Year: Tang Author: Liu Zongyuan Style: Five Ancient Categories: Still Life
Early plum trees reflect Chu Tianbi.
At night, the north wind blows and smells fragrant, adding a touch of white to the thick frost in the morning.
I want to fold it and send it thousands of miles away, but there is no way to answer the question.
Cold English is on pins and needles, why comfort distant guests?
Zaomei
Year: Tang Author: Zhang Wei Genre: Four Musts
Next to Lincunxi Bridge, there is a cold plum and white jade belt.
I don't know if it started in the near future, but it is suspected that it has not been sold by Chun Xue.
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Interpretation of poetry
There is a plum tree with cold ling and white branches like jade. It is far from the village road where people come and go, and close to the bridge. People don't know that Hanmei blooms early because it is close to the stream, and they think it is snow that hasn't melted since winter.
words explanation
Tim: It's far away.
Next to: Shit.
F: It's open.
Winter: Winter.
Pin: This refers to the melting of ice and snow.
Appreciation of poetry and prose
The whole poem is to write a word "early". Just after the cold winter, bloom is not finished. Before the ice and snow melted, only a cluster of cold plums brought vitality and hope to the world. As a result, countless literati walked through the snow, looking for this early plum alone beside Ling Cold. At the edge of the stream bridge far from the road, the poet finally saw the early plum blossoms as jade as snow. The image of Zaomei is vividly portrayed, full of charm and in harmony with the poet's spirit.
Since ancient times, there have been many excellent poems with plum blossom as the theme. Some people have the charm of Yongmei, while others praise the charm of plum blossoms. This poem by Yongmei focuses on the word "early".
The first sentence not only describes the whiteness of cold plum, but also takes care of the word "cold". Cold ling wrote Chu Mei alone. The second sentence writes that this plum tree is far away from the village roads where people come and go, and close to the stream bridge. A word "Jiong" and a word "Bian" describe the unique environment of "a cold plum tree". This sentence is a link between the preceding and the following, and it is a necessary transition for the development of the whole poem. The word "Xiqiao" leads to the next sentence. The third sentence says that the reason why Hanmei tree blooms early is because it is close to water; In response to the first sentence, the fourth sentence is that the poet suspects that the cold plum is the snow that has not disappeared since winter. A sentence of "I don't know" and a sentence of "suspected yes" make the poet's vision seem like snow. Finally, I looked intently and found it was a cold plum tree that grew near the water. The poet's doubts have been eliminated, and the "early" of Zaomei has also been pointed out.
Mei and Xue often form an indissoluble bond in the poet's works. For example, Xu Hun's poem "Early Plum" says: "A tree is plain with snow", which describes plum blossoms as snow, while Zhang Wei's poem suspects plum blossoms as snow with different intentions. For cold plum blossom hair, all kinds of jade are like snow, and many poets have had similar illusions of doubt. In the Song Dynasty, Wang Anshi wrote a poem: "It is not snow that is far away, but because of the fragrance", which is also suspected to be the head of snow. Only when the faint fragrance strikes, do you know that it is plum, not snow, which is similar to the artistic conception of this article. Zhang Wei's poems, however, began with the plum blossom as jade without snow and near the water, which wrote the form and spirit of the early plum blossom and also wrote the cognitive process of the poet's exploration and record. Through the surface, I wrote the spiritual harmony between the poet and Han Mei. Readers can appreciate the leisurely charm and infinite meaning of poetry by alternating turns and taking care of the beginning and end.
Zaomei
Year: Tang Author: Style: Five Methods Category: Still Life
Ten thousand mu can't stand the cold, and plum trees absorb the vitality of underground heating.
In the old Zita Law tree, a branch opened last night.
The wind is too fragrant to disappear, and the bird can see the plain face.
I will be alone next year, and I will start to reflect on Chuntai.
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Interpretation of poetry
All trees can't stand the cold, and the branches will be destroyed. The lonely roots of plum trees absorbed the underground heat and restored their vitality. In Qiancun Zita Law, a plum blossom, cold ling, bloomed alone last night. Its fragrance drifted away with the wind, and a bird looked at this plain early plum in surprise. I want to send a message to Meihua. If they bloom on time next year, please come to Wang Chuntai first.
words explanation
Wang Chuntai: It refers to the capital, and it also means spring.
