1942, the poet Dai Wangshu was arrested by the Japanese army for editing and distributing poems promoting the war of resistance in newspapers. He suffered a lot in prison, but he never gave in. "I destroyed it with my palm." At that time. This poem is a poem dedicated to the motherland by a poet in prison. "I use my palm to destroy/explore this vast land, the enemy's dungeon, the unimaginative poet who damaged his palm, and let him explore the soul of the map of the motherland." Most of the land, "symbolizing the motherland and destroying palms" is realistic, but it also shows the unyielding will of the poet. This corner has been reduced to ashes/a corner is only blood and mud, reborn from fire, blood and mud, which summarizes the desolate scene of the occupied area. The invaders burned and looted, and the ground was full of ruins and displaced people. The poet's palm was destroyed, his homeland was fragmented, and the poet shared the same fate with his motherland. "This is a lake, this is my home ... I feel that seaweed and water are cool", the "home" led by the poet, and the scenery is so beautiful and charming. The author writes about the spring flowers, tender willows, seaweed and water at home, which arouses vision, smell and touch, just like going home. There is a deep homesickness between the lines, which is in sharp contrast with the reality that the author is in prison. Changbai Mountain is freezing cold, ... I did it there. I dipped in resentment on a fishing boat in the South China Sea in China and touched a large area of land from north to south. Everywhere in Changbai Mountain, Yellow River, Yangtze River, Lingnan, South China Sea and China, the author emphasizes the characteristics of things and regions, and mobilizes various sensory organs to feel their characteristics: overlapping mountains, water with sediment, new grass, basil and litchi flowers. Emotionally, these lines express the poet's indescribable feelings for the suffering motherland with melancholy and cold colors. "Invisible hands sweep the infinite land/fingers are stained with blood and ash, and palms are stained with darkness." The poet's idea of riding the motherland leaves the impression that the invaders of the land trample wherever they go. "There is only one distant corner, which is still intact/warm, clear and vigorous." "Palm", the corner that was finally touched is still intact. "The land in the liberated areas has not been trampled. From here on, the poet's feelings are no longer low, but become clear and positive. He hasn't personally experienced the life in the liberated areas, but he is extremely emotional and yearning. This is a lyrical description of his liberated areas. " At this point, my palm is damaged/like a lover's soft hair touch, in the hands of baby milk powder. "This is emphasized in the second poem" I hurt my palm ". For me, I found solace in this warm and clear land because of the persecution of his patriotic enemies. "Lover's soft hair" Baby milk powder hand, two images are appropriate, evoking the most intimate life of mankind. " I hold all my strength, love and all my hopes in my palm. "I firmly believe that the anti-Japanese struggle won the leadership of the China Communist Party and liberated the hope of national rejuvenation, because only there is the sun, and spring has come/driven away the darkness, bringing Su Sheng, the sun and spring to the remaining liberated areas. "Because only there, we don't like the sight of animals,/like ants ... there is eternity." This poem ends with a high note. The author points directly at the sincere feelings of the liberated areas and places our motherland's ardent hope for the future.

Analyze and edit this passage.

A controversial poet

The controversial poet Dai Wangshu is a modern poem of China. As we all know, in his early years, he was a symbol, a poet in Huang Guan Lane Rain. But he is "the most meaningful poem, he is considered to be deeply in love with the motherland, and people" damaged their palms with my expression. "Here, we made the first unusual meaning analysis combining with the poet." I hurt your palm.

subversive

The mountains and rivers of the motherland "I took a palm/explored this vast land/this corner has turned to ashes/that corner is just blood and mud ... The poet revealed with heavy strokes that although he is disabled, he is more hurt by the mountains and rivers of the motherland. 1942 In April, the poet participated in the anti-Japanese movement in Hong Kong, was put into prison and was tortured. In July, I remembered the mountains and rivers of the motherland, hated the alien invasion, and felt more sympathy. I am full of sympathy and affection for my motherland and people. The poem that the poet's palm is damaged is his struggle with the enemy; Hurt, he didn't rest, but used it to explore this lovely land and appease this lovely person. "Life is more than fighting spirit? "What kind of spirit is more valuable than this, and what kind of temperament is more attractive than this? . Realistic freehand brushwork

