I. Background information
He Qifang (19 12~ 1977) is a modern essayist, poet and literary critic. Autumn is a modern poem written by He Qifang about 20 years old.
The poet turned his vision to the countryside, to the activity scenes of ordinary people, and told other people's affairs as an observer, showing a clear and pure poetic style.
(2) Poetry is written in a straightforward Chen Qi way. On the surface, it seems simple and straightforward, lacking symbolic meaning, but in fact it is meaningful. There is such an atmosphere and charm in the poem, which is the most fascinating to readers.
(3) In Autumn, the poet described farm life in the most concise language. Every poem is a picture, and three verses make up three composite pictures. The combination of pictures creates a special atmosphere, which is both smooth and integrated.
This is a colorful rural area in Qiu Jingtu. The poem is not long, only three verses, but it captures all kinds of scenery, valleys, farmhouses, fishing boats and shepherdess. This is a poetic autumn, living in a farmhouse, playing on a fishing boat and dreaming in the eyes of a shepherdess.
The morning dew falls,
The sound of logging jingled in the valley.
Put down the sickle full of fragrant rice,
Use a basket to put rich fruits and vegetables between bamboo fences.
Live in a farmhouse in autumn.
The first painting is "Farmer Harvest figure".
The image of "full skin" is distinct. The word "gone with the wind" is apt and vivid. Images such as logging sound, early morning sound and dew sound constitute a clean and moist sound painting. "Xiang Tao" makes people feel happy. "Full" is a scene of bumper harvest, which is anthropomorphic. "Fat melons and fruits" also see a bumper harvest. The last sentence is always tied, making the finishing point. The word "habitat" is meaningful and anthropomorphic.
This is not about a farmer, but about general farm activities. Two scenes were written, one was logging in the valley, and the other was carrying melons and fruits between fences. Valley logging is placed at the beginning of the article, and Tintin's voice floats far away, resorting to hearing; Shocked by the cool dew, he turned to vision and touch. It is really a landscape of the world, which reminds people of distant impressions. There is no such thing as "cutting trees and singing birds" in the Book of Songs. From the valley to the tree " Gone with the Wind and The Valley often appear in He Qifang's early poems, but they are both fictional, using figurative meaning and extended meaning, but here they are realistic and have a unique charm. The poem does not specify the mood and expression of the farmer carrying melons and fruits, but the reader can think that he is cheerful and smiling. "Habitat" was originally used to describe creatures, but now it is used at the end of this poem to summarize the autumn situation in farmers' homes, visualize nothingness (autumn) and create a relaxed and quiet atmosphere.
Drop a round net on the cold fog on the river,
Put away the shadow of Chinese tallow leaves like a herring.
The reed canopy is covered with frost,
Shake the parked paddle gently.
The autumn sports meeting is held on fishing boats.
The second painting is "Fisherman Qiu Jingtu".
"Cold fog" sets off hazy poetry and conforms to the season. The metaphor of "the shadow of Chinese tallow leaves is like a herring" seems clumsy, but it is actually intriguing. Returning to the berth not only describes the scenery, but also hints at the time, which echoes the above Morning. The word "game" is both false and true.
The picture also includes a series of activities: casting nets, fishing and boating. The pictures of these ordinary activities all contain a faint, distant, clear and quiet charm in the poet's pen. The word "gently" often appears in He's poems, as if "handy", which shows the fisherman's carefree mood. Perhaps in He Qifang's early mind, autumn is really so quiet and far away.
The grass is getting wider and wider in the cricket's cry.
The stream dried up and the stones became clearer.
Where is the flute on the cow's back?
The flute hole full of summer fragrance and heat?
Qiu Meng in the eyes of shepherdess.
The third picture is "the girl's love picture".
Crickets are chirping on the Yuan Ye, and the stream is crystal clear. The bleating of sheep came in bursts, and the beauty of autumn was pleasing to the eye, but the shepherdess lost her former liveliness. The flute is very long in summer. Why is the boy who plays the flute missing? Who can guess a girl's heart?
