Perhaps more familiar to the world is another sentence in this song "Long Pavilion Slow Complaints", "Worry is hard to break." According to the literal meaning, we can know that this is a poem in parts, and the poet uses willow trees to convey his farewell. The whole word gives birth to a sense of sadness, which is of great significance.
There is a saying in the last film, which was said by the poet: no one can be like a willow tree outside the pavilion after countless parting scenes. If the willow can understand the feelings of the world, it will certainly not remain the same green every year. In this sentence, the poet used the indifference of the willow tree to compare his attachment when he left.
In the last sentence, the poet wrote: When you leave, urge me to come back as soon as possible, lest no one care about the safflower. Now, even if I have sharp scissors, it is difficult to cut off countless sorrows in my heart. In this sentence, the man explained that the woman was very affectionate to herself and was very sad in her words. She also expressed her disappointment, which made the sadness between lovers so emotional.
This poem was written by the poet when he was traveling to Hefei at the age of 23. He met two sisters and singers, and their relationship bred affection, so there was this reluctant scene when they left.
On the Ideological Connotation of Dimfragrance by Jiang Kui
There is not a sentence in the poem Dim Xiang Old Moonlight by the poet Jiang Kui that is not about plum blossoms, but it is also a metaphor for people who borrow plum blossoms. Write the pride of the past at the beginning, connect the past with today with plum blossoms and moonlight, and once again pick up the memories of enjoying and picking plums with jade people under the moon. Then, I instantly switched from the present to the past, deeply recalling the scene of enjoying plums, and the last sentence ended in the present, mourning for the withering of plums, which metaphorically expressed my anxiety about when the old friends would meet again.
The poet wrote this poem in the winter of 1 19 1. At that time, Jiang Kui braved the heavy snow to visit Fan Dacheng in Shihu, where he stayed for more than a month. He wrote two words, Dimfragrance and Thin Shadow, which fascinated people and brightened their eyes. On the one hand, he expressed his concern for his country, and at the same time, he also metaphorically expressed his misfortune.
Reading with this faint fragrance, I seem to have entered the plum blossom full of flutes, and the poet's cold and deep situation is just around the corner. Throughout the poem, we can feel Jiang Kui's quiet and happy mood, sometimes thoughtful, sometimes sad, sometimes tender, which can not help but arouse people's reverie and charm. The word "calculation" in the first sentence conveys a state of meditation on the past, which is fundamentally a heartfelt memory.
The poet interspersed the description of the scene in his memory. The word "Hu" made the still picture lively and interesting instantly, and the warmth in his heart was self-evident. Since then, the description has linked the sweetness of the past with the thoughts of today, and the meaning of each thread seems to be broken and connected, which is a very pen-like article. The next sentence is a metaphor for the sadness of old age, which not only expresses the yearning for old lovers, but also reveals the sadness of the passing of youth.
The whole poem constantly switches between ancient and modern times, with unique structure and elegant artistic conception.
What's the name of the poet Jiang Kui?
Jiang Kui, a ci school in the Southern Song Dynasty, is unique and has made extraordinary achievements. He is a native of Jiangxi today, but he has been active in Anhui, Jiangsu and Zhejiang all his life. When he was a child, he went to Hanyang with his father. After his father died, he moved to Huzhou. Most of his works were created while traveling in Jiangsu and Zhejiang. He lived a free life, but never went to court, and finally died in Hangzhou.
He moved to Huzhou for more than ten years. Because he lived in a place called Baishidong at that time, the poet Jiang Kui was made a Taoist priest of Baishi. This number originated from a friend named Pan Dejiu who had a good relationship with him at that time. Baishi is naturally the residence of Jiang Kui, who is called a Taoist priest. Probably all his friends know that Jiang Kui is a natural and unrestrained person, who can live in this world and stay out of the world, just like a Taoist priest who is divorced from the secular world and only seeks his own peace. There are also two famous poets who are full of praise for Jiang Kui's talent and attitude towards life. They are Yang Wanli and Fan Chengda.
The name of the poet Jiang Kui is indeed a portrayal of his life mood. He was free and easy all his life. At that time, family and celebrities liked to communicate, negotiate and associate with him. It can be said that he is a Taoist priest on earth, and there are endless truths and masterpieces in life. Knowing music and calligraphy, Taoist Baishi is really different from ordinary people. As an outstanding poet in the Southern Song Dynasty, Jiang Kui wrote lyrics at his own pace. His lyrics can be free and easy, but also rigorous, mainly because their artistic conception is moving, and his works are labeled as ethereal and elegant.
Introduction to the Ideological Content of Jiang Kui's Self-adjustment
Poets who are good at melody often create some songs that are directed and performed by themselves, that is, the lyrics and tunes are all from their own hands. Many poets in the Song Dynasty often have songs that are directed and performed by themselves. Today we are going to introduce the songs directed and performed by the Southern Song Dynasty poet Jiang Kui. As we all know, Jiang Kui is not only highly accomplished in literature, but also his music creation has reached a high level in art and ideological realm, with great originality and unique style. He is also the only musician who handed down music scores in the Southern Song Dynasty.