Appreciation of poetry and prose
Qi is already a child of a poor family in the countryside. He studied hard while herding cattle. A few years later, he could write poems, was discovered by the elders in the temple, and was taken into the temple to become a monk. One winter, after a heavy snow, Qi went out in the morning and was attracted by the snow in front of him. Suddenly, several wintersweet blossoms in front of him attracted birds to sing around them. Qi was stunned by the scenery in front of him. After returning to the temple, he immediately wrote the poem "Early Plum".
This is a poem about objects. The language of the whole poem is light, moist and insipid, and there is no flashy atmosphere. With meaningful brushstrokes, it depicts the arrogant and cold character and elegant charm of plum blossom, creating a lofty realm with far-reaching implications.
Mei-Wah Wong
Year: Tang Author: Ning He Style: Ci
No news from Cao Chun,
There are traces of wax snow.
Cross-ridge cold branches are self-dismantled,
It's a pity that it's cold and beautiful.
Shouyang is nowhere to be found,
Who plays the flute?
Yimei
Year: Tang Author: Li Shangyin Genre: Five Musts
Set the horizon,
Yi yi Wu Xiang Hua
Cold plum is the most hateful,
Often used as last year's flowers.
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Precautions:
This is Li Shangyin's later work in Zizhou. Written in the spring when flowers are in full bloom, the cold plum has already bloomed, so the title is "Recalling Plum".
At first, the poet's mind was not on plum blossoms, but on staying in a foreign land. Zizhou (now under the jurisdiction of Sichuan Santai) is more than 1,800 miles away from Chang 'an, and is called "Tianya" because of its vast territory in the Tang Dynasty. It is more psychological than geographical. Li Shangyin came to Zizhou at the request of Liu Zhongying when his career was frustrated and his wife died. Living alone in a foreign land and going to shogunate, I feel lonely and depressed. I didn't expect to live for a few years, and my mood was even more depressing. "Stay at the end of the world" is the voice of this painful soul. Fixed, still "dead" and "firm", the poet felt as if he had been nailed to this foreign land forever. Here, there is intense pain, indescribable boredom and helpless sadness. Qu Fu said: "The slang' Tintin' is elegant in poetry." This "elegance" seems to be understood as artistic expression.
The poet, suffering from homesickness and lingering sadness, couldn't help looking for spiritual comfort, so he turned out the second sentence: "I can't bear material desires." Wuhua refers to the beautiful spring scenery in front of us. Yiyi described the feeling of being intimate and touching in front of beautiful spring scenery. The poet seems to have been comforted temporarily in front of the blooming spring scenery, and a tender feeling of infinite attachment to beautiful things rises from the deep heart. In a word or two, feelings seem to be diametrically opposed. In fact, the feeling of "longing for things" is born of "settling in the end of the world", but two diametrically opposite feelings are interlinked.
"Han Mei is the most hateful. She grew into a flower last year." In three or four sentences, the poetic realm has a greater turning point. Faced with colorful "things", the poet can't help but think of plum blossoms. Spring blooms first, but when bloom is in full bloom, the flowers wither early and the fragrance disappears. When a poet regrets, he can't help but resent. Recalling plum blossoms from To the Object is a layer of twists and turns; Remember Mei, hate Mei, another layer of twists and turns. "Hate" is the development and deepening of "memory", just as deeply expected disappointment will turn into resentment.
But this is just the psychology of ordinary people. For Li Shangyin, it is more internal reasons. The characteristics of "cold plum" blooming in spring and dying in the hope of spring will naturally remind poets of themselves: young people are wise early, topics are written early, and themes are published early; However, it was followed by a series of misfortunes and blows. After entering Sichuan, I was already "willing to be a Buddhist, willing to ring the bell to sweep the floor, and willing to be a passer-by for Liang Qingshan" (Preface to Fan Nanyi's Collection), and I was quite depressed. Isn't it the poet's own portrayal that this early show withers first, and he can't enjoy the "cold plum" of bloom? In the poem Plum Blossom in Mid-November, the poet once expressed the same sigh: "Who is Zaoxiu? Don't wait for miss Fang. " From time to time, it is early, and the early plum that "does not stay as the fragrance of the year" and the cold plum that "grows as the flower of last year" are all symbols of the poet's unfortunate life experience. It is precisely because of seeing or thinking about it that the sadness of life experience will be touched, and poets will naturally complain that "cold plum is the most hateful." When the poem is written here, it is gloomy and closed, revealing an indescribable sadness.
