For example, Mo Yan, the first Nobel Prize in Literature winner in China, went home to farm before finishing primary school. Although he made up for it later, it is reasonable to say that he also missed the best opportunity to study.
There is also the modern master Chen Yinque. Liang Qichao recommended Chen Yinque to Mei Yiqi, then president of Peking University. President Mei asked Chen Yinque what his educational background was and what his works were. Liang Qichao said that he didn't have any of these, but he studied abroad for more than ten years. President Mei asked Liang Qichao how Chen Yinque's knowledge was better than his. Liang Qichao said I was a writer, but my book was not as good as a short article by Chen Yinque, so President Mei made an exception and hired Chen Yinque.
In the last century, when masters came forth in large numbers, such masters with low academic qualifications were everywhere.
Then, why do these people have low academic qualifications, but they seem to be very literate? This is no accident. Education only represents one's past, not one's future. People's destiny and knowledge are in their own hands, and they can change their own destiny.
These people have low academic qualifications, but they are literate. That's the hard work behind them. They may not have received an education at school, but society, the world and books are all places to learn. Marek Douwei turned himself into a literate person through his conscious study! Maybe many people with higher education will listen to it, and many people with low or no education are still giving lectures to college students, even graduate students and doctoral students.
Therefore, it is very important to study consciously. You can't stop studying when you leave school. You can study anywhere in your life. As the saying goes, "It's never too old to learn"!
First of all, I want to say that a high degree of education does not mean a good education. I have met many people with high academic qualifications, who are as naive as primary school students, with sour and rigid thoughts and incompatible with society. I think it is difficult for such people to achieve great success no matter how high their academic qualifications are.
On the contrary, although some people have not received much formal education, they have strong learning ability, coupled with high understanding and strong willingness to learn, which can give people the feeling of being both literate and capable. Ma Weidou is such a person.
Ma Weidou was born in Beijing, 1955, and his ancestral home is Rongcheng, Shandong. Because of the particularity of that era, he read only until the fourth grade, and then went to the countryside to become an educated youth. After returning to the city, I worked as a machine tool milling worker for several years, and 1980 began to create literature.
That year, he was 26 years old and engaged in his favorite job on his own. His education is no longer important to him.
Judging from his full moon tonight, the plot is vivid, the words are precise and concise, and he has the enthusiasm of a professional writer, which must be related to his usual efforts.
It is said that he is very studious and has read many books. At that time, many people burned their books at home, so Ma Weidou went to pick them up and read them back. For example, he has read the book Jane Eyre several times, but he still doesn't know the title because the cover was burned.
Extensive reading has enabled Ma Weidou to have a deeper knowledge structure and a better understanding than ordinary people, which is not only reflected in his works, but also in his exploration of writers' horizons, such as Wang Shuo, Liu Zhenyun and Su Tong.
Ma Weidou once said, "I have read more books than the people trained by the official system. If I study according to the official system, I am a postdoctoral fellow today, and I will definitely not do this. " He made his usual efforts in one sentence.
The knowledge gained through school education is only a manifestation of culture, and the learning and accumulation of the acquired self is the most important. Ma Weidou has a large amount of knowledge and is comprehensive, so he gives the impression that he is knowledgeable and knowledgeable.
Ma Weidou has been fond of collecting since he became an editor. He often goes to flea markets or places where antiques are sold. At that time, it happened that China was carrying out reform and opening up, which was promising. Few people have leisure to collect, which gives him a chance.
When the collection begins to heat up, the things he scoured back will be valuable, which is not only an opportunity given by the times, but also related to his personal efforts and foresight.
As we all know, collecting antiques and cultural relics is a very challenging job. If you are wrong, you will lose everything in minutes. Although many of his contemporaries went bankrupt and changed careers, Ma Weidou has always been able to do it and made great achievements, which is inseparable from his painstaking research.
Ma Weidou said: "We should not be too greedy to collect cultural relics. When you collect books, the first thing to do is to read the books you like. If you only take money to collect them, you are dead. "
Therefore, he can often tell the authenticity and production age of a cultural relic at a glance, and then he can know the price of the cultural relic, so it is not easy to misread things.
From Dou Du's point of view, seeing the collections of Dou Du, Ma Shuo Ceramics and Ma Weidou Masters hosted by him in recent years, each episode has many knowledge points, which are undoubtedly derived from his decades of collection experience and books he has read.
In the past decades, he has been playing collection, hosting collection programs and publishing books related to collection. He is already a great collector and disseminator of national culture. Why should we measure such a person with academic qualifications?
His greatest glory is that he is not only a collector and businessman, but also has national justice and feelings. For example, he founded the Guanfu Museum and donated his collection for free, just to let more people see these cultural relics.
He said in a program he hosted: "Most cultural relics will eventually enter the museum. Once they enter the museum, it is the fun of the whole nation. " It reflects his sense of responsibility for cultural relics and finds the best home for cultural relics.
It is also a place where he is higher than ordinary businessmen and collectors.
