Historically, Wu Shan has a rich commodity economy and folk culture. The fragrant market on the mountain, the market under the mountain, the fragrant market and the temple fair extend to the housing area. In those days, it was a custom to go to Wu Shan for a spring outing. There are tea sellers, wine sellers, pasta sellers, sesame cakes sellers, stamp carvers, calligraphy and painting sellers, noodle makers, flowers, birds, fish and insects. Everything is very lively. Wu Shan has always had the traditional cultural customs of Shixiang. There is a folk song that says, "Brother Scarlet tied a red rope, watched the dragon lantern on Huangcheng Mountain, watched the dragon lantern and the opera, watched the opera and ate wonton. There are four good ways to eat wonton. Go back and copy it for mom." This ballad tells the lively scene of Wushan Temple Fair in Hangzhou, an old base area. With the changes of history, such scenes have basically disappeared.

Wugong Mountain Scenic Area is adjacent to the Drum Tower in the east, the Party School of the Municipal Party Committee in the south, Hefe Street in the north and Chenghuangge Scenic Area in the west, covering an area of about 4 hectares. Wugong Mountain is mainly divided into five areas, namely Wugong Temple, Folk Recreation Area, National Government Memorial Area, Guidance Area and Parking Lot.

1. Wugong Temple:

Referring to the historical documents such as the Records of Wugong Temple and combining with the existing ruins of Wugong Temple, the protective construction is planned to form a complete architectural layout of the trinity. The building adopts the early historical architectural style, strives for simplicity and elegance, and embodies the long history of the oldest temple in Hangzhou. Historical and cultural materials such as inscriptions and statues are displayed inside and outside the building.

2. Folk leisure area:

Using the original residential houses with a preservation value of more than 50 years, they will be transformed into service and business rooms, so that citizens can have a rest place for drinking big bowls of tea, eating snacks, playing cards and walking birds.

3. National Governance Memorial Site:

On the existing hard ground under the forest, there is a memorial stone for the country, surrounded by decorations, stone statues, beasts and other facilities with the characteristics of Sui, Tang, Qin and Han Dynasties. Adopt the ecological floor method, protect trees, do not lay granite, and provide a good place for people to do morning exercises. When there is a temple fair, an antique stage, a theater and dragon lanterns will be built here.

4. Parking lot:

The parking lot is the main parking lot in Wu Shan Scenic Area, covering an area of 2,900 square meters. It can accommodate 27 buses or 55 cars, and is equipped with a management kiosk.

5. Guide area:

The road from the parking lot to Dongyue Temple and Wugong Temple is a traffic transition zone. Here, two roadside rest areas are reserved, where people can sit on benches and visit temple fairs, sculptures and practice venues. Keep another practice platform on the hillside. Increase forest ground cover and replant plants to protect Kanteng grass. There are five groups of buildings in Ruangong Temple Scenic Area in Wu Shan. One is the national key cultural relics protection list Baocheng Temple, which was renovated on 200 1. Baocheng Temple is a Buddhist building. The second place is Ruan Gong Temple. The existing building was rebuilt from Chongyang Temple during Guangxu period, and it is well preserved. The stone steps of Ruan Gong Temple are large, and the marks of the gate and the landing range can be distinguished. The third place is the former site of Shiguanyin Pavilion (one of the 75 historical buildings protected by Hangzhou Planning Bureau in 2004)-White Wall Dahe, the arcade at the entrance, quadrangles with stone carvings, handrails carved with gables, bucket arches, unpretentious doors and windows, and wooden frames. The whole building is built on the mountain, presenting the architectural features of Qing-style residential style in front of you in an unobstructed view. In particular, "Guanyin Grottoes, a stone carving next to the cliff stone carving on the south slope of Guanyin Pavilion, is said to have been carved in the Five Dynasties and the Song Dynasty. The fourth place is Yuanbaoxin No.66 (one of the first 75 historical buildings protected list published by Hangzhou Planning Bureau in 2004)-surrounded by green hills, beautiful and bare rocks lie quietly next to the houses with powder walls and tiles on the second floor, and the environment is elegant. The fifth place is the brick-concrete structure building in the north of Baocheng Temple, with a two-story sloping roof. Standing at the foot of Baocheng Temple, the building is located in the upper right corner of the facade landscape of Baocheng Temple. If the facade of the building is transformed into harmony with the environment, it will increase the landscape space of the facade of Baocheng Temple (especially the right half of the facade of Baocheng Temple) and enrich the landscape of the facade of Baocheng Temple. Reasonable building exterior decoration can play an unexpected role in making up the scenery.

