Characteristics refer to the special or special things that a person or thing has. The following are the styles and features of Northeast Yangko that I arranged for you, for your reference only. Let's have a look.
The Style Characteristics of Northeast Yangko 1
The dynamic style of northeast yangko can be summarized as "calm", with fiery, simple and strong emotional characteristics. It is the northernmost dance among Han folk dances, and the vitality and beauty in the dance add a lot of color to this dance.
Due to the special regional environment and customs, the Northeast Yangko has formed a stable, harmonious and beautiful aesthetic feature. The "wave" of northeast yangko is reflected in the dynamic law of the body; The "root" is manifested in the "sudden and steady" kicking step, which has a particularly strong sense of rhythm. There are three different changes in a single kick, and the moment of kicking is a very fast process of exertion. This process is like breathing in quickly. When landing, it seems to be a sudden breath, but it soon becomes a heavy sigh-like shift of center of gravity. In these three changes, the moment of kicking out embodies the characteristics of "root", "cleverness", "pungent", "cool" and "crisp", and the landing and the movement of the center of gravity fully embodies the dynamic style characteristics of stability, beauty and waves. Thus, kicking shows not only "roots" but also "waves". "Waves" are reminiscent of arcs.
The center of gravity movement of northeast yangko is actually a small arc, and the center of gravity movement of forward kick is a downward arc; When doing back kick and side kick, the feeling of center of gravity moving is an upward arc. What connects these arcs is the arc motion of "waves".
The particularity of music makes the dance action highlight the "point" and extend the "line", which is suitable for both movement and movement. Lively and elastic drums inspire pungent emotions, which makes the unique "stable and sturdy" of northeast women more fully expressed. A variety of "towel flowers" is an important factor in the expressive force of Northeast Yangko. Towel flowers and dance, combined dynamically, depict different aspects of women's personality in detail. "Internal and external flowers" have inner beauty; The throwing of "hand-made flowers" embodies the fierceness and determination of women in Northeast China.
The core action of yangko is "twisting", that is, twisting the waist, that is, twisting the waist and eyes, which can best reflect the character of Northeast people who are unrestrained, cheerful, optimistic, open-minded, romantic and humorous. Torsional stability refers to the stability of the flow, that is, the action in the flow is suddenly static, not absolutely static, but should be the continuation of this action and the beginning of the next action; It is the sudden stop of the movement in the flow, which should be the emotional continuation in this dynamic and the emotional transformation in the next dynamic.
As for stability, we should also step on it. Gengen, Joe, quiet, stable, beautiful rhythm, fast feet, stable foothold, knee flexion and extension and flexibility. , forming the unique style and action characteristics of Northeast Yangko. For example, in the training of towel flowers, in order to strengthen and contrast the fiery artistic temperament of Northeast Yangko, the skill training of towel flowers should be strengthened under the premise of basic dynamics, so as to expand the application scope of this prop, expand the means of expressing feelings with things and enhance the expressive force.
In addition, the emergence and development of Northeast Yangko is directly affected by social changes. Due to different historical periods, the performance content, form and accompaniment music of Yangko are also different. Therefore, we should flexibly use its forms to express different contents and inject new vitality into it without losing its original style and artistic charm.
Style characteristics of northeast yangko II
Yangko includes Northeast Yangko, Jiaozhou Yangko, Yunnan Lantern and Drum Yangko. Yangko in the north is simple and warm, and the scene is spectacular; Yangko in the south is beautiful, exquisite and graceful, and usually holds props such as fans, towels and colored silk.
Northeast yangko is a wealth created and accumulated by the working people in the north for a long time. It originated from the working life of transplanting rice seedlings and ploughing fields, and was related to worshipping agricultural gods and praying for a bumper harvest in ancient times. It has a strong northern regional color and a strong local flavor, which is mostly manifested in popular mass song and dance forms, with "kicking vigorously", "twisting upper limbs" and "winding wrist flowers". Dance runs through the main style of "steady waves, waves and beauty", which shows the enthusiasm, simplicity and flexibility of the people in Northeast China.
The Style Characteristics of Northeast Yangko Chapter III
Today's Northeast Yangko is humorous in form and unique in style. The vast black land endows it with primitive and unrestrained spirituality and amorous feelings, which combines pungent, humorous, quiet and steady, vividly showing the warm, simple, rigid and thrifty personality characteristics of the Northeast people. Steady waves, waves, stalks, stalks, stepping on the board and twisting the waist are the biggest characteristics of Northeast Yangko. At the same time, a variety of "flowers in the hands", bright and elastic drums, heavy blows, pretty, quiet, steady and beautiful rhythms are all the style characteristics of Northeast Yangko.