He is smart and insightful, but he is not mercenary. In his own words, "there are three stages in life: seeking profit when you are young, becoming famous in middle age, and sometimes gaining both fame and fortune." The third stage is to place your soul. "
So I want to use a netizen's words to evaluate him-don't sigh that all the predecessors are celebrities, and there is Ma Weidou in the world.
Education is divided into different periods. Relative to academic qualifications. At the same time, Ma Weidou's education level is relatively high, otherwise he would not enter the newspaper. Furthermore, education is a learning experience, not including self-study. As long as you have a certain knowledge base, you will be able to teach yourself. There are many such examples. Therefore, this is a normal phenomenon.
Judging from Ma Weidou's current influence, popularity and the works he brought us, Ma Weidou deserves to be regarded as a cultural person.
Why can Ma Weidou be called a cultural person? I think there are the following reasons:
1. Education is not equal to education. Ma Wei is a person who loves learning. His achievements in literature, as well as his research on China's classical Chinese studies and cultural relics, made him a literate man.
Ma Weidou was born in Beijing on March 22nd, 1955. Dropped out of school before finishing the fourth grade of primary school. I went to the countryside as an educated youth in my early years, then planted seedlings, and later worked as a machine tool milling worker in the city for several years. Later, he began to create literature and began to collect cultural relics in the 1980 s. By June 1996, under the auspices of Ma Weidou, Guanfu Classical Art Museum was finally approved to be established.
Life in Ma Weidou has been completely open since entering the collection world.
Before entering the collection circle, Ma Weidou was famous for his novel Tonight's Full Moon. 198 1, China Youth Daily published the novel in a full page. Later, Ma Weidou became the editor of Youth Literature. During the editing period, Ma Weidou discovered a group of writers such as Wang Shuo and Liu Zhenyun with his own knowledge, and together with them, he set up "Haima Film Studio" and created influential TV series "The Story of the Editorial Department" and "Haima Dance Hall".
After that, Ma Weidou wrote many books about China's traditional culture, such as "Ma Shuo Ceramics" published by 1992, and also published a large number of papers and essays on cultural relics appreciation and research. Among them, China Ancient Doors and Windows, published in 2002, also won the first prize of the 6th National Book Award and the 2nd National Excellent Art Book Award.
In 2008, Mr. Ma Weidou was a guest in CCTV's Lecture Room, broadcasting 52 lectures in succession. In these 52 lectures, Ma Weidou systematically explained many courses such as "furniture collection, ceramics collection, jade collection, lacquer collection". The professionalism and interest of these courses have been well received by the public, making Ma Weidou a leader in the field of contemporary collection in China.
Especially in 2008, Ma Weidou received 7.45 million yuan in royalties, ranking fifth in the third rich list of Chinese writers in 2008. Such outstanding achievements made Ma Weidou a national celebrity.
As can be seen from Ma Weidou's experience above, Ma Wei is a person who loves reading, studying and learning, because we all know that if we want to make achievements in literary creation and have the ability to identify cultural relics, we need constant study and research. These are all technical jobs that test a person's true ability. Without practical ability, Ma Weidou would not have achieved so much.
Taking achievements and results as heroes, Ma Weidou is a well-deserved cultural person.
2. Ma Weidou's culture is also reflected in his sense of historical responsibility and national integrity.
When it comes to Ma Weidou, you have to say "Guanfu Museum". Guanfu Museum was founded by Mr. Ma Weidou on 1996. The Guanfu Museum emphasizes "talking with the ancients and walking with the culture". The exhibition pays attention to the open form, the communication between people and history, and the affinity of traditional culture. Since 1996, Guanfu Museum has held many exhibitions, which let the world and people around the world see the elegance, solemnity and civilized charm of China's classical culture.
Ma Weidou emphasized that museums are places where culture and human history are carried. Looking at Ma Weidou from this angle, we have to say that Ma Weidou is a man with a great sense of historical responsibility. Because he is not only a writer, businessman and collector, but also a disseminator and educator. He used his books, words and speeches to spread the beauty of China culture, let more people know about cultural relics and introduce them into the daily life of ordinary people.
These are the great works that Mr. Ma Weidou brought to people. These things are valuable and can help people solve their doubts. Therefore, Ma Weidou is constantly demonstrating his personal value and passing it on to more people.
3. Use new media to provide more cultural products for modern people.
Anyone who knows Ma Weidou knows that there are many video programs spread on the Internet in Ma Weidou, such as watching Du Du, collecting Ma Weidou, National Treasure 100, Fantastic Night of Natural History and so on.
These programs are great carriers of Ma Weidou's personal charm and personal cultural knowledge. Through these programs, we can hear a lot of interesting things and knowledge about the culture and history of China, and learn a lot of valuable things. Not only as a pastime, but also as a means of learning to increase our wisdom in daily life.
Through Ma Weidou's explanation, we learned a lot of things that we didn't know before, so from this perspective, the culture of Ma Weidou is higher than that of many people with high academic qualifications.
Generally speaking, education is a label for us to contact this society, but it is not a weapon to link this society. The weapon that truly links this society is our real talent and practical learning, which requires continuous study, research and practice to acquire step by step. Therefore, we can't judge whether a person has a culture only by his academic qualifications.
Sometimes education.
