The next movie specifically talks about lovesickness from its own side. The porch is "small" and "independent", even if you want to dispel your concerns, it is impossible. You are restless and have no appetite for food, which leads to a sentence "I am so bored". This sentence is plain and straightforward, but it is true. It is also Zhou Bangyan's "The most bitter dream soul, I can't go to Iraq tonight"; "Heaven is a Taoist, so it's okay to fall in love at first sight" ("Romantic Boy"); "Fighting for this life, tears are debauchery" ("Jie Lianhuan"); Zhang Yan thinks that "falling in love will make you lose your elegance" and "watering the wind" (etymological miscellaneous theory). Kuang Zhouyi holds the opposite attitude. He said: "The simpler and more elegant these words are, the more elegant they are. The truest feelings flow from the depths of the heart, so it is best to talk endlessly "("Huifeng Thorn "Volume II). Say yes later. We should also look at "feeling bored" in this way, because it shows "true feelings", although it is "endless" to write three sentences with a smart pen, and the language is light and powerful. HEMEROCALLIS HEMEROCALLIS has many aliases, usually called Lu Cong, A Girl Without Sorrow, Yi Nong, Chuancaohua, Lily, etc. Ji Kang wrote in his Theory of Health Preservation: "I am angry when I am in love, I forget my worries when I am in daylily, and I know what I am in ignorance. "The Book of Songs called it Cao Cao." Feng Wei Bo Xi: "How can I get grass? The back of the tree. "Biography": "The grass has forgotten. "In Compendium of Materia Medica, Li Shizhen repeated the above words and quoted Li Jiuhua's Examination of Longevity, saying:" Young plants are vegetables, and people forget their worries because of their names. Meng Jiao and Mei, poets in Tang and Song Dynasties, all questioned "forgetting worries". The original intention of "a bunch of day lilies" is to say: you can get day lilies from the pain of acacia, but you can't forget your troubles, which implies the poem of Liu Chang (the father of primitive people): "If you don't plant orchids, you can forget your troubles; The green leaves are getting longer, and the spring sorrow is even more embarrassing. " "Er Geng Zhu Gan" is quoted from Du Fu's poem "Beauty": "Forget the thin silk sleeves and lean on the high bamboo at dusk. "The' beauty' in the poem has noble sentiments, so it is juxtaposed with the bamboo with' many knots and straightforward, and young people are still chilling'" (Liu Yuxi's "Long sentence rewards nine servants and raises a whip to Bizhou"). This sentence praised the other person's character. Finally, it ended with lingering acacia: "A few banana leaves. "Bananas have always been a symbol of sadness in poetry. The poem "Playing with Grass Trees" in the Tang Dynasty said, "Why bother playing with banana leaves?" One of Li Shangyin's Two Rites: "Bananas don't show lilac knots, but they miss each other in the spring breeze." Li Yu's "Sauvignon Blanc" words: "There are three bananas outside the curtain, and the night is long. "Hemerocallis, bamboos and plantains may have been seen by Xiao Xuan, but they all have meanings. All three sentences are written in numbers, connected by the first four overlapping word, which is particularly meaningful and full of words and feelings. Gu said that the poem should be "full of charm and charm, and the author must have three sighs." "Light and clear, shallow and deep, near and far, is victory" (Tian Tongzhi's xipu Ci). Seek from this word and believe it.