Young and middle-aged crosstalk performers outside Deyun Society used to have several good prospects, but for various reasons, they no longer concentrate on their crosstalk. For example, Qiu Yingjun, a Tianjin crosstalk actor, liked his crosstalk very much, but later he put more energy into hosting his career. Another young crosstalk performer is also excellent. He is Jiang Kun's apprentice Zhou Wei. Unfortunately, Zhou Wei doesn't talk much about cross talk now. There is also a pair of crosstalk performers who used to be very popular, namely Jia Xuming Zhang Kang, but they have been cooperating in crosstalk for a long time. Are they cracked, too? That's a real pity. Lu Xin Yu Hao, a new cross talk force in Xi 'an, had a feeling of being born a few years ago. Their crosstalk is famous for its novelty. Unfortunately, some time ago, there seems to be something wrong with the new cross talk forces, and I haven't heard their new works for a long time.
At present, my favorite young crosstalk performers are Ma Jun and Sheng Wei from Tianjin. It is said that they are disciples of a teacher. They worship Malacca, the grandson of crosstalk master Ma, and Malacca is a disciple. However, crosstalk is rarely talked about, and Wei is basically personally directed by crosstalk master Ma Zhiming. For various reasons, Master Shaoma has never taught any apprentice except his partner Huang Zumin. Master Ma made great efforts to win the victory of Ma Jun. For them, some traditional jokes were taught word for word by Master Ma. Therefore, their basic skills in cross talk are very solid, especially some traditional jokes. Needless to say, some young crosstalk performers nowadays, even some elderly ones, are not as good as the two of them. Wei's traditional crosstalk really keeps its original flavor, which is completely different from the improved version of Deyun Society's traditional crosstalk. Ma Jun and Sheng Wei also have their own characteristics, especially Sheng Wei's clappers, which are definitely the best crosstalk performances at present, and will become great events with the passage of time. I am very optimistic about these two young and middle-aged crosstalk performers.
There is also a pair of young crosstalk performers, I especially like them, that is, Fei Jin Chenxi in Beijing. Chen is a descendant of Hou Shi's cross talk. They are all great-grandchildren of crosstalk masters Hou, Ma Ji and crosstalk masters. Li Zengrui and Wang Qianxiang should be the best of all the apprentices in Ma Ji, and his two apprentices are also excellent. Take Chen as an example, both speaking, learning and singing are brilliant, and both traditional and innovative cross talk are very easy to use. In particular, their comic exchange work "Everything Returns to Spring" shows their other strengths. If the two of them can stand the temptation, step by step, down-to-earth, and have a good talk, the future is limitless.
I hope there will be more young crosstalk performers who really love crosstalk and talk about crosstalk seriously, and don't go astray, so that the glory of crosstalk is no longer far away.
There are many people who can resist the cross talk banner. But Deyun Society can't. The cross talk of Deyun Society. Can only be regarded as a wonderful flower. Degang Guo's cross talk is to scold Yu Qian. Scold Yu Qian's parents. Scold Yu Qian's ancestors. When you don't talk about cross talk, you scold Jiang Kun, your peers and your disciples. Scold the master.
I remember the only truth that Degang Guo said, that is, without Deyun Society, all its employees would starve to death. In other words, at present, few employees of Deyun Society really have the ability to carry the banner of cross talk. Come on, don't take the road of network celebrities, young and middle-aged actors in Deyun Society can't live by cross talk!
Besides Deyun Society, which young and middle-aged actors can carry the banner of cross talk? This topic is very surprising.
By the way, including Deyun Society, which young and middle-aged actors can raise the banner of cross talk?
To raise the banner of cross talk, one must be a person with "both ability and political integrity and high prestige" and be a model in phonology, so as to coordinate all parties and change the current chaotic situation in phonology.
It is generally believed that Feng Gong, as a standard-bearer and leading figure in phonology, is a suitable candidate, but he is not among the young and middle-aged. Another crosstalk performer, Zhou Wei, is also excellent, but his teacher is Jiang Kun, who is suspected of "the fire at the city gate will hurt the fish in the pool".
Therefore, there are an endless stream of crosstalk artists, but it is really difficult to find a qualified flag bearer.