Wu Shan Ruan Gong Temple Scenic Area is located in the south of Wu Shan City God Pavilion, which is the scenic spot of Wu Shan. There are many historical sites in this area, including Gu Quan Qingyi Temple and Cliff Stone Carvings in the Tang Dynasty, Guanyin Pavilion in the early Qing Dynasty and Ruan Gong Temple in the Qing Dynasty. There is a national key cultural relics protection unit-Baocheng Temple, with a thorn statue of Ge; There are municipal cultural protection points-affecting stone carving poems; There are also several scenic spots with strong folk culture, such as Guanyin Cave (where people burn incense), and rich natural landscapes, such as numerous springs-Qingyi Spring (municipal cultural protection point), Yuquan, Xixinchi and so on. , and rich and unique karst landscape.

Wu Shan Ruangong Temple Scenic Area echoes Wu Shan Wugong Mountain Scenic Area in the north; In the west, it is connected with Wu Shan City God Pavilion and Wushan Temple Fair. There are many cultural, historical and natural cultural landscapes in the south, such as Sanmao Temple in Wu Shan, Guanhui Pavilion in Jianghu, Ruishi Ancient Cave Scenic Area (a typical representative of karst landscape in Wu Shan), Bailu Pavilion "Water-splashing Guanyin", Cliff Stone Carving "Caizhi Rock" in Yuan Dynasty, Cliff Stone Carving "First Mountain" written by calligrapher Mi Fei in Song Dynasty, and so on. All these endow Wu Shan Ruan Gong Temple Scenic Area with rich humanistic history and folk culture connotation, and become a major feature of Wu Shan Ruan Gong Temple Scenic Area culture.

There are colorful stone scenes in Ruangong Temple Scenic Area in Wushan, which is a special manifestation of karst landform. Lu You, a poet in the Southern Song Dynasty, said: The wonders of karst landforms are "steep cliffs, startled snakes, boulders like thunder and thunder, or standing on the ground, or flying like the sky, dancing like excitement, or learning in the forest." The rocks mined in Ruishi Ancient Cave, Guiyun Cave, Baocheng Temple and Yuquan are typical manifestations of karst landforms: some are like knives and axes, some are like exotic animals and foreign bodies, and some are flat and flat. People usually call it green hibiscus, hump and so on.

There is a natural Liang Shi opposite the rock crack near the cave in Tsing Yi. In the Song Dynasty, there was a stone like jade next to the cave, red and white, and craftsmen often used it to make jewelry. There is a flying stone next to Ruishi Cave, which falls in the air and rests on the top of the hanging cloud, so it is called "the little vulture in the south of the city". There are twelve handsome stones in the "Zodiac Stone" scenic spot, such as mountain peak, penholder, incense burner, chessboard and elephant trunk, also known as "Twelve Peaks in Wushan". This group of stone scenes resembles the zodiac, so people in Hangzhou are commonly known as "Zodiac Stone".

Scholars in past dynasties wrote many poems in Wu Shan, which promoted the appreciation of the scenery of Ruangong Temple in Wu Shan. Some cliff stone carvings, calligraphy and statues are treasures of high artistic value. Especially in places where strange peaks and different rocks are concentrated, there are many inscriptions, such as the majestic "first mountain" cliff stone carving on the hillside of the south path of Baocheng Temple (the boundary of Ruangong Temple scenic spot) written by Mi Fei, a great calligrapher in the Song Dynasty. "Difanchi", "Moon Wave Pool", "Green Lotus" and "Medicinal Plant Garden" are all concentrated in the strange peaks and rocks. The cliff stone carving next to "Influence Rock" is engraved with Su Dongpo's poem "Peony in Baochengyuan". Next to the poem is the word "Old Cold Pine Bamboo" inscribed by Wu Dongsheng in Ming Dynasty, and the word "Mei" is represented by a rock crack shaped like Gu Mei, which is intriguing. Next to it is a famous Buddhist layman in modern times. The painter Huang inscribed "The past and the present are like illusions, dry and harmonious."

Wu Shan Ruan Gong Temple Scenic Area is the only Tibetan Buddhist statue in Hangzhou in the Yuan Dynasty. There are three niches and seven Buddha statues carved on the rock wall, and their shapes reflect the artistic characteristics of Tibetan tantric Buddhism. The Tibetan "Mahagra" is the embodiment of Buddha's freedom and the god of war worshipped by the Yuan Dynasty. The side of the niche is engraved with the identity, will and ultimate sovereignty of the Buddha. This is the national cultural protection unit.