Unique scenery in autumn. Full of poetry and painting. Appear in the form of questions, and the language is swaying. The combination of "full flow" and "fragrant heat" and "flute hole" is full of poetry under the background of "summer night". The shepherdess lives in the farmhouse and plays on the fishing boat. Have you ever seen autumn? Does the flute on the cow's back express or arouse the girl's feelings? Her eyes must be full of autumn scenes, and her heart must tremble with joy and dreams.
In a word, Autumn creates an atmosphere that comes from the world and is far away from the secular world by depicting different scenes and pictures. This kind of atmosphere is quiet, Qingyuan, sweet and soft. It describes the leisure scene after a busy summer, so there is a quiet atmosphere; It describes a paradise-like life, and it has a Qingyuan atmosphere, without any hardships and bitterness of farmers. It is about the hazy and pure love of boys and girls, so there is a sweet atmosphere; Like He Qifang's other poems, it uses soft words to write beautiful images, avoiding noisy scenery and clumsy words, so it has a soft atmosphere. Every painting in the poem, as well as every image in the painting, is harmonious and unified; So this atmosphere is characterized by quiet, Qingyuan, sweet, gentle and so on. You can't be a master at this point. However, when He Qifang wrote this poem, he was still a 20-year-old college student!
Step 3 elaborate on the difficulties
① The order in which the author writes about the scenery: from far to near.
(2) The third section begins with weeds, crickets and streams, which is equivalent to what the ancients called "feeling xing", that is, say something else first, feeling xing from xing, feeling scenery from Jing. Weeds are overgrown and the stream is clear. This is not a human activity, and there must be a continuation afterwards, that is, girls are in love. The noisy summer of nature has passed, but autumn has become quiet. When people are silent, they mostly look at themselves and listen to their inner voices. After listening to "The Flute on the Cow's Back" for a summer, a corner of her heart began to sprout. Writing about love, especially first love, is what she was good at in her early years. This time, he wrote more subtly and brilliantly. There are only five lines in this paragraph, which is about the transition from place to insider, and the transition from writing first love from scratch. The poet chose the specific angle of "shepherdess's eyes". Although the eyes are not clearly written, readers can see the purity and clearness, which are the special eyes of the first love girl.
(3) "Put away the shadow of Chinese tallow leaves like herring" means that herring is like Chinese tallow leaves; On the other hand, the Chinese tallow tree on the river bank has swaying leaves, which are reflected on the river, just like the shadow of Chinese tallow leaves on the internet. Reflect the carefree mood of fishermen with inverted sentences.
1. Poetry should understand the artistic conception through the description of specific things in the poem, which is inseparable from the description of objective things and the expression of subjective feelings. Reading this kind of poems, we should appreciate and feel the poet's thoughts and feelings from the blend of emotion and scenery.
2. Read aloud repeatedly with emotion, expand association and imagination, taste the language, and experience it in combination with the artistic conception and specific context of the whole poem.
3. Learning the poet's clear and pure poetic style and straightforward brushwork, seemingly simple and straightforward, lacks symbolic significance, but in fact it is profound and long-lasting.
He Qifang, formerly known as He, was born in an old-fashioned family in Wanzhou, Sichuan. When I was young, I liked China's ancient poems and novels very much. 65438-0929 went to Shanghai to study for the preparatory course of China College and read many new poems. 193 1~ 1935 studied in the philosophy department of Peking University. During my college years, I published poems and essays in magazines such as Modern. 1936 published Bian and Li Guangtian's poetry anthology Hanyuan Collection, 1937 published prose anthology Hua and won the literary gold medal in Ta Kung Pao. After graduating from college, He Qifang taught in Nankai Middle School in Tianjin and Laiyang Rural Normal School in Shandong. After the outbreak of War of Resistance against Japanese Aggression, He Qifang returned to his hometown of Sichuan to teach, while continuing to write poems, essays and essays. 1938 North Yan 'an, taught at Lu Xun Art Institute, and later served as the head of Lu Yi Literature Department. After the founding of New China, he mainly engaged in literary research and criticism, and participated in the leadership of the literary and art circles for a long time. He used to be a member of the Chinese Federation of Literary and Art Circles, secretary of the Secretariat of the Chinese Writers Association and director of the Literature Research Institute.