Not many young and middle-aged crosstalk performers can get married successfully, but they have a bright future, and there are still many independent ones in the future. Now there are small cross talk theaters all over the country, and there are many good ones, but few people know about them except the local audience, because they don't have as extensive resources as Deyun Society.
Tianjin is a cross talk nest, and small theaters are full of talents. The famous Qiu Yingjun and Yu Dan, this group of partners, used to be the leaders of the new generation of cross talk in Tianjin dialect. Now Qiu Yingjun is not committed to cross talk, but specializes in hosting, which is quite regrettable. At that time, the general teaching peak of Deyun Society was to serve Qiu Yingjun. Now this pair of partners, Wei of Tianjin, are famous and have a bright future. Originally, Liu Quanmiao from Zhang Pan was also a leading figure in Tianjin dialect, but now she has joined Deyun Society.
Xi 'an is an important town of crosstalk, and Wang Sheng, Miao Axe of Qingqu Society, is a new generation of crosstalk leader. Their works are both artistic and informative. There are also many masters in Qingqu Society, such as Dou, who starred in crosstalk "Newcomer", and Lu Xinyu, a new crosstalk force who is now forming a new portal. As you can see, Mr. Heng Youzhen and the working body, an old man in a friend's clinic, have never appeared in the media.
There are many young people in Beijing, such as You Xianchao, Ye Peng, Guo Liang, He Jing Li, Liu Yuntian, Li Jindou Crosstalk Society, Fu Qiang, Fang Qingping, etc., as well as Chen Yinquan, Hou Zhenpeng and Li Ding Dong Jianchun, whose level is equivalent to that of several outstanding actors of Deyun Society.
, Ma, Zhao Xiaolin, Shi, etc. They have trained many outstanding talents for crosstalk, especially the active new generation, many of whom are their disciples. These old actors are performers, their works are unconventional, and their disciples have extraordinary skills.
Jin Yan, famous for many years, is an iconic figure in Shanghai, with profound knowledge. There are also several actors in Hangzhou. Before crosstalk, it was basically in Beijing and Tianjin, plus Xi 'an in the northeast, and northerners listened. Because Jin Yan first opened up in Shanghai, cross talk also opened up the market in the south.
My favorite lovers in Northeast China are Liu Ji and Zhang Hanwen from Harbin. They are direct descendants of cross talk in Northeast Hou Shi.
Jinan is also an important town of Quyi. There is a saying in the phonological circle that Beijing studies art, Tianjin practices, and Jinan kicks the threshold. Chen Guang Teahouse in Ji 'nan was once as famous as Qi Ming Teahouse in Beijing. Mr. Sun Shaolin also has a large number of disciples. I've heard of a group of partners in Jinan, but I forget their names. Compared with all the crosstalk performers I have heard, no one has surpassed him. He is also surnamed Sun and has been on Tianjin TV.
In fact, crosstalk is much better, but they didn't appear in the mass media. We also have a few crosstalk performers and a small mariko in Chengde. Personally, I think their level can reach the level of Shang Yan, but they are not famous.
Deyun Society is booming now. Is it because their actors are riding the dust? Of course not. It's just that Degang Guo's reputation is too great. He has done a good job in marketing. It turns out that he has no inheritance, so there is no taboo. No matter what kind of cross talk jokes he dares to take, he has a large number of sources of works. He doesn't forbid everyone to record in the theater and upload it to the Internet. He is cleverly setting up his own personnel to make the audience consciously stand in line, so he quickly occupied the market and then expanded rapidly. Just listen to cross talk, you just need to listen.
Of course, Deyun Society also has a large number of outstanding actors, such as Sun Yue, Zhuang Zhuang, Gao Yunping, Meng Zhou Jiu Liang and Lang. They are not famous in small theaters, and many of them are not lower than these people, such as Li Yuntian, Liu Xianwei, Shi Aidong, Deng Deyong and Liu Zhe. , have certain attainments. If there are many talents, Deyun Society is a well-deserved domestic leader.