(A) the physical characteristics of Northeast Yangko:
Always lean forward, kick hard when stepping out, land quickly and firmly when taking back, and combine the regularity of knees with the smoothness of handkerchief flowers when turning over to form the unique posture rhythm of Northeast Yangko, which is called "eye strength", which is consistent with the strong and unyielding character of local people. For example, Wang Xiaoyan's Beauty of a Big Girl shows the charm of a vigorous, willful and persistent girl, which is beautiful, elegant, serene and steady, through talking eyes, blaming charming appearance and hearty dance movements.
(B) the basic characteristics of the dynamic law of Northeast Yangko:
Stilts are not only the reason for the formation of dance posture characteristics, but also the fundamental reason for the formation of yangko rhythm. The basic rhythm of yangko is manifested in the main action elements such as "walking", "stabilizing", "drumming" and "spreading flowers".
(1) The walking step in "phase walking" is a kind of flowing step, which is different from the round step in China classical dance. It is characterized by loose knees, slightly hooked ankles, and slightly controlled knees after kicking, forming a dynamic feature of stepping with "lining strength"; The pace can be small, big, or even running. In dance performance, various routes change in this gait, and the combination of the two reflects a free and easy and flowing aesthetic feeling. There are also small steps, forward kicks, etc. in "Go", which shows humorous, funny and humorous artistic conception and gives people comfort such as Shu and Qiao.
(2) "Steady phase" is called static action in Yangko. This kind of action is steady and elegant, which has the dynamic effect of instantly transforming external action into internal rhythm, giving people a sense of beauty that is both steady and elegant. Common dance movements are: one elbow, standing palm on the chest, clasping hands and so on.
(3) "Drum phase" is an important means to express characters' thoughts, and different characters use different names to call drums. Drum action is mostly composed of drum call, drum connection, turning over and drum phase, which is a comprehensive body. There are "one drum", "two drums", "five drums" and "twelve drums", among which the "five drums" action is the most typical.
(4) There are dozens of "handkerchief flower" movements, such as holding flowers, cutting flowers, corsage, circling flowers, swinging flowers, swinging flowers, and dividing flowers, as well as difficult handkerchief flower dancing skills such as top flowers, vertical flowers, swinging flowers and spinning flowers. For example, the group dance "silk flower", which won the special prize of the first China Dance "Lotus Award", has red, yellow, blue and green handkerchief flowers, which are like illusions, like flowers and butterflies, like a cloud of fire, shining all over the dancer's body, left and right, head, shoulders, elbows, knees, arms, waist, back and face, making the whole stage shine everywhere. In particular, the dancing flowers that the dancers throw a mile away and return to the actors like magic are even more wonderful. For example, the students of Jilin Women's Middle School, the first art festival in Jilin Province, performed the dance "It's snowing". The actors wore sky-blue costumes, white scarves and white handkerchiefs in their hands. In the dance music of "It's Snowing", the girls of 16 turned their handkerchiefs, and used the handkerchief flower techniques such as "spinning flowers, topping flowers and standing flowers" in the Northeast Yangko, as well as the change of formation. The scenery in the north is really beautiful. It's really beautiful.
The Style Characteristics of Northeast Yangko Chapter IV
1 Research on the Dance Style of Northeast Yangko
Northeast Yangko is a popular folk song and dance form in northeast China. According to legend, in the thirty years of Kangxi, it was recorded in Ning 'an County, Heilongjiang Province that "in the Yuan Dynasty, those who had good deeds had to play yangko" and "yangko". The boy dressed as three or four women, three or four men dressed as soldiers, each holding two logs, suddenly beat each other, and played the role of selling paste with the stirrup (umbrella lamp) as the leader.
