The handicraft production of Pintangzhai hand-painted national Tang costumes has a long history, which can be traced back to the era of Yang Guifei in the Tang Dynasty. According to legend, Yang Guifei loves to design clothes for herself, and she has trained a group of skilled craftsmen from all over the country. The craftsmanship of these craftsmen can be described as the best in the world. It is said that Yang Guifei can get the favor of Emperor Xuanzong of the Tang Dynasty, and a large part of the credit should be attributed to these craftsmen. It is their extraordinary handicraft art that pushed Yang Guifei to the side of Emperor Xuanzong of Tang Dynasty step by step, which made Yang Guifei, one of the four most beautiful women in China, feel ashamed. As the saying goes, clothes make the Buddha depend on gold, which shows the close relationship between a person, especially a woman's beauty, image, taste and clothes. With Yang Guifei's exile and death, the craftsmen were dissolved and left, and the craft of Tang Zhuang in Tang House is the artistic treasure of China traditional culture handed down from one of these craftsmen. For more than 1000 years from the Tang Dynasty to the Republic of China, Pintangzhai's Tang costume technology has been serving the court nobles. Until the modern Kuomintang fled the mainland and came to Taiwan Province Province after the failure of the civil war, the wives of its senior officials and dignitaries also came to Taiwan Province Province with their masters who tailored hand-painted national costumes for them. At the beginning, Pintangzhai Tang suit was only for the ladies of Taiwan Province Kuomintang officials and dignitaries to customize hand-painted national costumes. In the 1980s, with the process of democratic liberalization in Taiwan Province Province, hand-painted national costumes began to appear in front of the public in Taiwan Province Province, targeting not only the wives of officials and powerful people, but also celebrities with status, status, culture and cultivation. Now that Hong Kong and Macao have returned to China, everyone is calling for the return of Taiwan Province Province, a wanderer who has been away from home for too long. Hand-painted national costumes have been developed and perfected in Taiwan Province Province for more than 20 years. Pintangzhai Tang Zhuang returned to the embrace of the motherland with hand-painted national costumes, an old wanderer who left his hometown.
The craftsmen and designers of Tang Zhai Tang suit tailor-made clothes for contemporary dignitaries. In the brand history, the predecessors said that they tailored clothes for historical figures such as Yang Guifei and Li Qingzhao. Today, they quantitatively design and make clothes for cultural circles and white-collar workers, and more convincingly design and make clothes for Liu Meizi, a post-80s modern oil painter who is the organizer of Beijing 789 art circle, Peking University, Tsinghua, artists and China traditional culture.
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