Sister Lang is very sticky.

As for why it is paste?

The fate of this street jump was doomed long before it was broadcast.

The reason has nothing to do with the quality of the second quarter.

A long time ago, in the first season, the trend of Lang Jie's high opening and low walking was very obvious. The competition system is chaotic, double standards, and the script traces are too heavy. Everything was crowded, and the result was particularly fatal. It is suspected that someone is holding a royal script, which makes the audience feel angry that they have been cheated and forced to feed S.

A program that quickly decayed at the peak of the first season, the real content violates the core values of variety, so just watch it patiently. How can we make people interested in pursuing the second season? (It's a pity, actually)

Sister lang, in the second season, I watched it again and again, and I chased it casually.

Objectively speaking, no matter the attraction, topicality or charm of the guests, they are not worse than the first season.

You have all the elements you need.

There are Cecilia Cheung, Yang Yuying, Angel and Zhang Yin.

Michelle Chen's state looks quite surprising. After washing the nightmare of little dragon girl modeling, Na Ying sings and carries the handle, and Joey Yung can talk and fight.

The Quotations of the Lazy Man by Royal Allen is an eternal classic.

And Li Feier and Huang Xiaoming AB had a warm-up relationship long ago, and even Ting Anni's paste coffee has stories that can be fully explored.

Plus Na Ying is Faye Wong's best friend, so interaction is inevitable.

But why is the visibility still not high?

It still has something to do with the program setting. I didn't see the wind and waves. It feels more like a middle-aged female star having a baby and raising a baby tea party.

Everyone, like a Buddha, will continue to save his feet or give birth to three children after the performance.

Without ambition and courage, no one strives for it, and the harmonious image is the most beautiful but sunset red.

I took a boring look, and there were really not many highlights.

In contrast, what surprised me most was Cecilia Cheung.

To tell the truth, she is recognized as a top talent player.

A brilliant face, a face that is still beautiful and prosperous at the age of 40 no matter how messy it is.

It's easy to be cut into a collapsed picture, but looking at the dynamics, it's still so beautiful that you can play.

Shaking your hair at will is also super sexy.

As we all know, she has poor aesthetics, poor fashion taste and poor singing and dancing, but even if she wears an incomprehensible turkey and puts it on the stage, you won't feel how she looks so good.

The conditions are really good.

Emotional intelligence is really low.

She is also the winner of a lifetime achievement award in a good hand chart.

The famous emotional intelligence has changed its face value, and the beautiful face has one more mouth. Talent is wasted casually and never cherished. Every time I speak, my brain doesn't understand, my mouth is full of unknown addresses, and I often get into trouble. It is called the "language bomb".

In fact, people are very nice, have no bad intentions, and are friendly to people, but it is that troublesome mouth and that brain that is always messing around in endless love that is terrible.

Based on these, I didn't expect her to perform (how good her acting is and how bad her singing and dancing are).

As long as you don't talk, turn over, and be laughed at by the group, it is already the greatest victory.

Unexpectedly, although singing and dancing are really not as good as expected, there is no accident this time.

Not only did he not get into trouble, but he even had several quite decent operations.

Long face.

First, we had a famous scene with Na Ying from the beginning. .

In the voting stage, Cecilia Cheung performed a car accident, but all the sisters at the scene voted for her, and she was moved to tears. Thank you all the time.

As a result, Na Ying said, Don't cry, I didn't vote for you.

Cecilia Cheung answered immediately, so I didn't thank you.

This reaction is wonderful. The play is full of effects and there is no real conflict. As a counterattack, it is decline, and as an interaction, it has a good sense of humor.