Those charming eyes
Shi Xiaoyou
The clouds are light and the wind is light and drizzling, returning to the DPRK at dusk. Don't come, it should be, eyebrows are reduced and wrists are fragrant. Xiao Xuan sat alone in the lovesick place, feeling bored. A bunch of daylily, a few bamboo poles and a few banana leaves.
This is a lonely and boring little word. Starting with two twelve words, the four words overlap: the clouds are light and the wind is light, so we can know that they are sparse; Rain is drizzly, it should be light rain, such as Li Qingzhao's poem "Butterfly Loves Flowers": "It's raining and spreading, and the lonely family hears it", not "it's raining and raining" (the "acute illness" in the poem "Zheng Feng Storm" (the biography of Zhu Shi's poems). Light clouds are silent, and drizzle can be heard. This intermittent sound has reached people's ears at dusk and dusk. How can you not make life sad? Therefore, the first word is cloud "sorrow". The combination of reduplicated words strengthens the role of setting off the atmosphere, rendering the environment and expressing emotions. "Don't come, you should." The tone is very positive. Because we are bosom friends and soul mates, I worry about you, so you must worry about me. The "eyebrow peak" comes from "(Zhuo) beauty, and the eyebrow color is like a distant mountain" (Xijing Miscellanies). After that, the beauty of women's eyebrows Fang Ting, a man written by Kang Boke, "dresses lazily, is fat and thin, and has a slight eyebrow peak." Also, Meifeng is still Meishan. Han Wo's poem "Health Mistakes" says: "Embroidery holds cold, Meishan despairs". "Cui Jian" is because ancient women used black and blue faces to thrush. Ouyang Xiu's Walking on the Beach: "Suddenly, the old things come to mind, and there is nothing to frown, and the mountains are green." "Wrist jade" is the inversion of jade wrist. Fang Ting, the man of Qin Guan, said, "Jade wrist is invincible". Three or four sentences always write about people's unintentional dressing and neglect of combing. There is an old saying: "A woman likes herself." "Poetry Feng Wei Bo Xi": "From the east of Bo, my head is like a flying canopy. No ointment? Who is comfortable! " Cui Yingying in The West Chamber said it most clearly: "What is the mood of dressing up?" This is the man's idea that the other person should "don't come", because "the heart has been fascinated by him", so "poetry comes from the opposite side" is Liu Yong's "I want a beautiful woman to dress up, miss the sky several times and return to the boat" ("Eight Sounds of Ganzhou").
The next movie specifically talks about lovesickness from its own side. The porch is "small" and "independent", even if you want to dispel your concerns, it is impossible. You are restless and have no appetite for food, which leads to a sentence "I am so bored". This sentence is plain and straightforward, but it is true. It is also Zhou Bangyan's "The most bitter dream soul, I can't go to Iraq tonight"; "Heaven is a Taoist, so it's okay to fall in love at first sight" ("Romantic Boy"); "Fighting for this life, tears are debauchery" ("Jie Lianhuan"); Zhang Yan thinks that "falling in love will make you lose your elegance" and "watering the wind" (etymological miscellaneous theory). Kuang Zhouyi holds the opposite attitude. He said: "The simpler and more elegant these words are, the more elegant they are. The truest feelings flow from the depths of the heart, so it is best to talk endlessly "("Huifeng Thorn "Volume II). Say yes later. We should also look at "feeling bored" in this way, because it shows "true feelings", although it is "endless" to write three sentences with a smart pen, and the language is light and powerful. HEMEROCALLIS HEMEROCALLIS has many aliases, usually called Lu Cong, A Girl Without Sorrow, Yi Nong, Chuancaohua, Lily, etc. Ji Kang wrote in his Theory of Health Preservation: "I am angry when I am in love, I forget my worries when I am in daylily, and I know what I am in ignorance. "The Book of Songs called it Cao Cao." Feng Wei Bo Xi: "How can I get grass? The back of the tree. "Biography": "The grass has forgotten. "In Compendium of Materia Medica, Li Shizhen repeated the above words and quoted Li Jiuhua's Examination of Longevity, saying:" Young plants are vegetables, and people forget their worries because of their names. Meng Jiao and Mei, poets in Tang and Song Dynasties, all questioned "forgetting worries". The original intention of "a bunch of day lilies" is to say: you can get day lilies from the pain of acacia, but you can't forget your troubles, which implies the poem of Liu Chang (the father of primitive people): "If you don't plant orchids, you can forget your troubles; The green leaves are getting longer, and the spring sorrow is even more embarrassing. " "Er Geng Zhu Gan" is quoted from Du Fu's poem "Beauty": "Forget the thin silk sleeves and lean on the high bamboo at dusk. "The' beauty' in the poem has noble sentiments, so it is juxtaposed with the bamboo with' many knots and straightforward, and young people are still chilling'" (Liu Yuxi's "Long sentence rewards nine servants and raises whip Bizhou"). This sentence praised the other person's character. Finally, it ended with lingering acacia: "A few banana leaves. "Bananas have always been a symbol of sadness in poetry. The poem "Playing with Grass Trees" in the Tang Dynasty said, "Why bother playing with banana leaves?" One of Li Shangyin's Two Rites: "Bananas don't show lilac knots, but they miss each other in the spring breeze." Li Yu's "Sauvignon Blanc" words: "There are three bananas outside the curtain, and the night is long. "Hemerocallis, bamboos and plantains may have been seen by Xiao Xuan, but they all have meanings. All three sentences are written in numbers, connected by the first four overlapping word, which is particularly meaningful and full of words and feelings. Gu said that the poem should be "full of charm and charm, and the author must have three sighs." "Light and clear, shallow and deep, near and far, is victory" (Tian Tongzhi's xipu Ci). Seek from this word and believe it. (Ai Zhiping)
Xi nu jiao
Shi Xiaoyou
I am already affectionate, and I am more passionate about you. Put my heart and soul on you. Do their best, they have bad hearts and are biased towards you. * * * you. The wind blows people, just for you. Old friend, you won't know until you are busy. There is no future, who is like you. Not good but famous, up to now, it's all because of you. It is you. I don't hate you either.
