The clever use of locative nouns is a major feature of this word. "Teenagers listen to the rain and sing upstairs", chasing joy and carefree, is the best and happiest time in the author's life, so the word "Shang" coincides with the author's life situation. "In the prime of life, listening to the rain like a note, guests are on the boat", the author and scholar of this period, refused to be an official shortly after the demise of the Southern Song Dynasty, and began his wandering career.

The "feasting" family life has been lost. There is no chaotic life, he just feels sad occasionally, listening to the cold rain and the west wind blowing in the passenger ship, looking at the vast river full of lead-gray clouds, and listening to the shrill cry of the lonely geese who lost their group. What a sad mood! However, compared with the old age, the situation at this time has not yet reached an extremely lonely position, and it is more appropriate to use the word "Zhong".

"Now I'm listening to the monk Yu's house." He is already a white-haired old man. He has tasted the ups and downs. The suffering he suffered for most of his life almost numbed him. Emotions and sorrows can't shake the ripples of his feelings, so he can let the cold rain drop in front of the eaves until dawn. It can be seen that the author's sadness and pain have not been alleviated, but only in a different form.

Another form of sadness is introversion and deepening of emotions. At this time, the word "Xia" is naturally highly consistent with the author's situation. The three locative nouns may not be deliberately arranged, but the author's life experience can indeed be seen from these three locative nouns.

2. Aesthetic significance:

The first picture: "Young people listen to the rain song upstairs, and the red candle is faint." Although it only shows a fragment of a time and a place, it has great artistic capacity. Colorful images such as "Song Lou", "Red Candle" and "Luo Zhang" are intertwined, conveying the happy feelings of the spring breeze. When I was a teenager, I was drunk and dreamy, spending money like water, singing and dancing lightly in the noise and sinking into my own life.

A word "faint" tells the extravagance of life. Although this belongs to the life of laughing and laughing, it has nothing to do with bitterness after all. The author focuses on the youth and elegance of "I don't know the taste of bitterness". The impression of this stage in the poet's mind is eternal and short-lived. Such a cheerful picture of youth contrasts with the bleak situation behind it.

The second picture: "The wind is in full bloom, the boat is listening to the rain, the river is wide and the clouds are low, and the broken geese are called the west wind." A picture of a passenger ship listening to the rain, a picture of a wide river with low winds and light clouds, and a wild goose flying alone. At this time, the sound of rain was accompanied by the sound of broken geese. The word "broken" is associated with many artistic conceptions, heartbroken, the breakdown of family ties, and an unspeakable loneliness and regret in life.

The images of "guest boat" and its surrounding "wide river", "low cloud", "broken goose" and "west wind" reflect the rough experience and sad mood of being displaced in the stormy weather. After the prime of life, when the war is raging, poets often wander alone on the vast land of life, often wandering around and wandering around. The hatred of a wanderer and all kinds of parting sorrows are contained in this painting of Jiang.

The picture of "listening to the rain now" is a self-portrait showing his present situation. A white-haired old man listened to the rain at night alone under a monk's house. The bleak situation and gloomy mood can be seen in more than a dozen words. The mountains and rivers change hands, the sadness and resentment when they are in their prime, and the joy when they are young, have been like storms. Here and now, I hear the rain, but I am indifferent.

"Sadness is greater than death in the heart" is a conclusion drawn from the pursuit of life experience, which contains infinite sadness and endless sadness. It seems that "the morning before the next step" has been very quiet and there is no wave. However, after listening to the rain all night, it shows that he has not really entered the realm of detachment and silence, but has experienced hardships and has the ability to control his emotions.

The teenager is listening to the rain song upstairs. The red candle is weak. Listening to the rain on the boat in the prime of life. The river is wide and the clouds are low, and the broken geese are called the west wind. ?

Now listen to the rain monk Lu. The temple is full of stars. Sorrow and joy are always ruthless. Before the next step, drop by drop until dawn.

Source: Little Mermaid Listening to the Rain by Jie Jiang in Song Dynasty.

When I was young, I listened to the rain on the rostrum, lit red candles, and in the dim light, there were lights in my account. Middle-aged people, on a boat in a foreign country, are watching the drizzle, the vast river, the water and the sky, the west wind, and a lonely goose that has lost its flock moans.

Nowadays, when people are old, their temples are gray and they listen to the drizzle alone under the monk's house. It always seems so heartless to think of the joys and sorrows of the world. In that case, why sigh with emotion? Let the rain outside the window drop by drop on the steps until dawn.

Extended data:

During the Song and Yuan Dynasties, Jiang Jiesheng was a scholar of Cheng Chun in Song Duzong for ten years (1274) and died in the Song Dynasty a few years later. During the war years, his life was a life of wandering and suffering. This sentence is his self-report for the rest of his life. He also wrote a poem "The Story of He Xinlang after the War", which can be mutually verified with this poem. These two words may have been written after Song's death.

Among the poets in the late Song Dynasty, Jie Jiang's ci is unique, with the most characteristics and personality. In society, he has no contact with Zhou, Wang, Zhang and other homophones, and his ci style is also a different way. It is not a monopoly, but a combination of the novelty and smoothness of bold words and the implicit implication of graceful words, which has neither the extensive stamina of the new school nor the subtle loss of the last stream of the Jiang school. ?

He dared to directly show the unyielding national integrity and dissatisfaction with foreign rule of his country's adherents. The words "Qinyuanchun, writing a book for the old, south hall wall" and "Villager He Xinlang, crazy offender farewell" are full of unyielding strangeness. Jie Jiang's ci also shows the bleak feelings of wandering after the national subjugation and the survival dilemma of hunger and cold.

Here, the emotional tone of Jiang's ci is not as gloomy as that of Wang and Zhang Yan, but some of his ci works are fresh and optimistic, such as first frost Corner (Shadow Window), Zhao Jun's Resentment and Flower Vendor, which are full of life interest. Jie Jiang, independent of the times in the late Song Dynasty, became an outstanding family, which had a great influence on the poets of Yangxian School in the early Qing Dynasty.

Baidu Encyclopedia-Yu Meiren listens to the rain