Shuhuai
Lipper
Drunk riding a white horse, heading west to Handan City. Whip the willow and write about the spring breeze.
Entering the tower, the mountains and rivers are flat, and the deep palace is covered with green grass, which hurts people's hearts.
Like the top of Zhang Hua, Qin won with anger. Two tigers fight, but an honest man will die.
Help Qiu,, and others. If you fight alone, you will die.
There are 3,000 guests in the plain, talking and laughing. Mao Jun can stand out, and the two countries are allies.
It's all yellow earth, which makes me cry.
The sages have no place here, and there are remnants on the tablet. In ancient times, the origin of each other was sadness and joy.
Hurt He Zudao, grateful for the empty name. Zhao customs love long swords, and few scholars like them.
Leisure tourism starts from Boling, drinks snow and heads for the Cape. It's easy to sing, and the drum is tilted.
The candle is still burning at sunset, and I will go to Yanjing in the early morning. Chen Fang's five baits will make Chen Hu understand.
Brief introduction of Li Bai:
Li Bai (70 1 ~ 762) was a poet in the Tang Dynasty. The word is too white, and the number is purple. Mian Governor Long (now Jiangyou, Sichuan) was born.
In his youth, Li Bai studied in a wide range. In addition to Confucian classics and ancient literary and historical masterpieces, he also browsed hundreds of books and became a "good swordsman". Believing in Taoism, having the idea of transcending the secular; At the same time, he has the political ambition to make contributions. The poems he wrote in Shu as a teenager are rarely preserved, but they show outstanding talent. Li Bai traveled in eastern Sichuan when he was about twenty-five or six years old. In the next ten years, he roamed many places in the middle and lower reaches of the Yangtze River and the Yellow River. In the 18th year of Kaiyuan (730), he once arrived in Chang 'an to strive for a political way out, but failed. In the first year of Tianbao (742), he was called by Xuanzong to worship Hanlin in Chang 'an as a minister of civil affairs and participated in drafting documents. Less than two years later, he was forced to resign and leave Beijing. During this period, Li Bai's poetry and song creation tends to be mature. 1 1 years later, continue to wander in the middle and lower reaches of the Yellow River and the Yangtze River. "Wandering around the world, it is suitable for poetry and wine." He still cares about state affairs and hopes to be re-appointed by the court. In the third year of Tianbao, Li Bai met Du Fu in Luoyang and became good friends. They didn't meet again after breaking up the next year. In the fourteenth year of Tianbao, the Anshi Rebellion broke out, and Li Bai lived in seclusion in Xuancheng (now Anhui) and Lushan Mountain. In the second year1February, he was invited to the Lee Shogunate in Wang Yong, hoping to eliminate the rebellion and restore national unity. After Wang Yong angered Su Zong and was killed, Li Bai was also found guilty, imprisoned in Xunyang (now Jiujiang, Jiangxi) and soon exiled to Yelang (now Tongzi, Guizhou). On the way, I was forgiven and came back. I was 59 years old. Living in Jiangnan area in his later years. At the age of 6 1, I heard that Qiu Li Guangbi led an army out of the city to attack the Anshi rebels and went north to join the army to kill the enemy. He turned back halfway due to illness. The following year, he died in the apartment of his uncle Dangtu (now Anhui) county magistrate Li.