The five-character quatrains are natural, and the meaning runs through. Avoid deliberate carving and twists and turns. This poem "Yi Mei" is full of twists and turns (Ji Yun's comment), but it doesn't give people the feeling of being sloppy and broken. The key point is that the twists and turns can't be separated from the poet's ups and downs and stranded life experience. In this way, the latent qi can turn inward, see in twists and turns, and see in diversity the unity, reaching the realm of God without trace.
Zaomei
Year: Tang Author: Meng Haoran Style: Five Dynasties Ancient
There are early plums in the garden, which are cold all the year round.
Young women struggle to get up and fold up and will be inserted into the mirror table. ①
I still want to read enough words, but I want to cut them with scissors.
chrysanthemum
Year: Tang Author: Chao Huang Style: Four Unique Categories: Still Life
Waiting for September 8 of the lunar autumn,
Blooming chrysanthemums are in full bloom, Chang 'an is fragrant, the city is bathed in the fragrance of chrysanthemums-Italy, and the land is like golden chrysanthemums.
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Also known as chrysanthemum
The title of this poem, Quantang Poetry, is "Fuju", which is probably based on the record of this poem quoted by Lang Ying in the seven revisions of the Ming Dynasty. However, Leisure Records only said that this poem was written after the fall of Huang Chao, and it was titled Chrysanthemum.
The Double Ninth Festival has a long-standing custom of enjoying chrysanthemums, and this day has virtually become the Chrysanthemum Festival. This chrysanthemum poem, in fact, is not a general ode to chrysanthemums, but a celebration of the Chrysanthemum Festival. Therefore, the beginning is "Stay in Qiu Lai on September 8th", which means to wait until the Chrysanthemum Festival. Say "September 8th" instead of "September 9th" to "kill" and "one" Ye Yun. This poem is in rhyme, and the author wants to create a decisive, intense and sharp voice and emotional momentum. The word "until" seems to be blurted out, but it is actually very heavy. Because the day when the author wants to "wait" is a day of great change, and this "wait" is full of warm expectations and ardent yearning. However, this day is by no means illusory and elusive, but it will surely come like going to Qiu Lai in spring and move the time series. So the tone is relaxed, jumping and full of confidence.
What about until that day? According to the imagination of ordinary people, it is nothing more than chrysanthemums in full bloom and fragrant. However, the author's next strange sentence-"I will kill Baihua when I open flowers." By the time the chrysanthemum blooms in bloom, all the flowers have withered, which is a natural law and a natural phenomenon that people are used to. Here, the "blooming" of chrysanthemums and the "killing" (withering) of flowers are juxtaposed to form a sharp contrast to show the inevitable connection between them. The author affectionately calls chrysanthemum "my flower", which is obviously a symbol of the oppressed people. Then, the opposite "letting a hundred flowers blossom" naturally refers to the reactionary and decadent feudal ruling group. This sentence is unambiguous and vividly shows the resolute and firm spirit of the peasant revolutionary leader.
Three or four sentences, titled "I Bloom", vividly describe the magnificent scene of chrysanthemum blooming: "The fragrance in the sky penetrates Chang 'an, and golden flowers are everywhere. "The whole changan is shining golden chrysanthemum. They send out waves of rich fragrance, soaring into the sky and soaking the whole city. This is the world of chrysanthemums, the kingdom of chrysanthemums and the grand festival of chrysanthemums. The strangeness of imagination, the novelty of metaphor, the grandeur of rhetoric and the magnificence of artistic conception are unprecedented. The chrysanthemums written by feudal literati are regarded as the embodiment of upright and upright people at most, praising their Ao Shuang character; But here, it is endowed with the fighting style and character of the peasant rebel soldiers, and the yellow petals are conceived as the armor of the soldiers, making it the latest and most beautiful flower of the peasant revolutionary soldiers from the gentleman's flower. Because of this, the chrysanthemum in the author's works has changed the static beauty of quiet and elegant in the past, showing a kind of dynamic beauty that is rough and bold and full of fighting atmosphere. It is neither an "isolated symbol" nor just a bunch of "chrysanthemums", but the flowers in the city are in full bloom, occupying the whole of Qiu Guang and emitting a strong fighting fragrance, so it is described as "fragrant array". The words "Chong" and "Tou" respectively describe the prosperity and depth of its momentum, and vividly show the prospect of victory for the peasant uprising army to seize Chang 'an and dominate the world.
