At present, there are nearly 40 stone tablets (one year) in the ancestral temple Chongyang Palace Forest (including 3 stone tablets 1 piece), 33 inscriptions, 6 groups of poems (the first year), 2 portraits, 2 inscriptions and 1 picture1piece. Among them, there are famous portraits and the true story of seven real people, the inscription of "No Dream Preface" in calligraphy, the tablet of imperial clothes in Dayuan and the tablet of Sun Zhenren in Yuan Di, the tablet of imperial edict in Yuan and Five Dynasties, the tablet of Mingzheng School and Cuncun, the tablet of ghost play in Tang Dynasty and Zhong Kui, Wu Daozi, etc. Most of these inscriptions were written by famous artists. There are many famous writers, with as many as 17 people in twenty-five years, which have many academic and cultural values. The Ten Faces of Chongyang Wanshou Palace, Monument to the Ancestor of Quanzhen Sect, Fairy Trace of Ancestor of Chongyang Sect, and Palace of Daoism in the forest of steles systematically and comprehensively record the establishment, development, rise and fall of Quanzhen Sect and its ancestor, Chongyang Palace, as well as the life experience and deeds of its founder Wang Zhongyang. There is also 13 Gaodao Daoxing tablet, which not only records the status of their respective Daoxing and Quanzhen religion in the Yuan Dynasty, but also records many important historical materials, which can be used as official history and supplementary history.

Calligraphy value: The first recommended works are Imperial Service Monument and Sun Zhenren Taoist Monument by Zhao Mengfu, a calligrapher in Yuan Dynasty. Da Yuan Zang Yu Yi Bei was written by Zhao Shiyan, a college student in Kuizhangge and a political official in Zhongshu Pingzhang. Zhao Mengfu Shu Dan, Hanlin Bachelor, Qin Guogong Meng Lifeng; Moreover, the sound of this stone tablet is called "ringing stone", so it is called "Three Juebei". Zhao Mengfu's "History of the Yuan Dynasty" originally said: "Calligraphy and painting are unparalleled ... seal, division, official, truth, line and cursive. Without exception, it is the world of book titles. " These two tablets were written after Chengzhi's middle age, and calligraphy has reached the point of perfection. The Commentary on Monument Sticking comments on Sun Zhenren's calligraphy cloud of Taoist Monument: "The brushwork is round and full, slightly like learning from Shinan, and more neat than other books". Secondly, Pu Guang's "Gift to the Palace of Eternal Life in Chongyang" is as big as a bucket, and it is a powerful book. Pu Guang was a monk in Yuan Dynasty, with the same surname as Li and Li, and a bachelor in the museum. He was the only great calligrapher in Yuan Dynasty who could compete with Zhao Mengfu. Tao's Book and History Society of the Ming Dynasty said: "Pu Guang diluted the essence of beauty for poetry, and was kind, true and cursive, especially for Chinese characters. They wrote all the forbidden plaques in the country. " Once again, Wo Zhongshu Dan's "The Road Monument of the Real Man in Piyun Song Dynasty" and "Shaanxi Jinshi Zhi" said in the inscription: "Calligraphy is quite mature and gratifying, and it is also beautifully carved in the Yuan Dynasty." In addition, the Chinese translation of Chen Ming Wang Wenbei, Shaanxi Jinshizhi, commented on the calligraphy cloud of stele style: "The translation of characters is vigorous and elegant, the most beautiful and full of valley brushwork." Yao Sui, the author of The Fairy Tale of Chongyang, is a good writer and can write. The Ming Dynasty's "Graphite Seal Carving China" said: "Books are dull, waves are not as good as hooks, and many people can write because of their country." Li Daoqian's "Quan Zhen Jiao Zu Tablet" was called "exquisite and powerful" by Wang Shizhen in Ming Dynasty. There is also Shang Ting's calligraphy masterpiece "Xuanmen Opening Angle Real Clean Monument" inscribed in official script. The difference between Quanzhen religion and Taoism in the past. Is that it is not a symbol, nor is it a burning thing; Advocate all-out gas refining. Therefore, there are many contents about refining qi and keeping in good health in the inscription. Although these methods can't make people live forever, they have a certain effect on health preservation and longevity, so they are paid attention to by contemporary qigong circles. The method of monasticism in Master Ma's Daoxing Monument says: "Buddhism Taoism takes carelessness as the body, forgetfulness as the use, weakness as the foundation, quietness as the foundation, eating and drinking, thinking nothing, sitting quietly and adjusting breath, sleeping peacefully and nourishing qi." If you don't care about your heart, you will be firm. If you don't work hard, you will be tempered. If you don't bother, you will have a knot. Then you will eliminate your feelings for nothing, and you will be better at it. Wang Zhongyang's "Dreamless Order" tablet reads: "Avenue is the gateway to immortality, and a few people are awake. Only in this way can the immortals be absolutely uneasy. I am eager for it. I will go to Lu Xian, Penglai. "Quanzhen Kaijiao Secret Language Monument" is about the method of practicing acrobatics: "Do not enjoy wine and love to float. Every time you move to the middle waist, the dragon and tiger will throw snow waves when they move, and the sound of water will clear the dust. Since I was enlightened on the road, I don't want to talk about it. Turn around at nine o'clock and go to Benpeng Island together. "