Only thirty years old, I set three protagonists, and it happened that these three women with different values became "girlfriends" sooner or later. Wang Manni, played by Jiang Shuying, was born in a small city and came to Shanghai to work hard. Her image should reflect most people who work hard in Shanghai.
Gu Jia, played by Tanya, is a scholar who worked hard with her husband when she was in her twenties. After a small success, she retired to the rear and became a full-time mother, but she was an enviable upper pyramid.
Zhong, played by Rachel Momo, is from Shanghai. She grew up as a "mother-in-law" under the protection of her family. Although she is 30 years old, she still hasn't grown up. She relies on her parents for everything, has no opinion, and is a "nice guy" among her colleagues.
Let's talk about Gu Jia first. The successful woman at the top of this pyramid, especially the part where she fights for her children, is very quiet? Yes, the crew used this bloody bloody story to make many women crazy.
Because many women can't do it, while admiring the success of women in TV dramas, they only know that they are at home and can't do anything. What's wrong with Gu Jia's values?
Desire makes her feel that she can achieve everything by standing on tiptoe, but after reaching it, she will have greater wishes-desire makes her very tired, but at the same time it will also make her partner very tired, because all these desires are not her partner's wishes, but she imposes them on her partner. Many people will say how much she respects her husband and how considerate she is, but what we need to know more is how much pressure she puts on the other half.
Regarding the values of hobbies, let me talk about the embarrassment of the values of the crew. Through fish farming, it is suggested that Chen Yu, as an employee in the establishment, should step by step and not make progress, and it is time to meet the first person.
Through his fish farming and Zhong's cat farming, it is suggested that the two will eventually go their separate ways. A clock can't keep a cat. How can he raise a good child? Why should the screenwriter arrange teacher Chen's hobbies like this?
Because in the writer's mind, fish, flowers, fishing and chess should be the hobbies of retired people. Do you think a 30-year-old woman doesn't go to the square to dance square dance? But what should a man's hobby be at the age of 30? E-sports or diving? Is it fitness or surfing? Is it too difficult for men in TV dramas to talk about a hobby? However, under the description of the screenwriter, netizens (estimated to be mostly women) voiced and questioned why Zhong had not divorced.
Finally, let's talk about Wang Manni, whose values are more exciting.
From "Who says I can't get married" to "Nothing but 30", all the scriptwriters' routines are to portray the male blind date as extremely unbearable. Therefore, the unsuccessful blind date is basically a male mistake, which can be summarized as: bragging, poor clothes, stingy guests, material things should be clearly marked for all women and so on.
Under the description of the screenwriter, blind date is an extremely embarrassing thing, and you will meet many groomsmen. Let's not talk about how malicious the screenwriter is to the blind date. Let's take a look first. The first thing Wang Manni saw was dressing up. Wang Manni's evaluation is that she can't wait to put all her possessions on her body. The second is that he uses blind date to see if she can get it, and then goes to work, so that Wang Manni can become a camera tool. Third, the financial tycoon boasted that he had two suites in Shanghai.
I really can't stand the malice of the cast, international double standard! First of all, there are only a lot more foreign women than foreign men in the blind date market ~ there are far more older women than older men in big cities (there are more older men than older women in rural areas, and the specific reasons can be considered).
Let's take a look at three women, three 30-year-old heroines, all with unhappy families, unhappy marriages and difficulties in getting married.
The feedback given by the audience as a whole is too realistic, marriage is too terrible and men are too scum.
Sorry, I speak for all excellent and ordinary men. Men in TV plays can't represent us. Those cast members with ulterior motives should not engage in gender opposition here, and should not vilify men in order to promote women's independence. It really stinks.
The screenwriter portrayed the reality of a group of malicious men, but Gu Jia didn't quite agree with him. To save yourself, it is necessary to be a villain. People's selfish self-protection can't be regarded as value distortion, can it?
And there is also a clear criticism of the value of the rich woman in the play. At present, the social environment of the network environment is that men and women hold their own opinions and belittle each other. This situation will continue in the future, and we can only hope that the big world will come soon.