Huang Chao's two chrysanthemum poems are refreshing in artistic conception, imagery, language and techniques. Artistic imagination and association are restricted by the author's world outlook and life practice. Without Huang Chao's revolutionary ambition and fighting character, there would be no such strange talk as "Let a hundred flowers blossom and I will kill them", and there would be no such fantastic idea as "The city is full of golden flowers". Connecting chrysanthemum with armored soldiers gives it a fighting beauty, which can only come from the life practice of fighting. "Heroes have tried their best to interpret poetry since ancient times" may be understood from this fundamental point.
Chrysanthemum in front of the courtyard
Year: Tang Author: Du Fu Style: Ancient Seven Dynasties
The chamomile in front of the eaves moved late, and the green core was difficult to pick. Will be depressed and drunk tomorrow,
What's the use of rotten flowers? There are many fragrant flowers in the field beside the fence. Pick beautiful flowers to ascend to nave.
Branches and leaves grow out of the mill hole, and the roots are gone.
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In front of the eaves: also in front of the courtyard.
Tite chrysanthemum
Year: Tang Author: Chao Huang Style: Four Musts
The west wind is full of lotus in the courtyard, and the cold butterfly is hard to come.
If I were Di Qing next year, I would report to Taohua.
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Precautions:
Lin Kuan, a poet at the end of the Tang Dynasty, wrote two poems: "Mo Yan immediately won the world, and heroes have interpreted poems since ancient times." Throughout the ages, there are indeed many heroes who can "interpret poetry", and Huang Chao, the leader of the peasant uprising in the late Tang Dynasty, is one of them. Since Tao Yuanming's famous sentence "Picking chrysanthemums under the east fence and seeing Nanshan leisurely" came out, chrysanthemum has formed an indissoluble bond with the arrogant noble literati hermit and almost became the spiritual symbol of feudal literati. Huang Chao's chrysanthemum poems, on the other hand, are completely out of the mode of similar works, showing a brand-new ideological realm and artistic style.
The first sentence says chrysanthemums are in full bloom in the rustling autumn wind. "West Wind" points out the section and makes the next sentence; "Full Court" is full of words. Saying "plant" instead of "open" is to avoid rhyming with the last sentence, and the word "plant" itself gives people a feeling of standing upright. It is not difficult to see that chrysanthemums bloom in the wind and frost to show strength, which is not difficult to see in literati's poems about chrysanthemums; However, "planting a courtyard" is obviously different from the image of chrysanthemum in literati's poems. Whether it is to express the feeling of "being aloof from the world", to express the state of "being aloof and unique" or to express the feeling of being alone without company, the word "loneliness" is often inseparable. In Huang Chao's poems, he only said that "the garden is full of plants" because in his mind, this chrysanthemum is a symbol of the working people and has nothing to do with the word "solitary".
Unfortunately, chrysanthemums are in full bloom in the wind and frost, but it is cold and autumn, and it is difficult to come to cold butterflies. In the rustling autumn wind, chrysanthemum seems to have a chill, emitting a faint fragrance, which is not as fragrant as the blooming flowers in sunny spring, so it is rare for butterflies to fly to pick up the fragrance of chrysanthemum. In the writings of old literati, this fact usually always causes two feelings: narcissism and loneliness. The author's feelings are different. In his view, "my heart is cold in Leng Xiang" because chrysanthemums open in the cold season, and he can't help feeling sorry for the untimely opening of chrysanthemums.
Three or four sentences are the natural development of the above feelings, revealing the cold environment and the unfair fate of chrysanthemum. The author imagines that one day he will become "Di Qing" (the God of Spring), and he will make chrysanthemums and peach blossoms bloom together in spring. This kind of imagination, full of strong romantic passion, concentrated on expressing the author's grand ambition. Throughout the poem, the implication is obvious. The chrysanthemum in the poem is the embodiment of the bottom people in Qian Qian at that time. The author not only appreciates their tenacious vitality in opening up to the wind and frost, but also hates their environment and fate and is determined to completely change it. The so-called "for Di Qing" can be regarded as an intuitive expression of establishing the peasant revolutionary regime. The author imagines that by that day, the working people will be able to live a warm spring. It is worth noting that this also reflects the simple concept of equality of farmers. Because in the author's opinion, chrysanthemum and peach blossom are all blooming and should enjoy the same treatment. Chrysanthemum is alone in the cold autumn, and its core is cold and fragrant, which is really unfair. So he decided to let chrysanthemums enjoy the warmth of spring like peach blossoms. You may think this is a poetic idea of farmers' equality.
