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In the past, I only paid attention to Baodai's love and beautiful poems in A Dream of Red Mansions. A few days ago, I read "Lecture Room-Liu Dui's Interpretation" and got a new understanding of this book. However, this is only Liu's own thinking and analysis of A Dream of Red Mansions, and there is no evidence to verify it, but I think it is very reasonable.

Liu's point of view is that Cao Xueqin not only wrote down the history of the rise and fall of the Cao Shi family, the triangular relationship between Baodai and Chai, but also rubbed into the political disputes with the Three Dynasties and the whole story of the Cao Shi family in this struggle. Originally, I never cared about Jia Rong's wife, but I only showed up a few times, but Liu used several lectures to prove his royal origin, which eventually led to the complete collapse of Jia Fu, that is, the collapse of Cao Jia in reality. From Cao Xueqin's verdict written to Qin Keqing at the beginning of A Dream of Red Mansions to Wang Xifeng's dream after Qin Keqing's death, the sentence "Chu Fang's three springs are exhausted, each has its own door" completely solved the true identity of Qin Keqing and the power struggle of Kang Yong in Qing Dynasty. A few times before A Dream of Red Mansions, Baoyu went to Ningguo Mansion. I was tired, rested in Qin Keqing's bedroom, dreamily fell asleep, met a police phantom nun, and saw the verdict of twelve women in Jinling. One of them is a song about Qin Keqing, which is called "Good Things End". The original text is like this: "love is an infinite fantasy of love, and meeting each other will be the main affair." Words are inexhaustible, and the beginning of disaster is really peaceful. " After years of investigation and study, Liu boldly speculated that she was the youngest daughter of the abandoned prince Yin Ren during the reign of Kangxi. At that time, two abandoned princes Yin Ren smuggled their newborn daughter (that is, Ke Qing) out of the palace to save their blood. That is to say, Cao Cao took risks to hide the daughter of such an abandoned prince, which of course committed the crime of decapitation. Cao Xueqin's great-grandmother Sun Shi was Kangxi's wet nurse, and Cao's family was highly valued by Kangxi. Cao Shi IV weaved Jiangning, Kangxi made six southern tours and lived in Cao Jia four times. In the Yongzheng dynasty, because Yongzheng was not a normal heir to the throne, that is to say, he was not the first heir to the throne of Kangxi, so there must be irreconcilable contradictions between Yongzheng and Kangxi. After Yongzheng ascended the throne, he abandoned all the courtiers that Kangxi reused, which of course involved the Cao family. In this unfavorable situation, the Cao family took risks and hid such a woman in order to revive the Cao family after the restoration. This risky behavior eventually led to the collapse of the Cao family. According to this analysis, if we look at A Dream of Red Mansions again, there are indeed too many doubts worth thinking about, which makes me more inclined to Liu's point of view. For example, the thirteenth time I wrote about the death, the title was "sealing the dragon and forbidding the captain", but as Liu said, the position of "becoming a forbidden captain" was not for women, so why did Cao Xueqin write it like this? The coffin material written about death is a good piece of wood left by Xue cricket-Qiang wood. This piece of wood was originally prepared for Prince Zhong Yi's old chitose (the analysis assumes that it is three-dimensional). I didn't expect this loyal old prince to be "ruined" and useless. What do you mean by "bad things"? Liu thinks this is the cleverness of Cao Xueqin. He didn't say anything about politics, but only used a "bad thing" to impress readers. In addition, how do the wild children in Yangshengtang (today's orphanage) described in a book by Qin Keqing use the monarch's coffin? Here, there is the title Cao Xueqin. Why do you have to write like this? There are obvious deletion marks on the thirteenth time. Is there a secret that can't be expressed? We don't know here.

After Qin Keqing died, he told Wang Xifeng in his dream that "someone told me"? Keywords, things are exposed. What about this informant? Only Yuan Chun was close to the emperor, and of course she was considered. The verdict in Twelve Women in Jinling goes like this: "In the past twenty years, I have distinguished right from wrong, and Liu has blossomed and produced Gong Wei. How can Sanchun reach the early spring scene, and the tiger meets the dream. " What has she learned from right and wrong in the past twenty years? She recognized who this Qin Keqing was and raised him at home since childhood. When she finds out, she will definitely take action as an imperial secretary. A Tiger Meets a Dream shows that he became a victim in two groups of political struggles.

If we all follow this line of thinking, then the last forty chapters of Gao E's sequel will completely fail to understand Cao Xueqin's original intention. It is really a bit like a dog's tail and a mink, which is not worth seeing. But I don't think that's exactly the case. Without the last forty chapters of Gao E, when I first read A Dream of Red Mansions, I wouldn't think it was a complete story, nor would it interest me to finish reading it. There are still many remarkable points in the last forty chapters. If I have time, I will be interested in continuing the ending after the 1980s. Haha, don't laugh at me. I'm crazy! This idea just flashed by, how can I get this clever son!