The influence rock of Ruan Gong Temple Scenic Spot in Wu Shan is engraved with Su Dongpo's poem "Peony in Sakyamuni Courtyard is a Zhao pawn", and there are four big characters beside the poem. The only missing word of Sanyou is "Mei", and the rock crack under the word "Matsuzaka" looks like a Grenade branch in "Ancient Beauty". It is very interesting to take pictures with this crack to replace the words with paintings. On a rock wall next to it, there is a modern one. Therefore, the influence stone is the essence of a calligraphy collection of historical celebrity poems. "Influence Rock Poetry Carving" is a municipal cultural protection point.

After the large-scale afforestation in 1950s, Wu Shan has now formed a dense camphor tree forest, and ancient and famous trees have been protected. The Ruan Gong Temple Scenic Area in Wushan has lush vegetation and beautiful plant landscape. Sanmaoguan Scenic Area is one of the three major renovation projects in Wu Shan (Wugong Mountain Scenic Area, Ruangong Temple Scenic Area and Sanmaoguan Scenic Area). The renovation project of Wugong Mountain Scenic Area was completed on June 65438+1 October1day, 2006, and it was opened to the outside world. The renovation project of Ruan Gong Temple Scenic Area was completed on June 65438+1 October12007, and it was open to the public free of charge. The reconstruction project of Sanmaoguan scenic spot in Wushan is a key project in 2008, which is people-oriented and serves the people. On the premise of protecting the mountain environment and ancient and famous trees, handle the relationship between architecture and environment, folk activities and landscape spatial layout; It is an important project to improve Wu Shan Scenic Area, explore, continue and protect the rich folk cultural activities in Wu Shan Scenic Area, the traditional architectural features of Wu Shan, the features of forest greening and the karst landforms in Wu Shan, reproduce some historical features of Sanmaoguan Scenic Area in Wu Shan, and enhance the quality and popularity of Wu Shan Scenic Area. The renovation planning of Sanmaoguan scenic spot in Wushan includes: improving the infrastructure of the scenic spot, renovating the environment, protecting and excavating historical sites, repairing historical buildings and increasing modern tourism and leisure facilities.

Sanmaoguan Scenic Spot in Wu Shan is located in the south of Wu Shan Scenic Spot, bordering on Chenghuangge Scenic Spot in Wu Shan and Ruangong Temple Scenic Spot in Wu Shan in the north. West is connected with Zhejiang Revolutionary Martyrs Memorial Hall; Most of the scenic spots in the east cut into the urban area, close to the imperial city of the Southern Song Dynasty and the ruins of the ancestral temple. The south is tangent to the lush landscape in the hinterland of Wuyun Mountain.

Sanmao Temple was originally named Sanmao Hall. In the 20th year of Shaoxing in the Southern Song Dynasty (1 150), due to the old name of Du Dong, it was given the name "Sanmao Ningshou Temple". The name of this temple is Taiyuan, and there is a statue of Mao Jun painted by Huizong. Sanmao Zhenjun refers to three brothers Mao who became immortals in Qin and Han Dynasties: Chang Ying, Sagittarius and Jizhong. This view was very prominent in the Song Dynasty, and the imperial books given to it in previous dynasties included: Huang Yujing, Dao Ji Hall written by Ningzong, and Health Preservation Theory written by Ningzong. During the Shaoxing period (1 13 1 year-160 years), there were three kinds of antiques: one was given to Ding Song, and the first year was given to Xiao Jian by Emperor Xiaowu of Song Dynasty; The other is Tang Zhong, who clarified the old things and had an inscription by Hedong Xue. The other is Chu Suiliang's lower case "Yin Fu Jing". In recent records, Wu Daozi's "South Star King", jade target sword, seven treasures and several pearls, and Xuanyuan mirror were added as the seven treasures in the view, and even the mountain was once named after the seven treasures.

At that time, the "Seventy-two" Yaotai was built behind the view, and peach blossoms were everywhere. Spring is called "Yao Taiwan Province dialect", which was one of the "Eight Scenes of Wu Shan" at that time.

During the Anti-Japanese War, Sanmao Temple was demolished by the Japanese army, but its large-scale remains are still discernible, and pools, bridges and boulders still exist. The cliff stone carvings between the stone walls have been scattered nearly 10, and there is only one copy of Shangshu Province carved in the Wanli period of the Ming Dynasty, which is for Shaoxing Ningshou concept.