There is also a question of who will change fate. Pray for God's sympathy and mercy, or "I am Di Qing"? There is a difference between being a slave to fate and being the master of it. The author of this poem said, "I am Di Qing". This heroic language embodies the determination and confidence of the peasant class leaders to overthrow the old regime. And this is an iron threshold that all feudal literati can't cross.
The thoughts and feelings expressed in this poem are very heroic, which dwarfs the various rhetoric of literati living in feudal society to express their ambitions. But it is not superficial, but it still contains meaning. This is because of the successful use of metaphor in poetry, which combines the author's unique feelings and understanding of life.
chrysanthemum
Year: Tang Author: Yuan Zhen School: Four Musts
The bushes in autumn are like Taoist priests,
It leans around the fence.
Not that chrysanthemums are more popular among flowers,
This flower is even more flowerless
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Precautions:
Tao Jia: Tao refers to Tao Yuanming in the Eastern Jin Dynasty.
Brief analysis:
The last two sentences explain his preference for chrysanthemums and have been recited.
Chrysanthemum is not as rich as peony, nor as precious as orchid, but as the flower of Ao Shuang, it has always been favored by people. Some people praise its strong character, while others appreciate its noble temperament. Yuan Zhen's poems about chrysanthemums show his reasons for loving chrysanthemums in a new way.
chrysanthemum
Yuan Zhen
Autumn silk is like a Potter around the house, and the more she surrounds, the more inclined she is.
It's not that chrysanthemums are favored among flowers, but that this flower is even more flowerless.
-Ming version of "Painting Spectrum of Tang Poetry"
In general, I want to talk about the loveliness of chrysanthemums. However, the poet did not list adjectives such as "hanging the moon with a golden hook", nor did he describe the scene of striving for beauty. Instead, a metaphor is used-"Autumn silk is like a Potter." Clusters of chrysanthemums open around the house, as if they were in Tao Yuanming's home. Autumn bushes are clumps of autumn chrysanthemums. Tao Yuanming of the Eastern Jin Dynasty loved chrysanthemums most, and chrysanthemums were planted everywhere in his home. "Picking chrysanthemums under the east fence and seeing Nanshan leisurely" ("Drinking") is his famous sentence. Comparing the place where chrysanthemums are planted here to "Tao Jia", it is not difficult to imagine that autumn chrysanthemums are in full bloom in the courtyard. How can such a beautiful chrysanthemum scene not be intoxicating? As a result, the poet "gradually inclined to fence", completely attracted by the chrysanthemum in front of him, absorbed in watching the fence, and did not even know that the sun was setting in the west. "Wandering" and "Sunset" truly show the poet's fascination with chrysanthemum appreciation and linger, and render the atmosphere of loving chrysanthemum.
Why are poets so obsessed with chrysanthemums? Three or four sentences explain why I like chrysanthemums: "It's not that chrysanthemums are favored among flowers, but that this flower has no flowers." Chrysanthemum is the latest flower to wither. Once chrysanthemums are exhausted, there will be no flowers to enjoy, and people's love for flowers will naturally focus on chrysanthemums. Therefore, as a post-withered person, it is uniquely cherished by people. The poet draws a profound truth from the natural phenomenon that chrysanthemums wither at the latest in the four seasons, answers the reasons for loving chrysanthemums and expresses the poet's special love for chrysanthemums. This, of course, also includes the praise of the steadfast character of chrysanthemum after weathering and withering.
This poem excavates unusual poetry from the common theme of chanting chrysanthemums, gives people new inspiration, and appears novel and natural, unconventional. In writing, the brushwork is also very clever. The first two sentences write the real scene of enjoying chrysanthemums and render the atmosphere of loving chrysanthemums as a foreshadowing; The third sentence is a transition with sharp brushwork, and the last sentence is a beautiful sentence, which further opens up the realm of beauty and enhances the artistic appeal of this little poem.