The actors I listed outside Deyun Society are only part of it. In fact, we are not too short of crosstalk performers, and this line has never died out. Degang Guo said this line was dead. He is the grave keeper of cross talk. This sentence is wrong. How did he say cross talk? Wang Yuebo, Zhang Boxin and Sun Yue have been talking about crosstalk in a small teahouse for a long time. Xiaoyuzi of Tianjin Silver and Xiaoyuzi of Beijing Li Jindou never stopped performing. Those art troupes in Beijing, such as the Railway Art Troupe and the Coal Art Troupe, including the All-China Art Troupe that worked in Degang Guo, all have crosstalk performers, and we in Beijing, Tianjin and Hebei have been listening to crosstalk.
In the 1990s, not only did the radio broadcast traditional cross talk every day, but even the Internet had Ma's cross talk network, and Kun Peng's cross talk network was founded. In those years, real crosstalk fans never stopped listening to crosstalk, so the newcomers don't have to be misled by Degang Guo. He has his achievements and contributions. Through Beijing TV, he gave cross talk wings, let more people know about traditional cross talk, and made a popular science. This is his real contribution.
A single flower does not make a spring. As long as a hundred flowers blossom and a hundred schools of thought contend, literature and art will be more prosperous, and more good actors and works will appear in cross talk.
I usually like to listen to cross talk, and I usually listen to a few cross talks before going to bed at night. So there are also some crosstalk performers who know. Of course, Deyun Society can be said to be the representative team of cross talk. One is a group represented by Degang Guo, Yu Qian and Gao Feng, and the other is a large group with the largest number of phonologists.
But besides Deyun Society, there are many young actors who can speak cross talk. First of all, my favorite young crosstalk performers are Lu Xin and Yu Hao, who are called the new crosstalk forces. These two young people are solid in basic skills, articulate, novel in thinking, extremely expressive and handsome in key. Personally, I feel that their cross talk strength is not lost to Deyun Society.
In addition, Jin Fei and Chenxi are other young actors who can speak crosstalk well. The crosstalk skills of the crosstalk performers are also extraordinary and expressive, and their crosstalk is also on this year's Spring Festival Evening.
There are many good crosstalk performers, but I can't remember their names at the moment. But I think they have benefited from Deyun Society after all. Deyun Society made cross talk so popular that it really promoted the development of the whole cross talk industry.
No, even Deyun Society can't achieve great things, let alone nothing.
No one in China today, including Deyun Society, can carry the banner of cross talk, so don't bother to think about it. In addition, it depends on how you understand whether you can carry it. I think the standards should be as high as those of Hou, Ma and Ma Ji, but they really haven't.
No one can afford it except Degang Guo. If you know Degang Guo, you will find that he is a wizard. Quyi includes embracing, storytelling, cross talk and drama. Storytelling and crosstalk will not be controversial. In traditional Chinese opera, he has profound attainments. As long as someone speaks, he can tell which school and which paragraph it is. In fact, crosstalk performers can perform many plays, but are there any that can really perform special performances? It's great to hold the second cross talk and storytelling now. But how many are there at the top stream level? In the eyes of Lao Guo and Yu Qian, Tao Yang is already a gifted boy. Holding two plays, crosstalk, is far from the top level. It's good for young crosstalk performers to have 10 20 classic jokes. How can it be sustainable?
What is the concept of carrying a flag? How many netizens who are full of "carrying flags" really understand the meaning of this word?
Most of them just follow the crowd and think that "carrying the flag" is leadership. What's more, they think that "the most profitable = carrying the flag".
The standard-bearer of an industry should not only be at the forefront of the industry, but also be able to make progress with the whole industry. All colleagues are convinced of him.
The flag in the hands of the standard bearer must be a signboard recognized by the whole industry. Even if some people don't want to admit it, they should follow the flag.
In the history of crosstalk, perhaps only Zhu Shaowen, known as the ancestor, established the portal of crosstalk, and the branches and leaves spread, which broke the rice bowl for future generations.
After Zhu Shaowen, the cross talk industry has hardly been unified. Many times, it's scattered sand, even fighting for food like mud. Zhang Shouchen, known as the head of crosstalk, once had a great influence among absolute monarchs, but he couldn't help being a thorn in the side like Zhang Jieyao, and the young horse didn't obey his demotion arrangement. The crosstalk artists outside Shanhaiguan and south of the Yellow River didn't annoy Zhang Shou at all.