Poetry is the first style that He Qifang likes and uses. He claimed that when he first started writing, he "dreamed of something beautiful and gentle all day". His early works clearly showed the thoughts, feelings and personality of a young bourgeois intellectual. He is dissatisfied with the ugly reality and doesn't know where the way out is; He longs for the good things in life, but lacks enthusiastic pursuit. So more wandering in homesickness, longing and dreams, leaving only loneliness and melancholy.
He Qifang showed persistent pursuit for the perfection of art form. In terms of poetry, he paid great attention to complete form, rigorous rhythm and harmonious rhythm at the beginning of his creation, and paid attention to expressing the image and artistic conception of poetry. So his poems are obviously exquisite and gorgeous. In prose creation, he claimed that "my job is to find a new garden for lyric prose". He is good at combining the characteristics of poetry, writing rich and touching words, borrowing novel metaphors and allusions, and rendering magical colors and patterns, which makes his prose unique.
It was in the early days of the Anti-Japanese War, especially after Yan 'an, that the change of ideological and artistic style was really obvious. At this time, he gradually left his dream and faced reality, and his poetic style tended to be simple and clear.
Read the poem emotionally first, think about the order of writing the scenery, and then recite the whole poem.
This question requires students to read the poem with emotion and recite the whole poem. This is a requirement from the main way of poetry appreciation, and students should be guided to recite it repeatedly.
Second, taste the following rhetoric.
1. Put down the sickle of Daoxiang.
2. Living in a farmhouse in autumn
The autumn sports meeting is held on fishing boats.
This topic is to guide students to taste language, and we should combine the artistic conception and specific context of the whole poem to experience it.
◆ Put down the sickle of overeating-"Feeling Full" uses anthropomorphic rhetoric to write a bumper harvest scene; "Xiang Tao" implies that rice is ripe, and shows a bumper harvest picture from the perspective of taste.
Living in the Autumn Farmhouse-Living summarizes the autumn farmhouses with personification rhetoric, concretizes nothingness and writes a relaxed and quiet atmosphere.
◆ Autumn outing on fishing boats-the word "game" is true or false. Fishermen play on fishing boats. They don't care how many fish they catch, but they are feeling autumn and playing autumn, writing down their leisure.
Thirdly, compare the following poem with the text and talk about what the thoughts and feelings expressed by the two poets have in common. (A short poem)
This topic is intended to guide students to appreciate it, and at the same time, it also provides students with an equally excellent foreign poem. These two poems have many similarities in thoughts and feelings, image combination and artistic style, and both express their love and praise for autumn from thoughts and feelings.
Appreciation of He Qifang's Poem Autumn
People's Education Press Liu
Autumn is selected from the prediction written by He Qifang in his early years (193 1- 1933). Unlike the poets of that period, they were not so symbolic, mysterious and philosophical, showing profound thoughts; Unlike him, who shut himself in a narrow personal world and lingered on the affair between men and women, he had expectations except bitterness and bitter thoughts. Instead, we cast our eyes on the activities of the countryside and ordinary people, telling other people's affairs as a viewer, showing a clear and pure poetic style. Poetry is written in a straightforward Chen Qi style. On the surface, it seems simple and straightforward, lacking symbolic meaning, but in fact it is meaningful. There is such an atmosphere and charm in the poem, which is the most fascinating to readers.
