It describes the different marriages of generations of mother-in-law, menstruation, "me", aunt and friends, and shows deep homesickness in characterization. These stories seem to be loosely connected and can be changed at will, but the internal organization of each paragraph is perfect and each has its own development process. This structure makes the play have the function of a prism, which reflects the specific historical features at that time from different angles.

There are no earth-shattering stories, no swords and swords, only the things around us, the love of children, the love of mother and child and so on. However, these seemingly unremarkable daily lives, in Lin's pen, under the director's lens and under the actor's emotional interpretation, have become uneven, and the simplicity is full of profound meanings.

Especially when Cai Qin's deep and slightly sad singing sounds at the beginning and end of the film, the whole picture looks sad and beautiful, intoxicating and heartbreaking. ...

All kinds of amorous feelings, grotesque and dripping, stories in besieged cities, joys and sorrows of life. ...

Extended data

Personality assessment

Lin is good at expressing women's love and marriage in the new and old alternate times since the May 4th New Culture Movement. Her pen is almost stubbornly wandering in this field, constantly digging, exploring, thinking and trying to learn from the ancient mirror of love and marriage.

It reflects the changes of history and the ups and downs of the times, or reflects the social outlook of China from the late Qing Dynasty to the early Republic of China until after the Anti-Japanese War, which constitutes a marriage history of women in modern China.

In this image of women's marriage history, she wrote about the complexity of the relationship between wives and concubines in a big family and the humble status of concubines; Write about the unspeakable distress of women and virgins; Write about the sadness of abandoned women; Write about the distorted mind under arranged marriage; I also write about the joys and sorrows of women struggling from the old morality.

These themes and characters are not uncommon in the history of modern literature in China. From the works of Lu Xun, Guo Moruo, Yu Dafu, Ba Jin and many other predecessors, we can easily find the sisters of these characters. However, Lin has her unique artistic personality. She tried to inherit the literary tradition of her predecessors, but at the same time she dared to explore and strive for discovery and innovation.

Baidu encyclopedia-Lin