In early winter, I played with Qian Yuanwai to ban new chrysanthemums.
Year: Tang Author: Bai Juyi School: Ancient Capital of Five Dynasties
If it is forbidden to delay, Meng Dongju will die first.
The new yellow room is green and decays like gold.
Xianlang is hidden in the sun, like Tao Pengze.
Look at the autumn pity pool, picking by the fence.
Today, when I come here to enjoy it, my wild intention is adaptive.
Golden Horse Gate Flower, Jade Mountain Peak Guest.
The Korean side led the sentence, singing and playing with cigarettes and scenery.
The color of the wine is suitable, but it is better to hold spearmint.
Sad flowers wither and frost accumulates at the end of the year.
Only this flower, diligently help you cherish.
[Money is at the foot of Lantian Mountain, so it is a cloud. ]
chrysanthemum
Year: Tang Author: Zheng Gu Style: Four Musts
Wang Sunmo released Artemisia selengensis, and on the ninth day, the branches were close to the temples.
Dew sunshine makes the chrysanthemum more Feng Run, and its fragrance fills the pool shore, so it never envies the tile pine that is parasitic not very high.
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Precautions:
This is a poem about objects. The author praises chrysanthemums, but never leaves them. From the humble appearance of chrysanthemum, he wrote about people's love for chrysanthemum, and then wrote about the noble character of chrysanthemum, pointing out his theme of praising chrysanthemum. Obviously, this chrysanthemum-chanting poem was expressed by the poet in a symbolic way.
"Wang Sun Mo Pengyi", Peng Yi is a weed. Chrysanthemum, just from its branches and leaves, has some similarities with chrysanthemum morifolium. Those children and grandchildren who are not diligent and do not care about the whole grain can easily regard chrysanthemum as chrysanthemum. The poet warned them not to compare chrysanthemum with Artemisia scoparia. This sentence rises abruptly, directly raises questions, tends to be strategically located, and reveals contempt for the prince. As the first sentence, it has the function of mentioning the whole article. "Nine days to support the temples" is closely related to the first sentence. The ninth day of the ninth lunar month is called the Double Ninth Festival every year. On this day, the ancients had the habit of climbing to admire chrysanthemums, drinking chrysanthemum wine, wearing dogwood bags and picking chrysanthemums and putting them in temples. The poet mentioned this ancient traditional custom, but only omitted the word "chrysanthemum" and took care of the first sentence, which showed that people, unlike Wang Sun, loved and respected chrysanthemums very much. These two sentences, from people's different attitudes towards chrysanthemum, initially point out the nobility of chrysanthemum.
Three or four sentences are the focus of the whole poem, which embodies the noble temperament and noble character of chrysanthemum. "Dewdrops and autumn fragrance fill the pool shore", which only takes seven words to describe the scene of autumn morning: the sun rises, chrysanthemums are exposed in the bushes, full of dew, moist, crystal clear, bright and lovely; The fragrance wafts all over the pool shore, which makes people feel relaxed and happy. The unique charm of chrysanthemum is vividly on the paper. The word "wet" here is very particular, which makes people want to see the petals covered with dew, especially moist and bright. The image of the word "person" is just right, which shows how refreshing the fragrance is. From this, we not only saw the unique image of chrysanthemum, but also felt the charm of chrysanthemum intertwined with that specific environment and atmosphere. After describing the temperament of chrysanthemum, the poet naturally summed up the theme of chanting chrysanthemum as: "the origin does not envy tile pine." The tile pine is a plant parasitic on the eaves of high-rise buildings. Cui Rong, a bachelor of Chongwen Pavilion in the early Tang Dynasty, once wrote "Poems of Vasong", and his preface said: "Vasong in Chongwen Pavilion was born on the roof ... The custom is that it looks like a pine, and life depends on a tile, so it is called Vasong." Although Vasong can blossom and spit leaves, it is useless to be "only one foot high and only one inch high", so "Scouts (doctors) don't reward them, and catalpa craftsmen (carpenters) are hard to know". The author compares Chi Pan's chrysanthemums with the high-rise tile pine, which means that although chrysanthemums grow in low-lying swamps, they are noble and quiet, and they do not hesitate to give their fragrance to people. Although Vason is in a high position, he is actually "useless to people and useless to things." Here, the chrysanthemum is personified, and the author endows it with the ideological quality of not seeking high position and glory. "Birth" corresponds to "no envy", emphasizing tone and highlighting the noble integrity of chrysanthemum. This last sentence revealed the theme of the poem here, and the poem was sublimated.