The so-called aura, in literary works, especially lyric works, usually refers to the overall image, charm and charm in the works. It is similar to Yan Yu's Meteorological Chaos, with a broader meaning of meteorology, including all aspects of content and form; The atmosphere seems to be mainly related to the content, involving images, artistic conception, emotions and so on. The atmosphere can be felt without words, as Si Kongtu said, "God doesn't know, but it's difficult to know." As the Tang people said, "Lantian is warm and fertile, and it is close at hand, not before approaching." But when you read it, you can understand it clearly, and you should be able to follow your heart and form it in the text.
In Autumn, the poet described the life of the peasant family in the most concise language. Every poem is a picture, and three verses make up three composite pictures. The combination of pictures creates a special atmosphere, which is both smooth and integrated.
The first painting is "Farmer Harvest figure". This is not about a farmer, but about general farm activities. Two scenes were written, one was logging in the valley, and the other was carrying melons and fruits between fences. Valley logging is placed at the beginning of the article, and the tinkling sound comes from a distance and appeals to hearing; Cool dew is shaken off, and vision and touch are appealed to. It's really a world scenery, which inspires people's memories of distant impressions. There is no such thing as "cutting trees and singing birds" in the Book of Songs. From the valley to the tree " Gone with the Wind and The Valley often appear in He Qifang's early poems, but they are both fictional, using figurative and extended meanings, which are both realistic and have special charm. The poem does not specify the mood and expression related to carrying melons and fruits, but readers can think it is joyful and smiling. "Habitat" was originally used to describe living things, but now it is used at the end of this poem to summarize the situation of farmers' homes in autumn, visualize the nothingness of east (autumn) and west, and create a relaxed and quiet atmosphere.
The second picture is "Go Fishing in Frost Morning". Among them, the words "fog" and "frost" (and "dew" in the last section) often appear in He Qifang's early poems, conveying a cool, cold and hazy atmosphere. The picture also includes a series of activities: casting nets, fishing and boating. These ordinary moving pictures all contain a faint, distant, clear and quiet charm here. The word "gently" often appears in He's poems, which seems to be "handy" and shows the fisherman's carefree mood. Perhaps in He Qifang's early mind, autumn is really so quiet and far away.
The third picture is "the girl's love picture". This poem is written with weeds, crickets and streams, which is equivalent to the so-called "feeling interest" written by the ancients, that is, talking about other things first, feeling from the interest and feeling from the scenery. Weeds are overgrown and the stream is clear. This is not a human activity, and there must be a continuation afterwards, that is, girls are in love. The noisy summer of nature has passed, but autumn has quietly changed. When people are silent, they mostly look at themselves and listen to their inner voices. After listening to the flute on the back of a cow for a summer, the shepherdess suddenly stopped listening, and a corner of her heart began to sprout. It is really "like roots shaking the earth on a hot summer night" (He Qifang's poem "Summer Night"). Writing about love, especially first love, is what he was good at in his early years. This time, he wrote more subtly and brilliantly. There are only five lines in this paragraph, which is about the transition from place to insider, and the transition from writing first love from scratch. The poet chose the specific angle of "shepherdess's eyes". Although he didn't write his eyes clearly, the reader can see the purity and clearness inside, which is the special look of the first-love girl when she seems to be in love, but she doesn't. And comparing these three poems, we can see that the first two poems are mainly about external scenery and personnel, and the third poem is really written in the depths of the soul, writing subtle feelings, which makes the whole poem gather real feelings. If you don't write like this, it will be difficult to enter the mood, enter the spirit, and the poem will "float".
