This drama tells the love story of two young men and women who experienced a car accident and formed an indissoluble bond.
Gu Fei, played by Ren Jialun, was stabbed in the heart in this car accident, and survived with a mechanical heart, becoming a "lizard" who can't have emotions and emotional fluctuations. Jiang's parents, played by Xing, were killed in a car accident, so she became an ill-fated "crow" lady.
And she plays the second daughter in the play, Zhao Yan, Jiang's good friend. Now it seems that her qualifications can only play a supporting role in film and television works.
Zhao Yan in the play is Jiang's best friend. She has an outstanding appearance and is the goddess in everyone's eyes. The company leaders were drooling over her beauty, and Gu Fei's good brother Xu Chengran fell in love with her at first sight.
However, due to the injury of family background and her own relationship, Zhao Yan no longer believes in love, so she seems a little inaccessible in front of men. This role has still not got rid of Zhao Ting's inherent image. The goddess' face value and temperament are cold and loyal to people.
In the play, Zhao Yan does exercises in the gym in front of Xu Chengran, which reminds people of her past role. After so many years, Zhao Ting still hasn't made a breakthrough.
Ten years ago, she made her debut with a micro-film "Adolescence" and instantly became the goddess of school flowers in the eyes of many audiences. Then two films named "Campus Flower" confirmed her "campus flower" screen image.
Other films, such as Public Enemy of Women and Reserve Flight Attendant, have shed the label of campus beauty, but they still cannot escape the role of "glamorous".
Zhao Ting's personal characteristics are too outstanding, which is both her strength and her weakness.
Jing Tian's "Stena" has aroused great repercussions precisely because "Stena" is different from any of her previous characters, and is full of distinctive and pleasing features. Beautiful, powerful and tragic, I'm afraid there is no one who doesn't like a woman like Stern submachine gun.
However, there is still a difference between the two. Jing Tian's past role is so unremarkable that the audience has no memory. On the other hand, Zhao Ting had a prominent role in the past, which solidified everyone's impression of her and restricted her development.
Although the specific situation is different, the solution is actually the same, that is, challenge different types of roles with characteristics, and the most important thing is to perfectly interpret the roles with worrying performances.
Only in this way can the fire really get up and the actor's road go on for a long time. However, in the entertainment circle, it is often involuntary.
Nowadays, compared with film and television works, Zhao Ting seems to appear more in variety shows, and the highlights are mostly her appearance and program effect. Perhaps the identity of the screen goddess is more suitable for her than the identity of the actress.