The most classic calligraphy quotations (selected edition)
1) The origin of Cao Zhang is divided into upper and lower parts, and the lower part is divided into upper and lower parts. It is a simple and convenient opening font in Han Dynasty. Clear. Introduction to fan calligraphy
2) lowercase letters are difficult, but grass is still difficult. Enlightenment wins with law, and grass wins with god. Law can be barely combined, and God can't go beyond the Eight Laws and March into the Nine Houses unless he is extinct. And Tang's "New Interpretation of Linchi"
3) True books focus on peace, followed by party troops; The cursive script is concise and clean, followed by the male boss. Clear. Bao's "Art Boat Double"
4) books seek energy and attack real grass. Don Yan Zhenqing's Twelve Meanings of Zhang Changshi Style
5) The grass is bold and unrestrained in the longitudinal direction, and it turns into a frown when covering the wrist, hanging the tube to gather the front, being soft outside and expanding inside, rolling up and down from left outside to right, inhaling and exhaling, and turning inside to hide the front. On the Essence of Pen by Yu Shinan
6) Cursive scripts such as sitting, lying, standing, arguing, jumping on the boat, singing and dancing are all abnormal and unnatural. Southern Song Dynasty. Jiang kui continued his book spectrum.
7) Herbal medicine is easy and quick, but it is difficult and late today. Zhao Yi's non-cursive script in the Eastern Han Dynasty.
8) Since the Tang Dynasty, it is mostly a single grass, but the two words are connected. It is not surprising that the number of crosses is constant, and the number is continuous and gossamer. Although this is from the ancients, it is more serious. Ancient artificial grass, modern people are true, why not? Its connection, especially the lead belt. If we try to test him, it is that the stippling places are heavy, the non-stippling places are occasionally cited, and his pen is light. Although it is complex and diverse, it has not disturbed its laws and regulations. Southern Song Dynasty. Jiang kui continued his book spectrum.
9) Every time I put pen to paper, I feel like a flying cursive script, but I feel like a dragon snake, running at will and rushing up and down, which is extremely scary. Look at it quietly, with a happy face. Song Cai Xiang's Collected Documents of Cai Zhonghui, a Bachelor of Song and Ming Temple.
10) Ancient cursive script, with less blank space and far-reaching charm, has more blank space and dense charm, while popular script is the opposite. Clear. Liu Xizai's Art Outline
1 1) cursive script is too expensive to get in the middle. On the one hand, there are high and low, on the other hand, there are long and short, and there are disputes and concessions on both sides. Clear. Liu Xizai's Art Outline
12) the amethyst method is not grass, it is convenient for grass to flow, it is open, and the grass is outside the middle. If there is no record to follow, it is better to grasp the rules; It is beautiful and simple; Love is vertical, transcendental and excellent; Get used to this situation and realize it. When it is popular, the rain will disperse, and when it is moved, it will bloom. The brushwork is the most romantic. Zhang Tang's Book Theory of Huaiguan
13) Learn the Bo Gu seal, know the ancient Chinese characters, have a simple spirit, can help others, and know the miraculous effects of pictographs, pointing to things, and recognizing things. Clear. Introduction to fan calligraphy
14) round and ancient, with insect marks; Pointing at the waves is a perfect score of eight; Switching to the back is flying white; Simple and happy, it comes from Cao Zhang. Southern Song Dynasty. Jiang kui continued his book spectrum.
15) seal script is still graceful and smooth, the official wants precision, the grass is expensive and smooth, and the chapter is convenient. The Book Score of Don Sun Guo Ting
16) Li Yu, Kai, Zhuan and Li's cursive scripts are not very skilled, but they are very sincere. The calligraphy of the Six Dynasties was collected by Fu and attached to the pen, so he enjoyed it calmly, such as riding a fine horse, advancing and retreating freely, without bothering the whip, and without any mistake. Northern Song Dynasty. Zhao Gou's Momo record.