In a word, Autumn creates an atmosphere that comes from the world and is far away from the secular world by depicting different scenes and pictures. This kind of atmosphere is quiet, Qingyuan, sweet and soft. It describes the leisure scene after a busy summer, so there is a quiet atmosphere; It describes the paradise-like life on earth, and it has a Qingyuan flavor, without any hardships and bitterness of farmers. It is about the hazy and pure love of boys and girls, so there is a sweet atmosphere; Like He Qifang's other poems, it uses soft words to write beautiful images, avoiding noisy scenery and clumsy words, so it has a soft atmosphere. Every painting in the poem, as well as every image in the painting, is harmonious and unified; So this atmosphere is characterized by quiet, Qingyuan, sweet, gentle and so on. You can't be a master at this point. However, when He Qifang wrote this poem, he was still a 20-year-old college student! Autumn is selected from the prediction written by He Qifang in his early years (193 1- 1933). Unlike the poets of that period, they were not so symbolic, mysterious and philosophical, showing profound thoughts; Unlike him, who shut himself in a narrow personal world and lingered on the affair between men and women, he had expectations except bitterness and bitter thoughts. Instead, we cast our eyes on the activities of the countryside and ordinary people, telling other people's affairs as a viewer, showing a clear and pure poetic style. Poetry is written in a straightforward Chen Qi style. On the surface, it seems simple and straightforward, lacking symbolic meaning, but in fact it is meaningful. There is such an atmosphere and charm in the poem, which is the most fascinating to readers.
The so-called aura, in literary works, especially lyric works, usually refers to the overall image, charm and charm in the works. It is similar to Yan Yu's Meteorological Chaos, with a broader meaning of meteorology, including all aspects of content and form; The atmosphere seems to be mainly related to the content, involving images, artistic conception, emotions and so on. The atmosphere can be felt without words, as Si Kongtu said, "God doesn't know, but it's difficult to know." As the Tang people said, "Lantian is warm and fertile, and it is close at hand, not before approaching." But when you read it, you can understand it clearly, and you should be able to follow your heart and form it in the text.
In Autumn, the poet described the life of the peasant family in the most concise language. Every poem is a picture, and three verses make up three composite pictures. The combination of pictures creates a special atmosphere, which is both smooth and integrated.
The first painting is "Farmer Harvest figure". This is not about a farmer, but about general farm activities. Two scenes were written, one was logging in the valley, and the other was carrying melons and fruits between fences. Valley logging is placed at the beginning of the article, and the tinkling sound comes from a distance and appeals to hearing; Cool dew is shaken off, and vision and touch are appealed to. It's really a world scenery, which inspires people's memories of distant impressions. There is no such thing as "cutting trees and singing birds" in the Book of Songs. From the valley to the tree " Gone with the Wind and The Valley often appear in He Qifang's early poems, but they are both fictional, using figurative and extended meanings, which are both realistic and have special charm. The poem does not specify the mood and expression related to carrying melons and fruits, but readers can think it is joyful and smiling. "Habitat" was originally used to describe living things, but now it is used at the end of this poem to summarize the situation of farmers' homes in autumn, visualize the nothingness of east (autumn) and west, and create a relaxed and quiet atmosphere.
The second picture is "Go Fishing in Frost Morning". Among them, the words "fog" and "frost" (and "dew" in the last section) often appear in He Qifang's early poems, conveying a cool, cold and hazy atmosphere. The picture also includes a series of activities: casting nets, fishing and boating. These ordinary moving pictures all contain a faint, distant, clear and quiet charm here. The word "gently" often appears in He's poems, which seems to be "handy" and shows the fisherman's carefree mood. Perhaps in He Qifang's early mind, autumn is really so quiet and far away.
The third picture is "the girl's love picture". This poem is written with weeds, crickets and streams, which is equivalent to the so-called "feeling interest" written by the ancients, that is, talking about other things first, feeling from the interest and feeling from the scenery. Weeds are overgrown and the stream is clear. This is not a human activity, and there must be a continuation afterwards, that is, girls are in love. The noisy summer of nature has passed, but autumn has quietly changed. When people are silent, they mostly look at themselves and listen to their inner voices. After listening to the flute on the back of a cow for a summer, the shepherdess suddenly stopped listening, and a corner of her heart began to sprout. It is really "like roots shaking the earth on a hot summer night" (He Qifang's poem "Summer Night"). Writing about love, especially first love, is what he was good at in his early years. This time, he wrote more subtly and brilliantly. There are only five lines in this paragraph, which is about the transition from place to insider, and the transition from writing first love from scratch. The poet chose the specific angle of "shepherdess's eyes". Although he didn't write his eyes clearly, the reader can see the purity and clearness inside, which is the special look of the first-love girl when she seems to be in love, but she doesn't. And comparing these three poems, we can see that the first two poems are mainly about external scenery and personnel, and the third poem is really written in the depths of the soul, writing subtle feelings, which makes the whole poem gather real feelings. If you don't write like this, it will be difficult to enter the mood, enter the spirit, and the poem will "float".