Zhang Shou, always under this banner, can survive in Beijing and Tianjin, and it is not so stable.
After liberation, crosstalk faced the choice of entering the house or mutually assured destruction, so the Beijing crosstalk reformers led by Master Hou began to carry out drastic reforms on traditional crosstalk. At that time, the crosstalk improvement group needed to prove two things to the country:
Master Hou and the Beijing Crosstalk Improvement Team rented a venue in Shamao Hutong, Dali, and named it Xinhua Entertainment Club. They are responsible for their own profits and losses and don't ask the state for a penny. More importantly, after each performance, the actors communicate with the audience humbly, and they will delete any language that makes the working people uncomfortable. It is in this process of continuous self-purification and promotion that the Beijing Crosstalk Improvement Troupe was finally recognized by the state and finally established the Beijing Quyi Troupe.
The model of Beijing Crosstalk Improvement Group was also copied to Tianjin and then extended to the whole country. In Master Hou's memory, that era was the best time for cross talk, because "scholars despise each other, are not convinced, and their peers are enemies" were abandoned, and all my colleagues Qi Xin worked together to make cross talk more popular.
During this period, crosstalk has two biggest contributors. One is Mr. Lao She, who deleted the traditional cross talk, removed personal attacks, ethics and other elements, and gave cross talk a most important position: a propaganda tool.
Mr. Lao She laid a theoretical foundation and purified crosstalk, while Master Hou impressed the teachers with his exquisite skills. With the support and recognition of great men, crosstalk finally became a literary light cavalry, survived a special period and ushered in the first golden age.
It can be said that although the improvement of crosstalk is the result of the concerted efforts of all my colleagues Qi Xin, the leading role of Master Hou is beyond others' reach. If we didn't neglect our love for Master Hou, the resistance of cross talk entering the room would be unprecedented.
Therefore, Master Hou in that period was the real standard-bearer of cross talk. Together with his peers, he came to out of the dark and ushered in the call of the art palace.
After Master Hou, crosstalk entered a period of letting a hundred flowers blossom. At this time, there is no need to carry the flag bearer. The Zhongguang Rap Troupe, the Railway Art Troupe, the Coal Art Troupe and the Quyi Troupe are full of talents from all over the world and shine in their respective markets. Of course, Mr Ma Ji and his disciples dominated the Spring Festival Gala stage in 1980s and 1990s. There are many masterpieces handed down from generation to generation, such as "Five Senses Strive for Merit", "Cosmic Cigarette", "Dream in the Tiger's Mouth" and "Thief's Companion". However, although Tianjin crosstalk master did not have national influence, he reserved a corner for traditional crosstalk, which also laid the groundwork for a businessman to speculate on this matter later.
During this period, I finally picked a flag bearer, and it is estimated that one hundred colleagues can jump out and scold the street. Mr. Ma Ji's group is United and has the largest media resources, so other folk art groups and art groups are naturally dissatisfied. At that time, the selection of the top ten comedians was mainly based on Beijing artists, and several Tianjin-born actors were posted in Beijing. Uneven distribution of resources will naturally lead to contradictions. After Mr. Ma Ji's death, giving a title to a master will also cause doubts about Hou's "five standards", but he was set as an air target by the hype master and has been playing until now. Although Mr. Feng Gong was in the limelight for a while and had a high position, it was also controversial that he was not a cross talk but a sketch, and his voice never stopped.
These great people who walked through the golden age of cross talk failed to carry the banner. Now cross talk is streaming and entertaining, and all kinds of wild monsters are running all over the street. The aesthetics of cross talk has also reached a critical point. Which young actor dares to call himself a flag bearer? A community has a lot of traffic, but crosstalk is a mess, specializing in exploiting loopholes to make money. Does he have the face to call himself a flag bearer?
Anyone who dares to say that he is a cross-talk flag-bearer with his eyes open will end up holding a flag like the mercenary who was scared crazy by horses in Heroes of Heaven and Earth, and then being cut to pieces by Turkish soldiers.
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