Li Bai's poems have been lost a lot, and there are still more than 900 poems with rich contents. Li Bai cared about national affairs all his life, hoping to make contributions to the country, but he was not satisfied with the dark reality. His 59 antiques are representative works in this field. The dark corruption in Tang Xuanzong's later politics was widely exposed and criticized, which reflected the grief and indignation of talents who had nowhere to go. A lot of words are ironic, and the spirit is very high. Li Bai is eager to make contributions and serve the country, but he does not envy wealth. What do you think of are bells and drums, treasures and treasures? . After making contributions, he will follow the example of Lu Zhonglian, a senior scholar in the Warring States period, and quit without respect. His thoughts were obviously influenced by Taoism, especially Zhuangzi. Many of Li Bai's poems show concern and sympathy for people's lives. This content is often combined with criticism of rulers. Some of his Yuefu poems reflect women's lives and sufferings, which focus on thinking about women and remembering people, as well as the grievances of businessmen, abandoned wives and maids. His "Lodging in Wusongshan Mountain, Uncle Xun", "Song of Protection" and "Song of Autumn Pu" describe the lives of farmers, boatmen and miners respectively, showing concern for the working people. Li Bai wrote many poems describing natural scenery in his life. His poems "It's difficult to ascend to heaven through the Shu Road", "The water of the Yellow River can't be moved out of the sky and into the ocean, and it will never return" ("Into the wine"), "Flying down three thousands of feet, it is suspected that the Milky Way has fallen for nine days" ("Looking at Lushan Waterfall") and so on are all famous sentences that have been passed down through the ages. This kind of poetry, just like some of his works praising Dapeng birds, shows his lofty aspirations and broad mind, and reflects his desire to pursue extraordinary things from the side. Other poems, such as Qiudeng Xuancheng Xie Tiao North Building, Sitting alone in Jingting Mountain and Journey to Qingxi, are good at depicting quiet scenery, fresh and meaningful, and their styles are close to those of Wang Wei and Meng Haoran. Li Bai also has many poems about love and friendship. His Yuefu poems often express euphemistic and profound love from the perspective of female inheritors. There are also some poems about giving gifts and missing your wife, and their feelings are quite deep. Li Bai donated a large number of works to his friends, including many excellent works. Some of these poems show a distinct political attitude, and more often they show their daily farewell and lovesickness, such as the Yellow Crane Tower's farewell to Meng Haoran and Du Fu at Dunmenmen, hearing that Wang Changling moved to Longbiao Kiln for this purpose, reminiscing about the past, visiting the army and giving Wang Lun a present. Deep feelings, vivid images and strong artistic appeal. The content of Li Bai's poems also contains some feudal dross, among which more is the negative nihilism of promoting life as a dream, eating and drinking, and the religious superstition of seeking immortals to visit the Tao and alchemy. Some of his poems about women and love are vulgar. In Li Bai's poems, exaggerated and vivid metaphors are widely used. His poems, such as "But since the water is still flowing, even though we cut with swords and raise our glasses to drown our sorrows" and "White hair is three thousands of feet, and sorrow is like a beard" (Song of Autumn Pu, article 15), depict his deep worries after the failure of political activities in Chang 'an, which are widely circulated. For example, he wrote "Poetry is a gift from the north window, and a thousand words are not as good as a glass of water" ("Answering the Twelve Cold Nights of the King") and wrote his own talents; "I would like to cross the Yellow River, but the ice will choke on the ferry, and Taihang Mountain will be covered with snow" ("Difficult to Travel"), which is difficult to write a career; "Peach Blossom Pond is deeper than thousands of feet, not as good as Wang Lun" ("To Wang Lun"), and writing about the deep friendship between friends all impress readers with distinctive and prominent images. The imagination of Li Bai's poems is very rich and amazing. His "Strong winds blow my heart, and fairy trees hang in the west" ("Jin Xiang sends Wei Ba to the West") and "My heart is full of worries about the bright moon, and I stay in the West with the wind" ("I heard that Wang Changling moved to Longbiaoyao to leave") all show his nostalgia for Chang 'an and his poetry friends with strange imagination. Fu Liangyin, Antique and Lotus Mountain in the West respectively express the destruction of Chang 'an City and the ravages of Anshi Rebellion on the Central Plains through fantasy. Farewell from afar shows the hidden worries about the political situation in the later period of Tang Xuanzong through the wandering fantasy legend. They are vivid and meaningful. With the help of myths and legends, Shu Dao Nan and Meng Deng Tian Mu Shan have built a colorful and thrilling realm. The rich imagination of Li Bai's poems is particularly prominent in the long seven-character poems, which are obviously influenced by Qu Yuan. In terms of genre, Li Bai is good at classical poems and quatrains with relatively free form, and doesn't like to write metrical poems. 