17) Li Shu's writing style is good and clear. Scholars should be calm, work hard and don't steal. Only when the flesh is covered with blood can it have strength. Clear. Introduction to fan calligraphy
18) My scholar said: Is it appropriate for Li Shu people to call it flat? I don't know. Beauty is uneven. It was Han Li who provoked the head as hard as a folding knife. The so-called Jin Fang Gu Zhuo came prepared. Liang Qing Zhang Ju's Learning Characters
19) Eight points enrich Apollo's font, and Chinese people write eight points. Clear. Introduction to fan calligraphy
20) The insect print is complex, the grass is close to falsehood, and it is appropriate to be moderate, so it is still in the official position. The rules are easy to use. Where appropriate, there are Zhang, fake ink and mortgage. The tiger is full of glory and restrained, and Fenpa is even a genus. Rotten if astronomical cloth obsidian, wei if splendid chapter. Western Jin Dynasty. Cheng Gongxiang's "Li Shu Style"
The most classic calligraphy quotations (latest edition)
1) The figures in the Northern Wei Dynasty have a fixed method and come out freely, so they are not normal. The books of the Tang Dynasty are not fixed, but they are reserved, so they are engraved. Clear. Bao's "Art Boat Double"
2) The essence of calligraphy is positive and strange. The so-called upright people are indeed temperate in suppressing setbacks, revealing what they should do and imposing themselves. The so-called fantastic, ups and downs, soaring, amorous feelings, gestures, is also unique. Elegant characters in Ming Xiangmu's calligraphy
3) the book should also turn around and let nature take its course; If it becomes angular, it is sick. Don. Zhang Huaiguan's book review on medical stone.
4) Between paintings, domineering fluctuates in the peak; At a little bit, this is very frustrating. Kuang Yun accumulated his stippling and became his calligraphy. The Book Score of Don Sun Guo Ting
5) Gu Yun: Charm is a small shortcoming of writing a book, and frivolous is a serious illness. Always pick up the pen and straighten it out one by one. As for the pen, it is self-contained, and the most taboo is to compose music, so it will not be a book. Liang Qing Zhang Ju's Learning Characters
6) Ugliness is the beauty of strange stones, and ugliness to the extreme is the ultimate beauty. Ordinary books are ugly unless they are beautiful. Beauty and ugliness are different, which is also a view of human beings. Clear. Liu Xizai's Art Outline
7) Sweetness is not innate, cleverness is not caused by labor, recklessness is not ancient, stupidity is not ancient, and ugliness is not magical. Xun's Shan Jutu
8) Clever rules will be deified and never be poor. Ability should be good, and the mind can be changed. Clear. Feng Ban's Blunt Book
9) Learning books is like a poor road. First, you should study extensively, and then you should break the contract. Why not make a promise? Xian's Theory of Learning Books
10) True books are conducive to fairness, which is a secular theory and a loss of the Tang Dynasty. There is no bell for the magic of ancient and modern true books, followed by Wang Yi. Today, the books in both schools are sloppy. Why not be fair? Southern Song Dynasty. Jiang kui continued his book spectrum.
1 1) Its official documents are strong and unyielding, and they are executed by honest people and despise the court; With its wonderful stippling and precise posture, it is unparalleled. The running script is flat and crooked, like a dragon and a snake, and it is a family of its own. The Book Continuation by Zhu Wenchang in Song Dynasty
12) straight as standing, walking as walking, grass as walking; So can those who can walk without standing. The true story of calligraphy Wu
13) su Wenzhong said: calligraphy is prepared in the right book and overflows into cursive script. It failed to correct the book, but it was cursive. I can't speak Zhuang language yet, but I don't want to. Nothing is the Tao. Liang Qing Zhang Ju's Learning Characters
14) a scholar must first learn the correct calligraphy, and all eight methods are prepared, with no attachments. If the model method arrives, it will naturally be realized in the second method, and there will be no surprises. On the contrary, it is a mere formality, and people who don't understand it refer to it. Northern Song Dynasty. Zhao Gou's Momo record.
15) Methods of writing regular script and cursive script. Without cursive writing, there is no blood; If you don't write with a brush, there will be no beginning and end. The script must be harmonious and the grass must be clear. And Tang's "New Interpretation of Linchi"
16) Running script is similar to truth. ? It's naive to break the hairspring and continue ...? . On the Essence of Pen by Yu Shinan
17) What is expensive in the world will be difficult. Real books are hard to fly, cursive scripts are hard to be serious, big characters are hard to be secret, and small characters are hard to be generous and redundant. Northern Song Dynasty. Su Shi's On Books
18) Although there are big characters and small characters, there must be grass in the original book and a pen in the cursive script. The original ancient records of Hao Jing
19) The cursive pen turns many times. If you believe it, it will become a flat front, so you must use it secretly to change your mind. Clear. Bao's "Art Boat Double"
20) The model method is too restrictive and the grass method is too vertical.