The most representative songs directed and performed by Jiang Kui are Dimfragrance, Thin Shadow, Apricot Blossom Sky Shadow and Yangzhou Slow. Today, we will focus on appreciating this song "Apricot Blossoms and Shadows, Green Silk Whispering and Mandarin Duck Spectrum".
This song "Apricot Blossom and Sky Shadow" was written by Jiang Kui to miss his old lover. In the poem, he used "peach leaves" to express his thoughts and sadness about his distant lover, while "gone" expressed the poet's hesitation about coming and going. The second half of the poem expresses the poet's helplessness and inner pain when he confesses to his lover. The whole word is delicate and touching
In Jiang Kui's works, there are many poems about dreams and things, and there are also many articles related to Hefei Lover. Although the moment between them is no longer lasting, his unforgettable love for the dreamer has never been cut off throughout his life. This poem by Jiang Kui is full of flowery words and profound feelings. He writes tender feelings with vigorous brushstrokes and conveys true feelings with sad brushstrokes, but he is ambitious, ethereal and free from vulgarity. Although this word is a poem, the overall layout of the word is equivalent to a slow word, which conveys the twists and turns of singing and sighing in a limited number of words.
Appreciation and Introduction of Pink Lips by Jiang Kui
Jiang Kui's Dian Jiang Lips Ding Weidong Wu Songzuo is a poem about scenery, which is profound and profound, and the author is free and easy. The scene in the last film mainly describes the birds floating with the clouds, flying between the north and the south, as chic as a fairy; The next paragraph of the word is nostalgic for the past because of the land, giving the ruthless things true feelings and writing a feeling of great vicissitudes. The whole word only uses 4 1 word, which is euphemistic and implicit, but it completely shows the author's state of mind and makes people think deeply.
The general idea of the word is that the wild geese in the north are carefree, have no fixed place, and float around with the clouds in the west of Taihu Lake. Several isolated mountains in the distance look sad and depressed, as if a big storm is brewing at dusk. I want to live in seclusion next to Ganquan Bridge with Lu Guimeng, but does anyone still like him now? Where is it? I am leaning against the railing alone, recalling the past, and I can only see layers of withered willow branches fluttering irregularly in the wind.
This poem was written in the winter of 1 187. Jiang Kui went back and forth between Huzhou and Suzhou, and when he passed Wujiang in Jiangsu, he felt something in his heart, so he wrote this poem. Jiang Kui's favorite poet in his life is Lu Guimeng in the late Tang Dynasty. His name is Tian Suizi. Jiang Kui lived in seclusion in Song Wu before his death. He was deeply moved and wrote this word.
An important feature of Jiang Kui's creation is that he is good at telling stories and writing articles from blanks. In this poem, he derived the sadness of life experience and the pain of the country from the image, and integrated nature, life and history, which was a treasure in the patriotic words of the Southern Song Dynasty.
The Story of Jiang Kui and Xiao Hong, Poets in Cloth
Jiang Kui has always been known as an "infatuated poet" because love and affection have always been frequent themes in Jiang Kui's works. I believe that people who know his lyrics must have an impression of the "Hefei woman" that often appears in his works. Who the hell is she? Why do we meet by chance and fall in love with her all our lives? When we read Over the Rainbow, there is a saying: Xiaohong sings and I play the flute. Who is this little red? Is it the woman who haunts him? What does it have to do with Jiang Kui Xiaohong?
Indeed, Xiaohong is the love of Jiang Kui's life, "Hefei woman". According to textual research, more than a quarter of Jiang Kui's more than 80 poems are based on it. They haven't been together for a long time, but Jiang Kui will never forget it.
It is reported that Jiang Kui has been to Fan Dacheng. At that time, Fan Dacheng had a pair of singers, namely Hefei Sisters Flower. Both sisters are good at melody and admire Jiang Kui, but Jiang Kui likes her beautiful sister. Because she often wears a red skirt, she is called Xiaohong. When they met bosom friends, Jiang Kui and Xiaohong hit it off, so Fan Dacheng gave Xiaohong to Jiang Kui.
Since they love each other so much, why didn't Xiaohong leave Hefei with Jiang Kui? There are two main reasons. First, because Jiang Kui is introverted and low-key, as a literati, he doesn't have the courage to overcome the secular and marry a singer. On the other hand, because he has nothing, he can't bear to suffer with his beloved woman and can't give her happiness, so he can only sing in words all his life.
Jiang Kui Xiaohong is such a pair of predestined lovers. Jiang Kui met his "love" in his twenties, so he spent his whole life remembering it.