Ding Xilin believes that comedy is a rational feeling, which must be carefully considered and savored. Laughter in comedy is also different from laughter and laughter in farce, but a kind of "knowing smile" His creative practice has realized his own theoretical proposition. When Ding Xilin writes comedies, he uses delicate analytical brushwork, and generally does not use exaggeration in the usual sense, let alone resort to additional jokes. Most of his one-act plays are simple in plot, with few characters and little contradiction, but they can grasp the comedy seeds in the play and form the core plot, such as A Hornet's Lie to Miss Yu, The Trick of Oppression on Tenants, and The Unreasonable Demand of Three Dollars of National Currency on Mrs. Wu. Ding Xilin's comedies show various comic contradictions among characters and their different comic personalities. In the development of the plot, it is also ups and downs, full of fun, distinct levels and distinct rhythm. He also attached great importance to the ending art of comedy, and after every conflict in the whole drama, he unexpectedly added a sum to further strengthen the comedy effect. The language of Ding Xilin's comedies is also praised for being humorous and witty, and his comic skills are freely used without axe marks.

Most of Ding Xilin's plays have been put on the stage, especially his one-act play, which is a masterpiece in the comedy field and represents China's achievements in comedy creation since the May 4th Movement.

Kong Dongqing has an article called "The Sexual Psychology of Ding Xilin's Plays";

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