Generally, she doesn't watch TV series, so Zhao plays very little, but when she changes channels, she occasionally sees every scene and can read her feelings from her face. She is not affected at all, and her eyes have that feeling, so it makes sense for her to be so angry now. After all, not many people have acting skills.
And I have always insisted on myself, not learning from those snake faces, which is simply a clean stream in the entertainment circle.
Let's talk about sugar. I was really fascinated by the fairy sword at that time. At that time, it should be the earliest version of Sansheng III.
The liveliness of the first life, the courage of love and hate, the depression of the second life, the entanglement of the third life and the final liberation are all well interpreted by her. Later, I saw her Xuanyuanjian, and I also liked Ning Ke in it.
But her works are bon voyage, always playing silly and sweet roles, with stiff expressions and no tension in the roles. I am so disappointed, but I forgive her for the beauty of sugar.
The most unbearable thing is that Clara's lover was upstaged by the second woman. I thought I would return to the peak of acting with a bright future, but I didn't expect this to be just a media propaganda means, and it was really the drama of Mary Su's resurrection.
I always receive such scripts, and I have to say that it has a lot to do with Tang Tang's personality itself, because she is a little princess in her heart, so it is the same in and out of the play, and her role has not changed.
I sincerely hope that Tang Tang can broaden his own ways of playing, try more dramas other than silly and sweet, and hone his acting skills.
Finally, I wish Tang Tang happiness forever. Luo Jin is so excellent, get married quickly.