In a word, Autumn creates an atmosphere that comes from the world and is far away from the secular world by depicting different scenes and pictures. This kind of atmosphere is quiet, Qingyuan, sweet and soft. It describes the leisure scene after a busy summer, so there is a quiet atmosphere; It describes the paradise-like life on earth, and it has a Qingyuan flavor, without any hardships and bitterness of farmers. It is about the hazy and pure love of boys and girls, so there is a sweet atmosphere; Like He Qifang's other poems, it uses soft words to write beautiful images, avoiding noisy scenery and clumsy words, so it has a soft atmosphere. Every painting in the poem, as well as every image in the painting, is harmonious and unified; So this atmosphere is characterized by quiet, Qingyuan, sweet, gentle and so on. You can't be a master at this point. However, when He Qifang wrote this poem, he was still a 20-year-old college student!
He Qifang (1912-1977) is a modern essayist, poet and literary critic. Formerly known as He, he was born in an old family in Wanzhou, Sichuan. When I was young, I liked China's ancient poems and novels very much. 65438-0929 went to Shanghai to study for the preparatory course of China College and read many new poems. 1931-1935 studied in the philosophy department of Peking University. During my college years, I published poems and essays in magazines such as Modern. 1936 published Bian and Li Guangtian's poetry anthology Hanyuan Collection, 1937 published prose anthology Hua and won the literary gold medal in Ta Kung Pao. After graduating from college, He Qifang taught in Nankai Middle School in Tianjin and Laiyang Rural Normal School in Shandong.
After the outbreak of War of Resistance against Japanese Aggression, He Qifang returned to his hometown of Sichuan to teach, while continuing to write poems, essays and essays. 1938 North Yan 'an, taught at Lu Xun Art Institute, and later served as the head of Lu Yi Literature Department.
After the founding of New China, he mainly engaged in literary research and criticism, and participated in the leadership of the literary and art circles for a long time. He used to be a member of the Chinese Federation of Literary and Art Circles, secretary of the Secretariat of the Chinese Writers Association and director of the Literature Research Institute.
Poetry is the first style that He Qifang likes and uses. He claimed that when he first started writing, he "dreamed of something beautiful and gentle all day". His early works clearly showed the thoughts, feelings and personality of a young bourgeois intellectual. He is dissatisfied with the ugly reality and doesn't know where the way out is; He longs for the good things in life, but lacks enthusiastic pursuit. So more wandering in homesickness, longing and dreams, leaving only loneliness and melancholy.
He Qifang showed persistent pursuit for the perfection of art form. In terms of poetry, he paid great attention to complete form, rigorous rhythm and harmonious rhythm at the beginning of his creation, and paid attention to expressing the image and artistic conception of poetry. So his poems are obviously exquisite and gorgeous. In prose creation, he claimed that "my job is to find a new garden for lyric prose". He is good at combining the characteristics of poetry, writing rich and touching words, borrowing novel metaphors and allusions, and rendering magical colors and patterns, which makes his prose unique.
It was in the early days of the Anti-Japanese War, especially after Yan 'an, that the change of ideological and artistic style was really obvious. At this time, he gradually left his dream and faced reality, and his poetic style tended to be simple and clear.
Collected Works of He Qifang (People's Literature Publishing House) is a six-volume book, which contains most of He Qifang's creations and works.