This word, like writing about a woman pouring out her heart to the man she loves, is all about "I'm already affectionate" However, if we talk about it from the perspectives of "avoiding straightness and valuing pleasure" (flowers in stone steps) and "If it keeps flowing away, it is like a fine horse going downhill, and there is no wonderful way to control the longitudinal direction" (square), we should regard it as a mutual expression, which seems to be more affectionate, and analyze it accordingly.
"I have been affectionate, more hit, affectionate under you. Dedicated to you. " At first, the man confessed his feelings to the other party. Two strangers are connected because they are both "affectionate". This is destiny. It means that this kind of love is based on mutual love. "bump into", meet unexpectedly, and become lovers at first sight, which is really an act of god and overjoyed. Although these two words are vulgar, they are very interesting and wonderful. So "put my heart and soul on you". There is only one heart, but love has ten points. The affectionate woman didn't respond immediately to the man's love confession. First of all, she is deep and reserved. Second, she wants to relieve his worries first, which is a deep expression of love. "Do your best" means letting go and controlling, just like "you". The meaning of these three words is incomplete, as if to say anyway. "They", bystanders, those people except two. The subtext is: I don't care what they say or what they say. Be ruthless and partial to you. "bad", weak. Cao Zhi's On Distinguishing Pottery: "Bones are strong and weak, and everyone has his own way." Here, weak heart means charity and kindness. "Have you. * * * you. " Your image is unique in my mind. "The wind killed people, just for you." The wind is crazy. George's "Yangzhou Dream" is the first fold: "When this wind was in Zhang Yu, Zhang Shangjia once saw it." The second poem in Lu You's readme reads: "I don't hate celebrities, but I want to worship drunkards." "Man", man, man calls himself. There is a touch of innocence and naivety here. To others, I seem to be possessed and crazy, but it's all for you! The use of adverbs of three degrees, "Jin", "pian" and "Zhi", fully shows her love.
The man was deeply moved by the woman's spoony words and couldn't help but blurt out: "Old friends" are extremely kind and caring. "Immortality", feudal superstition refers to past lives, that is, past lives. Hokkekyo Memorial: "The life of a previous life should be said today." The sixth poem of Wang Wei's Accidental Works wrote: "A poet living in the past should be a painter." "Enemy", an old nickname for the person you love, is a satire on love. Chen Ya's poem "Boudoir Love": "I plan to break the string and wait for this revenge." Huang Tingjian's "Day and Night Music" says: "His hatred is unfounded and it rains again and again." The word here means that their current love was predestined as early as last life. The second volume of Kuang Zhouyi's "The Thorn of the Wind" quoted the predecessors as saying: "There is a saying: there are six kinds of enemies: deep feelings, close ties, and I would rather die than be unfaithful. The so-called hatred is one. ..... "The" friends "here have this idea. But instead, he said, "I didn't know it was you until I was busy." Obviously, this is a bit pretentious. The subtext is: I am so busy all day that I don't even care about women's favor. Only later did I "bump into" you. There is both the meaning of pleasing each other and the smug side. This made the woman very unhappy. She retorted, "There is no future. Who is like you?" "The future", the future situation, refers to the results. Sharp and spicy words, no mercy. These two sentences are linked with the "try your best" mentioned above. It seems that this man is really weak outside. So he said awkwardly and anxiously, "The bad thing is fame, and now it's all because of you." At this point, the transparency of the relationship between men and women is more clear: their love has been discussed by the society, and it seems that the man has been criticized more. When the woman is strong, she is right, and his inner depression breaks out. In order to ease the situation, the woman only spit out two words with a little resentment: "It's you." She is not convinced, but she doesn't want to say more. The implication is: how can you blame me for your lack of skills? After all, the man has a guilty conscience, so as long as he is better, he will accept: "Me neither. Star hates you. " I don't hate you at all! ..... If modern people write novels, it's probably a hug.
From the analysis of the above two people's conversations, writing about love between men and women is a wonderful and unique word. Language is not only colloquial, but also personalized, giving readers the feeling of looking at others. Jin Mao said in the postscript of Shi Xiaoyou's "The Legacy of Golden Valley" that some of his articles are "light and elegant", and they don't fall into the vulgar slang of "May grandma have grace", nor do they fall into the overlap of "misty clouds and beautiful mountains". The description of the relationship between men and women is light and beautiful, soft and delicate, not vulgar, and does not overlap the bedstead houses. It is natural and fresh, lively and vivid. This kind of ci is far from the folk works of Dunhuang Quzi Ci, but it is close to Liu Yong's vulgar ci, which started the germination and gestation of Yuan Zaju. Yuan praised the author as a "master of sketching" and said that this word "opened a door to music" (Volume 2 of Rain Village) just knew what to say. In the past, the comments on words were mostly limited to the traditional freeze-frame, and it was inevitable to ignore the humorous jokes.