursuit of heaven and earth and his unswerving patriotic feelings; On the other hand, he used the metaphor of developing folk songs to create a world of "vanilla beauty" to symbolize that his struggle with the decadent and dark forces of Chu was a struggle between truth, goodness and beauty and falsehood, ugliness and ugliness. On the basis of real life, Li Sao expresses the author's persistent pursuit of progressive ideals with rich fantasy and enthusiasm, which is also the main feature of Sao's poetic tradition, that is, the literary tradition of positive romanticism. This positive romantic literary tradition has also been passed down from generation to generation. Jia Yi, a poet in the Han Dynasty, Cao Zhi in the Jian 'an era, Ruan Ji in the Zhengshi period, Zuo Si in the Jin and Six Dynasties, Bao Zhao and Li Bai in the prosperous Tang Dynasty, Li He in the middle Tang Dynasty, and even the uninhibited poets represented by Su Shi and Xin Qiji in the Song Dynasty and novelists Wu Cheng'en and Pu Songling in the Ming and Qing Dynasties all inherited and developed this fine tradition to varying degrees.

translate

The poems of Li Bai and Du Fu are widely read and studied.

Today, this is nothing new.

Excellent talents will appear alternately in every era.

The literary circles led by them have been full of vitality for hundreds of years.

The third song

To annotate ...

One-eyed: original opinion and outstanding eyesight.

Art garden: art world, art field.

Orpiment: Celosia cristata, yellow and red, can be used as pigment. The ancients used yellow paper to write, and if they made mistakes, they erased them with orpiment before writing. Later, I used the metaphor of nonsense.

Make an appreciative comment

This is a poem in which the author expresses his artistic thoughts. It is pointed out that literary criticism should advocate original opinions, rather than conformity.

The first two periods appeared in many art gardens. There are all kinds of opinions, good or bad, right or wrong, different in depth, and sometimes there are all kinds of views on the same issue. What is needed at this time is a unique vision, with its own perspective and viewpoint. Of course, this is not easy. You need a deep education and experience to become a "master".

The last two sentences are an image metaphor, which means a short man watching a play. When the dwarf was watching the play, his eyes were blocked by the person in front. Where can he see the scene on the stage? When the play is over, everyone can say it together and only echo others. This is like our own view of "art garden". If our academic ability is shallow and we can't "have only one eye", we can only "talk with people". The author is firmly opposed to this parrot-like behavior.

Reaction to a book or an article

People are full of desire and curiosity. The greatest desire is to seek immortal fruit; The most curious thing is to explore the root of life, transcend the world and master the function of the universe. Therefore, the sum of these two kinds of psychology constitutes the basis of religious academic thought. The establishment of Western Buddhism, Paradise, Oriental Xanadu and Rhoda Wonderland led to the separation of man's material desire from reality and promoted the sublimation of spirit.

In addition, there are maverick, non-religious, purely concerned about physical and mental reality in order to obtain evidence, and strive to transcend the bondage of the material world for China tradition, Indian traditional yoga and Buddhist body, so as to achieve the eternal existence of the external self, and then open the mystery of primitive life in the universe. There is no rebellion against the respective beliefs of religious people, and there is no empirical evidence based solely on their beliefs.

However, since ancient times, books and oral secrets about immortality have spread widely. But where are the real immortals? Those who live long are hard to live. It seems that they are all pure lies, and they are not credible. No, we have this suspicion now, and the ancients have long felt the same way. Therefore, Ji Kang, a Jin Dynasty man, wrote The Theory of Health Preservation, insisting that immortals can learn, so as to prove the truth of his story in theory.

Ji Kang put forward that the main purpose of the study of immortals lies in health preservation, which is fair and honest. At present, it is hard to deny its help to the existing health care. But also can supplement China's medical theory and modern psychotherapy, physical therapy and psychotherapy, so it is necessary to carry it forward.

An academic thought, which has been circulating since thousands of years ago, must have its reasons for existence. Ancient people, it is not easy for us to understand this today. Moreover, those mavericks who have been immersed in this field all their lives from ancient times to the present, and then delve deeper, belong to the maverick with less income, and are not as good as ordinary applied academics, and can make a living immediately. According to personal experience, this method is very effective for self-treatment that pays attention to physical and mental cultivation. If you want to "go to the doctor in a hurry, cram for the time being." "You can have a rest.

If you want to explore the mysteries of the universe and human life, and want to be outstanding, it involves the root theory. Zhao Yi, a poet in A Qing, has a painting "Learning a language in youth, unfinished work". It takes three minutes and seven days to learn Laos. "I said. Poetry is a literary trail, so it is difficult to ask for in-depth study. Besides, how can you change your temperament overnight and do your best?