Poetry about things cannot be without things, but it cannot be written for the sake of writing things. Pure words, even if realistic, are just "forgetting the appearance" and lifeless. This poem conforms to a chrysanthemum character, and each sentence contains the author's thoughts and feelings. Chrysanthemum is simply a symbol of the poet himself.
Qin Quge Ci Youlan
Year: Tang Author: Cui Tu Style: Yuefu
You planted a lot of people to know, but Zhen Fang just kept it in secret. Since there is no gentleman worthy of admiration, it is not the decline of the country.
Millennium comes early, but youth comes late. I don't know what to do when I am a grass.
He Mei Mulan Houchi Sanlian
Year: Tang Author: Lu Guimeng
Don't be deceived because you spend a lot of money. This flower is really suitable for Yaochi.
No one should hate it. When the moon is clear, it will fall.
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Precautions:
Poems about objects describe the concrete images of things that exist objectively; However, the artistic representation of this image is portrayed by the poet according to his own subjective feelings, which always has a lyrical meaning. Eulogize things with lyrical psychology, let things be affectionate and harmonious with each other, and then they can be vividly written on paper, which is the unity of subjective and objective. Lu Guimeng's White Lotus Society inspires us.
The bright red summer sun shines on the rippling lotus, and there is Danxia in the mirror. Bright colors are appreciated by people. Lotus is more red than white. When people mention lotus flowers, they always appreciate red clothes and green covers. Who cares about this irrelevant Bai Lianhua? But "clear water produces hibiscus, which is naturally carved", the beauty of lotus is really visible here, but not there. In this sense, red-violet just "don't be gorgeous". "elements? Don't bully others ",Bai Lian, who is independent in Ling Bo and conscious in Dont Ask For Help, is driving alone, as if" heartless ". But autumn has come, the green room is cold, and the fragrance of vegetarian powder has disappeared. She silently bowed her head, as if she had endless hatred. If you look at the lingering white lotus in the hazy morning light of "the moon is bright and the wind is clear", you will feel how rich and moving she is! She is simply the embodiment of Yaochi Fairy in a plain scarf, which is different from common flowers and plants.
This poem is written by Bai Lianhua, and the whole poem comes from Su? The phrase "don't bully others" gave birth to new ideas; However, it does not stick to the description of color and shape, but writes the spirit of flowers. Especially in the last two sentences, the poet has never left the writing space, and the flowers are looming and lifelike. Flowers simply melt in the artistic conception of poetry; Flowers are simply personalized, personalized
It is inseparable from the poet's life emotion that a short poem chanting things can reach such a state. As we know, Lu Guimeng lived in the turbulent era at the end of the Tang Dynasty and lived in seclusion in Fuli (now Wujiang, Jiangsu), a water town in the south of the Yangtze River. He was dissatisfied with the dark politics at that time. Although he lives in seclusion in the mountains, his essay in "Li Ze Series" says, "I have not forgotten this world, it is the glory and front in the muddy pond." (Lu Xun: "The Crisis of Essays") Therefore, he has a special interest in Bai Lianhua, which is elegant and noble. And the natural expression of this mood makes us feel that someone is in it after reading this poem.
A kind of bamboo
Year: Tang Author: Li He Style: Five Methods
Into the hydrological light movement, insert the green shadow spring.
Dew, Watson, bamboo shoots, moss, frost roots.
Weaving can carry fragrance and sweat, and shearing can catch brocade scales.
Three beams have been put into use, one for Wang Sun.
To annotate ...
Health: a bow.
Gepulian
Year: Tang Author: Bai Juyi Style: Yuefu
Puge loves red lotus,
I was watching it yesterday.
The wind blows down at night,
There is only one stop.
Although Bloom has another term next year,
Next year's sadness is temporary.
Quchi River
Year: Tang Author: Lu Style: Five Wonders Category: Poems about Things
The faint fragrance is long around the curved pool, and the real mosaic covers the beautiful pool.