59 pieces of Antique are his representative works of five dynasties. The five ancient poems in his Yuefu have inherited the fine tradition of Yuefu folk songs in the Han, Wei and Six Dynasties, and their writing style is simple and vivid, full of the poet's enthusiasm. His seven-character ancient poems (including Yuefu seven-character songs and general seven-character poems) are more creative. The scenery is magnificent, colorful, lyrical and changeable. From the literary origin, this kind of poetry is most influenced by Qu Yuan's works, and it is difficult for Bao Zhao to imitate it. Li Bai is good at quatrains. His quatrains were improved on the basis of Yuefu folk songs in the Southern and Northern Dynasties, which made him more alert. "Thinking on a Quiet Night" and "Yu Jiefen" and other five wonders are implicit and meaningful. There are also excellent works, clear and concise language, harmonious and beautiful timbre, lyrical scenery and simple explanations. For example, See you Meng Haoran on the way to Yangzhou from the Yellow Crane Tower, Looking at Lushan Waterfall, Looking at Tianmen Mountain, Making a White Emperor City as early as possible, and Presenting Wang Lun. Are well-known masterpieces. The evaluation of the seven-character quatrains in the Tang Dynasty has always been that Li Bai and Wang Changling are the best at scenes; Li Bai concentrated on the study of the Seven Laws, with only a dozen books and few excellent works. There are more than 70 poems about five laws, some of which are well written, which shows that he can write metrical poems, but he doesn't like to write more. Although Li Bai's Yuefu poems use the old Yuefu theme, they can be innovative. Those who wrote poems with the theme of old Yuefu in the Tang Dynasty made the most outstanding achievements. Some of his poems and quatrains are full of Yuefu poems, although they don't use Yuefu themes. The greatest feature of his poetic language can be said to be "clear water produces hibiscus, which is naturally carved". Specifically, the language is straightforward and natural, the syllables are harmonious and smooth, natural and unpretentious, and it exudes the flavor of folk songs. This is mainly due to the study of Yuefu folk songs in Han, Wei and Six Dynasties. But he didn't just learn and imitate the language of folk songs, but improved it on the basis of learning to make it more concise, beautiful and meaningful. His seven-character ancient poems are not only pure and natural, but also bold and unconstrained in language. Du Fu's poem "Memories of Li Bai in Spring" praised Li Bai's poems as "fresh" and "elegant", which revealed the remarkable characteristics of his language style. Li Bai's poems have a far-reaching influence on later generations. Han Yu and Li He in the Tang Dynasty, Ouyang Xiu, Su Shi and Lu You in the Song Dynasty, Gao Qi in the Ming Dynasty, Qu Dajun, Huang Jingren and Gong Zizhen in the Qing Dynasty all benefited from and were influenced by Li Bai's poems to varying degrees. Li Bai also wrote several poems. There are 12 poems in Zunqian Collection and 7 poems in Hua 'an Miao Ci Selection. Among them, "Qingpingdiao" has three songs "Clouds Want Clothes, Flowers Want Capacity", and the genre is actually a quatrain of seven words, which was sung with music at that time. Other long and short sentences handed down by Li Bai are not very credible. Among them, Bodhisattva Man, Smoke in the Desert of Pinglin, Hubei and Yan are the most famous, but whether these two sentences are Li Bai's works is quite doubtful by later generations. There are more than 60 essays by Li Bai today. Many antithetical sentences did not get rid of the popular parallel prose fashion at that time. But the language is natural and fluent, which is similar to its poetic style. Among them, Hanshu Jingzhou and Preface to Peach Blossom Garden (Li) were selected by later generations and widely read.
Li Bai's anthology compiled by the Tang people has not been handed down now. Thirty volumes of Li Taibai's Collected Works in the Northern Song Dynasty were engraved in Suzhou and called Su Ben. Later, there was a Shu edition copied according to Su Ben, which was the earliest extant Li Baiji. During the reign of Kangxi, Miao Yue copied it and called it Miao Edition. The earliest annotation for Li Baiji was Yang Qixian's Li Hanlin Collection in the Southern Song Dynasty, with 25 volumes and rich annotations. Qu Tuiyuan and Zhu Jincheng's "Li Bai Ji Zhu" is by far the most detailed one in Li Bai Ji Zhu. Research on Li Bai's works: After the May 4th Movement, before the founding of the People's Republic of China, there was Li Bai, a Taoist poet, and there was a study of Li Bai. Since the founding of New China, there have been Chronicles of Zhan Li Bai, Poems of Li Bai, and Studies of Li Bai in Wang Yunxi. In addition, there are many individual papers, some of which were selected as representative papers by Zhonghua Book Company, and compiled into Collected Papers on Li Bai's Studies, which were published in the 1960s.