The most classic calligraphy quotations (popular edition)
The word "1" must not be stagnant, which is correct. Yutang Zhang Tang Huai Guan Jin Jing
2) Workbooks are out of shape, and the layout is even and straight. The most taboo is that the point remains the same and the painting remains the same. Clear. Feng Ban's Blunt Book
3) Dense body means charming, or has the tendency to fly away and flow, and it is amazing, unique, elegant, fascinating and fascinating. How can we generalize? Xiao Yan cursive script in Southern Dynasties
4) A font is always changing, changing and responding. People who start in this way should respond in this way, which has its own reasons. Music score of Jiang Kui's continuation book
5) Using a pen is extremely casual, unrestrained, but slightly arrogant. If smokers are not in a hurry and comfortable, readers will get their meaning and all worldly things will be swept away. Qin's "Painting Method with Tone"
6) It's natural to do whatever you want. Southern dynasties And Tao's book of seclusion.
7) Use a pen to splash the ground lively, take pictures with the shape, draw naturally, intentionally or unintentionally, and naturally. Fang is kung fu to the border. Qin's "Painting Method with Tone"
8) Don't be a dead man, just be your best self. Don Li Shimin's "Pen Meaning"
9) The word is still being typed, and we win together. The soldiers are unpredictable, and the words are not satisfactory, and they are decided at the last minute. Books must be judged, tactics must be counted. However, although the war situation has changed, martial arts must not be chaotic; Although the font has changed, the physique should not exceed. Elegant characters in Ming Xiangmu's calligraphy
10) height, length, width and other changes become infinite. Three flavors of calligraphy
1 1) The book holds high nature, stands naturally, is born of yin and yang, and stands spiritually. Cai Yong's "Stone City Magic Pen"
12) with the brushwork, first retreat quickly, then retreat quickly, and the eagle died of hope, believing in nature, and can't be changed. Just like a fish swimming in the water. Jingshan Ao Yun: It's easy to roll or relax, but it's light and heavy. Just think about it. Li si's brushwork
13) Look at its posture, naturally, it doesn't care about pen and ink. Zhang Tang Huai Guan Shu section
14) Wei Bozi said: The ancients wrote delicate and graceful words and suddenly had adventures. Because of their mental state, they couldn't control themselves, and they didn't like vertical writing, so the readers suddenly changed. Later generations felt strange when they saw this, but the book was not touching enough. I am ruthless and want to do something wrong. People yawn and sneeze, but they also relax and tremble. Learn to open your mouth and stretch if you have nothing to do. How can it be fast? Liang Qing Zhang Ju's Learning Characters
15) every book can be described as a book if it is ten late and five urgent, ten bends and five straight, ten hidden and five out, and fifteen volts. On Jin and Wang Xizhi's Books
16) popular water stone, written naturally; The cloud is strict and unintentional; Interesting because of being moved, pens are interesting because of being moved, and touching each other is wonderful. It can include the wonders of heaven, not to mention the coherent context, but the coherent context is self-existent. Clear. Shen Zongxiang's Painting on Mustard Boat
17) words must be neat, not uneven, so as to avoid word diseases such as operators. One word, one word, and thousands of words together will not be a book.
18) There is no need to put on airs when writing, and the length of words varies. Because of its natural posture and news, it is omnipotent, compared with heaven and earth. Intentional neatness and intentional change are both dead. Clear. Wang Shu's On Books and Words
19) However, if you want to be natural, you must first be intentional, starting with party consolidation and finally changing. After a long period of practice, you will have your own understanding. Clear. Wang Shu's On Books and Words
20) Why should we take it from being born clumsy? Life is not capricious, what do scholars call it? A writer's pen? Also; Clumsy, there is no gas, so what does it mean to be an elegant person? Elegant and profound? Yes Minggu Ningyuan
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