1, son Xu Fu

Zi Xu Fu was written by Sima Xiangru, a poet in Han Dynasty, when he was traveling in the beam in his early years, and it has a strong yellow family color. Zi Xu Fu was written by Emperor Jing of Han Dynasty when he was a guest. Its theme is directed at the Taoist thought of taking emptiness and tranquility as the king in this period, but Jingdi's bad ci and fu are not appreciated by him. However, it was later appreciated by Emperor Wu of the Han Dynasty.

This poem describes the son of Chu State, Mr. Zi Xu, who went to Qi State. Zixu told Mr. Wu about going hunting with the King of Qi. The King of Qi asked about Chu, and tried his best to lay out the wealth of Chu, making Yunmeng just a small corner of the garden behind him. If you don't refuse to accept it, you will be arrogant and arrogant with the famous mountains of Qi and the different parties.

Its main significance is that through this exaggerated description, it shows the powerful momentum and majestic charm of the Han Dynasty. This poem is magnificent, rich in words, beautiful in description and alternating in phonology, which marks the complete maturity of Han Da Fu. It is a companion piece of Shang Lin Fu, both of which are officially established landmark works in Han Dynasty literature.

Step 2 pay for the forest

Shanglin Fu is a poem written by Sima Xiangru, a poet in the Western Han Dynasty, and a companion piece of Zi Xufu. This essay first writes the fact that the theory of deficiency of the child and five poisons is inaccurate, which leads to the fact that the son of heaven entered the forest.

Then, in turn, he praised the victory of the water potential, aquatic products, vegetation, animals, Taiwan view, trees and apes in the Tianzi Forest Garden, then wrote that the Tianzi hunted for celebration, and finally wrote that the Tianzi repented and reflected. Quanfu has a large scale, rich vocabulary, vivid description and vivid rendering.

3. Adult Fu

Adult Fu is a piece of Fu written by Sima Xiangru, a poet in the Western Han Dynasty.

This poem begins with the description of "an adult" traveling in the cloud of Lapras, and then it is divided into four parts: the southeast, the northwest and the grand occasion of traveling. At the end of the article, it comes down to the existence of detachment, which implies the irony of Emperor Wudi's way of being a good fairy, and also reveals the author's contradictory feelings about his career advancement and retreat. Quan Fu has rich imagination, beautiful words and rich Taoist thoughts.

4. "Changmen Fu"

Changmen Fu was first seen in Zhaoming Wenxuan edited by Tong in the Southern Dynasties. According to its preface, this is a prose poem written by Sima Xiangru, a writer in the Han Dynasty, which was trusted by Chen Ajiao, the queen who fell out of favor with Emperor Wu of the Han Dynasty. The work is written in the tone of a neglected concubine: The monarch promised to come and go, but he would be late and have no luck.

She wandered alone, full of expectation and loss of love. She boarded Lantai and looked at its whereabouts in the distance, only to see the clouds blocking and the sky was dark. Thunder shook, and she thought it was the chariot of the monarch, but only the wind swept it away.

This poem is an excellent prose poem, which depicts feelings with scenes, blends scenes, shows the depressed mood of Queen Chen after she was abandoned, and repeatedly overlaps in artistic expression, expressing women's feelings extremely delicately.

5, "Beauty Fu"

Beauty Fu is a poem by Sima Xiangru, a poet in the Western Han Dynasty.

At the beginning of this poem, it is assumed that I (the first person) was slandered, which leads to my lewdness below. With the ancient sages and sages as the foil, the focus is on my affair on my way to Liang, which once again highlights my lewdness, thus showing the author's idea of adhering to high morality and integrity. The language of Quanfu is beautiful and beautiful, and it mobilizes many senses to complete the description of beautiful women, which is quite unique in artistic techniques.