Northeast Yangko is humorous in form and unique in style. The vast black land endows it with primitive and uninhibited spirituality and amorous feelings, which combines pungent, humorous, witty, gentle and steady, vividly showing the personality characteristics of the people in Northeast China, such as enthusiasm, simplicity, rigidity and softness. Steady waves, waves, stalks, stalks, stepping on the board and twisting the waist are the biggest characteristics of Northeast Yangko. At the same time, colorful handkerchief flowers combined with the rhythm of Yangko itself make the dance more charming, vividly showing the characteristics of the northeast Yangko, such as rolling, Qiao, quietness and stability. Under the restriction of the original mentality, adjusting posture, rhythm, rhythm and footwork, and actively expressing inner feelings are the main characteristics of Northeast Yangko.
1. 1 the physical characteristics of northeast yangko
There are certain requirements for posture in the performance of Northeast Yangko, such as the body must lean forward slightly and the chin should shrink back to ensure that every movement is clean and neat, so as to show the three bends of the female body and better express the emotional changes. Every action should contain rich emotions. Therefore, the performance of northeast yangko should accurately grasp the psychological activities of northeast women; Northeast men should emphasize "teasing", that is, free and easy fun and release male masculinity. Northeast yangko is also called "twisting yangko" in many cases. According to this vocabulary, the most important thing in yangko performance is to twist the waist, which fully shows the personality characteristics of the people in Northeast China, such as unrestrained, happy, enthusiastic and humorous.
1.2 Rhythm Characteristics of Northeast Yangko
Through analysis, it is found that the traditional rhythm of Northeast Yangko is 2/4 beat mantissa, mixed with a small amount of 1/4 beat and 4/4 beat. Moreover, the stress of the beat does not necessarily exist in the first beat of each bar, but occasionally appears in the middle or last part of the bar. This means that the rhythm of the Northeast Yangko has changed greatly, especially the extensive use of dotted notes, which makes the rhythm in the performance very rich. It is widely used in slow or medium speed music. Influenced by this rhythm, the dance movement characteristics of Northeast Yangko show the characteristics of "standing firm and fast feet", and the melody is in harmony with the charm, which has a very unique taste.
1.3 Footwork Characteristics of Northeast Yangko
The basic footwork of Northeast Yangko includes kicking back and forth, dunking, side kicking, shaking and jumping. In the process of kicking, the performer's whole knee movement must be elastic and short, which requires a small kicking range, high speed, concentrated exchange of legs, stable body, and constant posture when kicking, that is, the upper body leans forward slightly and the waist and crotch are raised appropriately. This series of characteristics is closely related to stilt walking activities in Northeast China, and the sharp contrast of retraction, movement and strength can also show the ups and downs of psychological activities in Northeast China.
1.4 Dynamic Characteristics of Northeast Yangko
The dynamic law of northeast yangko is usually divided into three types: front and back dynamic law, up and down dynamic law and cyclic dynamic law. These three dynamic laws are closely related, and every two dynamic laws should be connected through the slow movement of the lower arc of the waist, thus forming a fast and stable dance. Some people have concluded that the most basic dynamic law of Northeast Yangko is walking, steady and drumming. The first is "walking", which means that the steps are steady, the knees are relaxed during walking, and the rear ankles are slightly hooked. When landing, control the strength, produce a strong feeling, and the pace is not constrained; The second is "steady phase", which refers to the static action, but emphasizes the static, which means that the steady phase is not absolute static, but the relative state of connection before and after the action, emphasizing the continuation and beginning; The third type is "drum phase", which is mainly composed of continuous drums, called drum, drum phase and turning over. It needs to be handled carefully at every level to keep it clean, coherent and progressive.
2 northeast yangko performance form innovation
With the development of the times, people have made great innovations and transformations on the traditional Northeast Yangko, and the biggest difference before and after is that the modern Yangko has a larger movement range. The increase of movement range greatly improves the expressive force of dance, especially when it is displayed on the stage. The integration of fresh elements promotes the Northeast Yangko to better show the dancers' hearts, and improves the overall appreciation and artistry. For example, in the process of shifting the center of gravity, it is necessary to increase the movement range of the original pace, and the performers should maximize the movement range as much as possible on the basis of maintaining stability, further reflecting people's pursuit of freedom and the enthusiasm of the Northeast.
3 Conclusion
The basic yangko is an important part of our national culture, which contains the aesthetic psychology and artistic taste of the people in Northeast China, and is a synthesis of emotion, belief and culture. Through the analysis of this paper, the main characteristics of Northeast Yangko are "teasing" and "noisy". Dancers should fully understand these characteristics before performing, feel the living atmosphere of the people in Northeast China, and thus show the cultural connotation of Northeast Yangko. ;