First, the overall perception
The original title of this article is Preface to Wang Tengting's Autumn Farewell, and all articles are closely related to this topic. The full text is divided into four paragraphs. 1 paragraph describes the magnificent terrain, rare products, outstanding talents and distinguished guests of Hongdu, and writes the word "Hongfu" very close in the title. The second paragraph shows the colorful Qiu Jingtu in the Wang Teng Pavilion. Close-up, full of rich colors, the magnificent scenery of Wang Teng Pavilion is written, which is closely related to the words "autumn" and "Teng Teng Wang Ge"; The third paragraph, from the description of the banquet to the feeling of life, is closely around the word "the Committee" in the title; In the last paragraph, I narrated my personal experience, which means that when I meet a bosom friend, I should write a poem as a souvenir. This is closely related to the words "don't" and "order" in the title. From this perspective, the full text is clear; From the ground to people, from people to scenery, from scenery to emotion, it can be said that clues are connected and topics are interpreted layer by layer.
Second, the revelation of local ideas
This article was written to bid farewell, but it only briefly described the prosperity of the banquet. After a few strokes, I devoted all my efforts to the scenery I saw in the pavilion. The feelings born of the scenery did not stick to the pattern and found another way. The layout of local ideas and the choice of ideas are also regarded as the basis of the text. Take the fifth paragraph as an example to illustrate the author's emotional ups and downs:
First of all, I use a series of short sentences to express my sigh: "Bad luck, life is at stake. Hou Feng is easy to get old, but Li Guang is hard to seal. " Then combine the length with the length to express their anger and sadness: "Qu Jiayi is in Changsha, but there is no Lord; Loud in the sea, is it lack of time? " Finally, there is a set of duality, which shows the intention: "Meng has noble taste and he is free to serve the country;" Ruan Ji is crazy, and crying is effective? " The sonorous tone expressed his determination not to sink.
Third, try to find wonderful sentences.
1. "The water is cold and the pool is clear, and the smoke is purple."
Appreciation: The author makes good use of flexible brushwork to describe the water state of mountains and rivers and express the magnificence of terraces, thus bringing readers into an immersive aesthetic situation. The beauty of color change is written as "the water is cold and the pool is clear, and the smoke is purple." These two sentences are not limited to the static picture color, but focus on the color change of mountains and rivers: the water in the cold water pool is clear because of the retreat of accumulated water; The mountains in the evening are purple because of the twilight. The former sentence is elegant in color, while the latter sentence is strong in color. On the contrast of colors, it highlights the characteristics of autumn scenery, and is praised by predecessors as "writing the scenery in September".
2. "The sunset is lonely in Qi Fei, and the autumn water is the same as the sky."
Appreciation: This sentence is called farewell forever. The sky is clear, the sky is connected with the ground, and the upper and lower colors are the same: rosy clouds are from top to bottom, and lonely people are from bottom to top, adding luster to each other, forming a beautiful picture with bright colors and muddy up and down. These two sentences are not only opposite to each other in sentence structure, but also form their own duality in one sentence, forming the characteristics of "sunset versus loneliness" and "autumn water versus sky", which is a major feature of Wang Bo's parallel prose.
3. "When you are old and strong, would you rather be moved? If you are poor, you will think about it, and you will not lose your ambition. "
Appreciation: This is the most instructive sentence in the full text. Throughout the ages, how many people with lofty ideals have always pursued their ideals in the face of all difficulties and obstacles, and will not give up even in gloomy adversity. Ma Yuan in the Eastern Han Dynasty said: "People should have ambition, be poor and strong, and be old and strong." Wang Bo used it here to warn those "people who have lost their way" not to give up because of short time and difficult situation. At this time, Wang Bo is not brilliant, but he still has such feelings, which is really commendable.
"Four Beauty" in Preface to Wang Tengting
The scenery of Preface to Wang Tengting is very distinctive. The author carefully constructs paintings, works hard, and depicts landscapes in a flexible way, which embodies certain aesthetic characteristics.
1. The beauty of color change
This article pays great attention to the color changes of the landscape. For example, the purple spots in Purple Spots Clearing Frost, the Liu Dan in Gefei Liu Dan, the pine trees in the mountains, and the green finch Huanglong in the green finch Huanglong axis are all colorful and swaying. In particular, the phrase "flowing water is cold and clear, and smoke condenses into purple mountains" is not limited to the color of still pictures, but focuses on the changes of water, light and mountains. The former sentence is simple and elegant, and the latter sentence is dignified in color, which is praised by predecessors as "writing the scenery in September"
2. The beauty of distance change
The author uses appropriate methods, just like the shooting technology of a movie, from near to far, to form a panoramic view with a sense of hierarchy and depth. The scenery around the pavilion is written in four sentences, which is a close-up view; The second sentence "rivers and lakes in mountains and rivers" is the middle scene; Below the cloud selling rain Ji is the broad prospect of rice fields. This kind of writing is the most prominent feature of the scenery in the preface to Wang Teng's Songs, which embodies the author's three-dimensional aesthetic view and brings readers into the picturesque scenery of Jiangnan. Readers are integrated with the landscape, people are in the landscape, and there are people in the landscape.
3. The beauty of ups and downs
The four sentences of "mountains, green waters and green waters" are inseparable by changing the perspective, so that the upper and lower parts are in harmony with each other, and the heavens and the earth are in harmony with each other, which embodies the author's unified aesthetic view. And "The setting sun is lonely in Qi Fei, and the autumn water and the sky are the same color" is a famous sentence. Water and the sky are connected, forming a beautiful picture with bright colors.
