I think every song of his can find some small highlights. His superb ability of melody writing and production determines his outstanding height in the hands of pop songs. To give a few examples: the dribbling sound of bullfighting, the piano prelude of perfectionism, the narration of the old Indian turtledove, the erhu metal accompaniment and piano interlude of nunchakus, the insects and bells of William Castle, the end of the organ, the soft rock of Shanghai 1943 on June 8, the sound effect of the orc game bgm, and in the name of the father.

Jay Chou debuted in 2000, when Taiwan Province Province was governed by Democratic Progressive Party, and the sweet atmosphere of democracy and progress was pervasive. The high temperature in Chinese mainland will be around 2005, when bitterness will turn into sweetness. So Jay Chou's awkwardness is most needed, and he doesn't want to talk about it. If he doesn't get a little bit of pain, he really loses it. I want to ask, but I don't want to ask so many questions. I can't ask. It's not that important. It was an era of high efficiency and rising costs. In another era, no one would listen to Jay Chou. This is the grand prize in the Jay Chou.

Eight-stage dance in the Spring and Autumn Period and the harmony in the second half of the first paragraph, the most classic chicken steak rice with an egg, Gregorian chant of the blue storm, the anti-reciting lyrics you can hear, the duet and tango and Latin dialogue in the second half of the same tune, the blues guitar chords in the free teaching video, and the arrangement of cheating flamenco.

Jay Chou's sharp weapon to open the audience's field of vision is undoubtedly a powerful melody. ?

The key point that makes him eclectic is his longest one: the control of the overall structure of melody.

Simply put, it can keep the listener's appetite. ?