The article goes like this: I was entrusted to celebrate Ning's longevity, and I got the correct information, so I was assigned. Twenty years in Shaoxing. Shangshu Province awarded me the title of Sanmaotang, Qibaoshan, Lin 'an Prefecture, and Taishi Shangshu servant shot a flat chapter under the book door (pledge) and participated in politics (pledge). I signed the book and learned about the hospital, the witch of politics (oath), Shaoxing twenty years ago.

In the Yuan Dynasty, Sanmao Temple was destroyed by fire and rebuilt in the early Ming Dynasty. There is a library in Shiguan, where young Yu Qian studies.

To the east of Sanmaoguan, there is a Jianghu Pavilion. According to the Record of Scenic Spots, there are many pavilions in the mountains, and the winner is the river and lake pavilion. Due to closing hillsides to facilitate afforestation, there are lush trees around Guanhui Pavilion, which blocks the scenery of Qiantang River and West Lake in the pavilion. In the transformation of Sanmaoguan, the pavilion has been upgraded in general, which broadens the horizon and reproduces the scenery of rivers and lakes.

There are rich historical and cultural relics in the south of Sanmaoguan, including many cliff stone carvings, caves and springs, and numerous stone forest landscapes.

Among them, the stone carving of "the first peak of Wushan" is particularly prominent. It is said that Yan Yanliang, the gold master, read Liu Yong's poem "Looking at the Tide of the Sea" one day and could not help but have the idea of invading the South. He sent someone to sneak into Hangzhou to draw a picture of the West Lake, and brought it back to Guo Xu to make a screen. Even so, he is still not satisfied. He added himself to the painting and inscribed himself on the top of Wu Shan. He said in his poem: "Raising millions of troops on the West Lake immediately made Wu Shan the first peak, so Wu Shan has the reputation of being the first peak.

From the south side of Sanmaoguan Scenic Area, walk along the south foot of Yunju Mountain to reach the Stone Buddha Temple. When Wu Yueguo built the Stone Buddha Temple in the Five Dynasties, there was a royal palace in Kaibao Temple in Bianjing before the Northern Song Dynasty. Zhao Hui, a monk, went south with Shaoxing Gaozong for five years (1 135) and asked Qibaoshan and Shaoxi for the right to build the temple in three years (1 192). The statue of Shifo Temple is also called the statue of Wangrenjiang Temple. The temple was destroyed by the fire of Taiping Army in Xianfeng period of Qing Dynasty, with three statues and five statues. In the middle are the three western icons, and in the middle is Amitabha, which is 6 meters high and is the tallest stone statue in Hang Cheng. On the left, the trend reaches Bodhisattva, with a height of 4.4 1 m; Avalokitesvara on the right, with a residual height of 3.39 meters. On both sides of the Three Sages are wise masters, 5.24 meters high; Masters of practice, 2.62 meters tall, all sit in circular shrines.

The Cliff Stone Carving of Zhejiang Sports Association is located on the east side of Yunju Mountain. After the Revolution of 1911, Zhu Rui, Lu and Ye, former members of the Guangfu Association, held a commemorative meeting to rebuild the sports meeting founded by Qiu Jin on the fifth anniversary of Qiu Jin's martyrdom, and wrote inscriptions on the rock wall of Yunjushan. With the inscription "Eternity of Yunshan" and "Yunnian of China", Zhejiang Sports Association was established. Monks and dogs in Shui Sheng Temple stopped donating mountains, and Wang Junxiang donated rocks for cliff use. Because of those four words, I will never forget them. Yongkang Ji, Ninghai Ye Shu and Yi Qu. 1990 The Municipal Bureau of Landscape Architecture built a protection pavilion at the cliff and changed it to a provincial cultural protection unit in Zhejiang Province.

From the Jianghu Guanhui Pavilion to the south, there is a pool at the foot of the mountain, which has been dry for many years. This is the Millennium Fountain. According to legend, during the Shaoxing period in Song Dynasty, Liu was named Lu Dequan. Carving deer on the spring, a Taoist priest in Qing Dynasty got the name of "not saving a spring". On the east side of the stone wall of the pool, there was once a line carved with a statue of Guanyin. Due to the accumulation of years, the stone wall is covered with moss, which is not easy to identify without attention. After the rain or splashing water on the groove in the sun, the traces of the statue are obvious, so people nearby are commonly known as "water splashing Guanyin". The original statue was destroyed in the 1970s and rebuilt in 2003.