4. The beauty of contrast between reality and reality
"Fishing boats sing late" four sentences, that is, relying on auditory association, convey the distant scenery with the method of virtual reality, so that readers can broaden their horizons and see Wan Li. The real writing and the imaginary writing are in harmony, and the scenery is described as much as possible.
In a word, Preface to Wang Tengting is quite ingenious, with exquisite words, brilliant sentences and gorgeous chapters, which makes people feel like they are in a water town in the south of the Yangtze River. No wonder Han couldn't help but admire: "There are many scenes in the south of the Yangtze River, and Wang Tengting is the first."
Writing skills
Structure:
The first section topic-the second section is close to the scene-the third section is the combination of distance-the fourth section is the feeling of the distant scene-the fifth section is the expression of inspiration-the sixth section is self-introduction and the recovery of the topic meaning-the seventh section is thanks.
This is a problem from the shallow to the deep. First, let readers know the situation at that time by asking questions. The next description of the near world, with the human eye as the fulcrum, from near to far, will naturally have the second, third and fourth paragraphs, which is a layered problem. This kind of treatment is clear and makes people feel natural. Similarly, the same is true for expressing feelings, from the first half of the fourth quarter to the fifth quarter, to the sixth quarter and then to the seventh quarter. Full of layers.
Number one: All right.
Jing has two explanations. One is that the text is concise. Looking at Wang Bo's full text, to be honest, the words are really concise. This can be seen everywhere in the text. Such as describing the geographical location, "The stars are divided into wings, and the ground is connected with Lu Heng. "Three rivers and five lakes in Jin, controlling foreigners and attracting Ouyue", read the figures and make the geographical location of Hongdu (Nanchang) clear. From big to small, the atmosphere is not far away. Moreover, in these words, the central position of Hongdu's dangerous position is clearly stated. Such a clever move with a pen is not a fine word. It is clear at a glance to describe the solar term "September belongs to Sanqiu". It is also a number to describe people as "unlucky and ill-fated". For example, such words are concise and profound, and there are many articles. We can't know their value until we read tens of thousands of words. This is one of the things I will learn while waiting.
Second: wonderful
"Tengwangge Fu" is a famous article with many famous sentences. The world often remembers "sunset and loneliness in Qi Fei, autumn waters and sky are the same color". Needless to say. This is the most beautiful scenery. Others, such as writing the terrain "Jin Sanjiang takes five lakes, controlling barbarians and attracting Europe and Vietnam". Write inspiration such as "the cold corner has gone, and the mulberry is not too late." "Old and strong, would rather be tempted; If you are poor, you will think about it, and you will not lose your ambition. " Write a virtual situation, such as "the fishing boat sings late, and the shore is poor;" The goose is startled, and the sound breaks the pu of Hengyang. "That sentence is not a shocking sentence. These wonderful pens are all over the text, and there are doubts and finishing touches everywhere. Why not make them wonderful? Therefore, when we write now, we should also pay attention to the accuracy of words. If a text has one or two wonderful sentences, the whole text will live. Prose writers should keep it in mind.
Third: Bo
There is an old saying in China: "Read 300 Tang poems by heart, even if you can't write, you can recite them." . What does this sentence mean? In other words, we must have extensive knowledge of writing. Familiarize yourself with 300 Tang poems. As long as we study them carefully, we will naturally be familiar with the artistic conception, techniques and rules. In this case, it is undoubtedly beneficial to our own writing.
Reading widely, that is to say, we have ink in our stomachs and bend our heads to pick up sentences, which is the knowledge and ability that we writers must have. Accumulate more, read more, know more, naturally write well, get twice the result with half the effort. Look at the young writers we have now, and those who brag after reading a few famous sentences or turning over a few philosophical books and dare to call themselves educated there. It's really hilarious.
We can understand what Wang Bo has learned by reading Wang Bo's "Wang Tengting Fu". Such as geography, "Old County of Zhang Yu, New Residence of Hongdu" (know Nanchang history like the back of your hand). Jin Sanjiang takes five lakes, controls Man Jing and leads Ouyue. ""Knocking on the drum coast of poverty ... Sound out the pu of Hengyang (middle scene, around Nanchang) ". For example, the solar term "September in Wei Shi" belongs to Sanqiu. The water is cold and the pool is clear, and the smoke condenses the mountain purple (solar terms). ""Feng Tang is easy to get old, Li Guang is difficult to seal "and other allusions. Qu Jiayi went to Changsha ... and the "Hai Qu" he fled to said: "Meng Taste is a noble person ... Ruan Ji is rampant" and so on. Visible Wang Bo's quotation is extensive and reasonable, without trace. If he doesn't have thousands of books in his chest, how can he come easily? Therefore, for writers, extensive reading is absolutely necessary and necessary. Otherwise, cramming for the last minute and quoting some specious allusions can only be an example, and it is just gilding the lily. Moreover, if you don't have a wide range of knowledge, your creativity will be limited. This is a big taboo when writing. I hope literature lovers understand.
Fourth: live broadcast
A successful writer, the best word for his basic skills is to relax. It's time to put it away, that is, in a text, always grasp the center, grasp the weight of explanation on the extension surface, make it clear in layers and the center, so that readers can see it at a glance and instill the author's central idea into readers without reservation. Such a writer is a successful writer because the reader's thoughts interact with his.
"Tengwangge Fu" and the scenery are integrated and complement each other. If Wang Bo wants to express his thoughts under the surface of the landscape, he must have the ability to master words skillfully, that is, he must be able to use them back and forth freely.