Tell me an example that I saw with my own eyes. A friend of mine signed up for a master's class and was quite happy for him. But when I graduate and write my thesis, I will know what this master's degree is all about. First, I pieced together a "paper", and then when it was time to reply, the teacher greeted me in advance. The result is of course a smooth master's degree.
Recently, this friend applied for a doctorate from the first public university in the history of China. Because there is no English grade certificate, he downloaded a copy of the certificate of an English training institution on Baidu. As for the topic options, he asked someone to help him write them.
Only then did I understand why China's academic qualifications were not recognized abroad and looked down upon by others.
Doctor's degree can be faked, but what degree can't?
Sun Qingguo tried to answer:
Education is not equal to "education" and "education" is not equal to education.
What is Confucius' education, a word "wrangling"?
If you use mathematical thinking to explain:
Everyone is in the most cultural and useless cultural range. That is: everyone [the most literate], Confucius is a master of ten thousand generations, and it is useless for the state (court) to issue him a diploma;
"education" and "education";
"Ma Weidou's education is not high, but he looks very cultured" conforms to the principle of mathematical setting.
Sun Qingguo: Mechanical engineer, studied in high school for less than two years, taught in private schools for less than three years, and took four college entrance examinations (self-taught high school textbooks).
Sun Qingguo: In his spare time, he devoted himself to NMET for 30 years, and he was "Do not forget your initiative mind", "infatuated", "stubborn" and "as always".
Ma Weidou seems to have no culture, but it is. There are two kinds of culture, one is the culture produced by learning from books. The other is a practical culture that is edified bit by bit from the society and the surrounding environment. Although both of them are learning cultures, the formation of scholar culture and practical learning culture can not be separated from book knowledge and practical experience knowledge, but they are different.
Calligraphy and calligraphy believe that this difference exists in the case of who is the master and who is the assistant. Scholar-type is knowledge gained from books and then integrated into practice, and practical cultural composition is practical. Although these two forms of culture are still literati, this is from the perspective of knowledge culture, but from the economic point of view, it may be that the economic benefits of practical culture are indeed higher than that of literati culture. The problem lies in the transformation form from culture to economy, one is direct and the other is transitional. That's why the subject said it. In any case, learning is their common feature, although they adopt different methods.
But as far as Ma Weidou is concerned, it is hard to say that Mamadou has not received a good education. Mamadou 1955 was born in Beijing. 198 1 published his first novel "Full Moon Tonight" in China Youth Daily. At that time, Ma Ma was only 26 years old and seemed to know nothing about the specific situation.
For example, our leader, Chairman Mao, is only a normal student in terms of academic qualifications, but his calligraphy, poetry and doctoral tutor are all inferior to him! Military talent is unparalleled, just as contemporary military experts compare with the chairman.
Besides, the old man Baishi also studied in a private school for several years. He also helps his family to work and occasionally herd cattle. But later he became a great painter, seal engraver and poet. What is the reason for it? It is perseverance and diligent observation every day. Be open-minded and eager to learn, not ashamed to ask questions.
Like the major fine arts institutes now, there are hundreds of people who engage in pure art every year. But how many people can be written into art history?
This shows that talent and education level are not proportional. Whether you can succeed in the end depends on long-term training.
Zheng Banqiao's poem says:
For forty years, I painted bamboo branches and spent time thinking at night.
Redundant and thin, painting is born and familiar.
As can be seen from the poem, if you want to achieve something, you must go through decades of hard work, diligent pursuit and slow precipitation, and finally become a great cause.
Why does cajanus cajan look very literate, although it is not highly educated? Why?
Education refers to completing a whole set of courses and obtaining the corresponding degree. Culture refers to moral cultivation and practical knowledge.
Why do some people say that someone's "head is the Tao" means that he combines theory with practice, plus his own understanding and analysis. So many people find it interesting and reasonable after listening to it.
Practice is the only criterion for testing truth. There is no fixed theory in the world, and society is constantly developing and progressing. Only by constantly improving and passing the test in practice can many theories reach the truth in line with social development.
So culture comes from textbooks and needs to be applied and improved in practice. Knowledge comes from social and practical experience, but it needs cultural supplement and expression, both of which are indispensable.
The above views welcome criticism and guidance. Thank you.
That's true! Society is practicing, learning and practicing talents, which has been the case since ancient times! A high degree doesn't mean you know everything! Ma Weidou's education level is not high, but he has rich experience and knows a lot. He studies in society, and he also studies in society!
Few of Zhu Yuanzhang's elites have received higher education, but when it comes to the art of war, they are almost organized, and some people are familiar with the art of war. But culture is almost illiterate! Society is the real version of the teacher, let you learn everything! Just because you have a high degree and a good education doesn't mean you really understand!
Zhao Benshan's education is not high, and neither is Ma Yun, but they are all elites. Some contemporary celebrities have said that as long as a war breaks out and enters a protracted war, a large number of office generals and lip-service generals will be eliminated, which is completely realistic.
High education, high culture, but not necessarily experienced, not necessarily experienced. Social experience, military struggle, the real essence, can't be learned from books, it needs practice!