Focus on profitability. In the world, some people do beheading business, but no one does business at a loss. To put it bluntly, the word profit comes first. Under the simple and rude standard of profit, many things are simple and clear explanations.
How about peak crosstalk? Of course it is good. It can be said that it is one of the best in Deyun Society, and its comprehensive ability is no less than that of Degang Guo. And the typhoon is stable, so Allegro is necessary. In Degang Guo's words, the first three peaks can occupy two seats of PK basic skills among peers in the field of phonology.
But do cross talk at its peak sell for money? It depends on the level of the venue. If it is a small theater like Guangde Building in Sanqingyuan Huguang Club, Yunping in Lu 'an in the peak period can be a box office guarantee, and scalpers will patronize and raise prices appropriately. A little bigger is enough. For a venue with more than 1000 people, if it is a peak with only one person in Luan Yunping, without any combination of Degang Guo, Yun-peng Yue, Zhang Yunlei, Menghetang and Zhang Helun, Gao Luan's performance may be unsatisfactory.
This is not the peak itself, but the artistic expression of cross talk itself. Crosstalk is originally a small theater in a teahouse or a paving skill on an overpass. Crosstalk can't attract most audiences, and the most popular theater crosstalk in the late Qing Dynasty and the Republic of China is only 100 people. At that time, large venues that could accommodate thousands of people were all prepared for Peking Opera. Moreover, Degang Guo also said that the stage play at that time had the same scenery and visual effects as many TV plays now, and the cost was huge, which was as shocking as Hollywood blockbusters at that time. But cross talk is absolutely impossible. You let thousands of people pay the bill, and you watched two people chattering on the stage from a distance. That's like a fable.
Even in modern times, Mr. Hou improved theatrical crosstalk and Mr. Ma Ji popularized TV crosstalk, but in terms of audience size, crosstalk was still inferior to concert stage plays. Degang Guo is the only actor in the history of cross talk who has held a special performance for ten thousand people, which is also based on his improvement and breakthrough of traditional cross talk. After that, so did Yun-peng Yue and Zhang Yunlei. According to the framework of traditional cross talk, both of them passed, but it was a great breakthrough to be able to fill a venue full of 10 thousand people and let fans wave light sticks to help out.
And these features that allow the audience to buy tickets are not available at the peak. Although he is Degang Guo Shang Yan, he laughs at himself: When we play ball, it is when Degang Guo drinks water and the audience goes to the toilet.
In fact, the role of "Feng Feng Luan" is to give the audience a buffer period. After listening to Degang Guo Yu Qian's performance for dozens of minutes, they can relax for a while, because there is finally a wonderful program waiting for them. If this order is reversed, Luan Yunping's performance at the peak is the finale, and there is no Degang Guo Yu Qian to look forward to, then for the audience, there is only time to go to the toilet, and there is no finale program to look forward to.
The peak is in Deyun Society, just like a bowl of tremella soup except spicy hot pot and seafood platter. It is intimate and detoxifying, which makes people feel very comfortable. Of course, you can finish a hot pot without tremella soup, but for people who know how to keep fit, it is more important to have tremella soup than how spicy it is.