I often worry that the bleak autumn wind comes too early, leaving you no time to make up the lotus.
To annotate ...
This song "Quchi River" is Lu's later work, expressing his feelings by chanting lotus. Borrowing and cherishing things is Lu's strength. Shen Deqian, a poet in A Qing, said in Tang Poetry: "In the early years, there was a feeling of holding talents beyond words and falling apart." It can be used to comment on this poem.
Lu, who is ambitious and humble, has a rough life. When he was appointed as the new captain, he contracted rheumatism, resigned and returned to the north. "I can't afford to lie down. I have been walking for ten years." Very painful. In the fourth year of Xianheng (673), he wrote a preface to "The Poem on the Sick Pear Tree", saying, "Gui You was sick at the official residence of Guangdefang in Chang 'an. Father Yun is the city teacher of Princess Poyang. Yesterday, the princess died before marriage, so her city was abandoned, and sometimes Chu Shi Sun Junsi lived in it. ..... If I have been a strong official for more than a year, I will get depressed and I will be so embarrassed! "At this time, although I turned to the imperial doctor Sun Simiao, I had no hope for his health. Often "slept for ten days and closed in March. "In" Lying on the Sick Pear Tree ",he wrote:" I am afraid of the swaying of the hurricane "so as not to be forced by the burning scenery. The meaning of "fear of falling" here is the same as that of "sigh falling" in Qu Chi Lian, which profoundly reflects the poet's worries and feelings all his life.
"The fragrance floats around the winding shore". See its shape, smell its fragrance first. The winding pool shore is full of fragrance, indicating that the lotus is in full bloom and it is in summer. "The round shadow covers the lotus pond" and the moonlight covers the lotus pond. The shadow of the moon is round, and the flowers and shadows are so vague that they cannot be decomposed. There are many poems about lotus flowers. However, this poem is written on the side, which captures people with fragrance, inadvertently depicts its beautiful form and moving purity, but conveys the charm of cordate telosma.
"I'm always afraid of the early autumn wind, and I don't know how to drift away" is the meaning of Qu Yuan's Lisao, "I'm afraid of the beauty dying", but it has changed a little, implicitly expressing my feelings of being scattered because I didn't meet my talents in my early years. On his deathbed, Lu wrote an Interpretation of Diseases, saying: "Spring, autumn, winter, summer and happiness are four stages, and cold and heat flourish and decline. In spring, everything is bustling, and life is full of sorrow and joy; In summer, one hundred kinds of herbs and hazelnuts are famous for their prosperity; In autumn, they are unhappy for those who are worried; In winter, they worry about those people. Saints know the difference in temperament. " This is the poet's own character. Because of his illness, he is particularly sensitive to changes in things. For example, "Interpretation of Diseases" said: "God is like ashes, and life is like a wisp. It's harder to stretch and bend than to kick, and it's a narrow escape. The same change is almost Pangu. Everything is gorgeous. At this time, why do I defecate and rot repeatedly? " "The vegetation is so sparse that Yu Dulan has not won." The more luxuriant and vibrant everything is, the more he feels that his image has withered. At the same time, he is "sorrowing for the prosperity of all things" and "knowing its prosperity by seeing its prosperity", and he also has memories and feelings for himself and others when they are prosperous. His thought was prominently reflected in his later poems. The first two sentences of Qu Chi Lian are about flowers and a full moon, and the last two sentences are suddenly translated into mourning for flowers. The self-mourning of this flower is actually the self-mourning of people. Poetry about things, "seeing me because of things", is its beauty. In addition, Yushan's "Bamboo Forest Question and Answer" said: "Poetry is wonderful to recite things, followed by vividness. Those who amuse themselves take photos in the lingering sadness, and the comparison of "300 articles" is also interesting. Those who are lifelike appreciate each other, and "three hundred articles" are also. If the model is normal, the seaweed will be painted blue and the dead thing will die. " This shows the attainments of chanting poems.
Jandison
Year: Tang Author: Bai Juyi
It is 100 feet high and 10 yards wide.
Born at the bottom of a ravine, cold and humble.
Mountains and rivers are dangerous,
Don't meet the job requirements and die of old age.
Tian Zi Tang Ming owes Liang Mu,
There are two things I don't know about this.
Who means the meaning of creation,
But not the same as the material.