The "injured palm" is not only a reality, it is also an image. Dai Wangshu talked about the territory of China several times, like a leaf, but it's a pity that a leaf is missing. I hope to see a complete leaf. Now he is the title of "destroying your hand". Obviously, this palm is a metaphor for the idea of the motherland, but he also directed the surviving voice. The word "destruction" is full of blood and tears: painful ravages, hatred of Japanese atrocities; Slaughtered the sympathy of hundreds of millions of compatriots, but also suffered from in-depth thinking about the fate of the motherland ... this is the first masterpiece written by the poet that can not be driven by himself and let himself endure physical and mental pain. Helpless pain

It is followed by fond memories of the motherland and helplessness and pain in reality. "This is the lake, this is my hometown/(in spring, the dike flowers are like a brocade barrier/the tender willow branches are strangely fragrant)/I touch the cool earth of ochre algae and water/the peaks of Changbai Mountain are biting cold/this is the water and sediment of the Yellow River/the rice fields in the south slide into your fingers, you are a new grass/so tender and soft ... Only basil/Lingnan litchi flowers are lonely and haggard." Beautiful scenery, which is his family and hometown, belongs to the motherland and is a memory of the past, but now only in the occupied area, all kinds of oppression, destruction of the palm of your hand slowly touch the fragrant embankment and cool seaweed ... into haggard basil grass and litchi flowers, without the dissatisfaction of fishing boats ... how can you not shed tears and suffer?

Will not perish, but China did not perish. In a distant corner, the hope of the nation is growing! "Invisible hands sweep across the infinite country/fingers are stained with blood and ash, sticky fingers and dark/distant corners are still intact/warm, clear, powerful and vigorous. I use my damaged palm to ask for/like my lover's soft hair, and my baby's milk/all my strength is transferred to the palm/paste, because there is only a sunny spring/driving away darkness to bring Su Sheng/because there is only one. " Here, the poet went to a remote corner, where he sang praises with cheerful enthusiasm and excitement, because only here is the last piece of pure land for Yang Yang and China to fight aggression and safeguard their dignity. No matter how painful, no matter how heartbreaking, the sunshine in spring will disappear, and nothing is more exciting than a glimmer of light on the sleeping land. The poet's desire for victory, his hope for the nation, and his powerful and exciting endeavor poems are expressed to the extreme. Seven emotional factors

Dai Wangshu is a symbolic poet. In his article, there are also such impassioned poems, which are really amazing. However, this phenomenon is not surprising in his whole creative process. He is a poet who transcends himself and seeks to continue on the road of poetry. The beginning of Rain Lane is regarded by many as a symbol of the classic camp. It is the second poem that incorporates self-denial, which is a kind of spirit. Taking War of Resistance against Japanese Aggression as the dividing line, he had long expected that most of them had written some poems escaping from his personal space in the university campus in the ivory tower, so he criticized "a nation that can't see the shadow of the times and hear the sound". Although biased, it does reflect some facts, but he always pursues progress, the ideological realm of poetry is constantly improving, and the outbreak of War of Resistance against Japanese Aggression and Japan also makes his heart suddenly masculine. From Insider to Wounded Palm, Dai Wangshu experienced a typical "ideological transformation of upright and highly educated intellectuals". Facts have proved that only excellent works can have real vitality if they are integrated into reality.

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describe

The first and second parts of this poem are obviously different in techniques, emotions and description methods, and are analyzed in detail in combination with the original poem. Emotionally, the first half of this year was negative and cold, and the second half was positive and warm. Two parts in sharp contrast. In the first part, the author imagines that your hand touches the occupied area with your palm on the map, where only blood and mud are reborn, which is a desolate scene. The picturesque "home" is now occupied by invaders, and the poem reveals anger. The poet's mood also looks forward to more peers. After Cold, the Yellow River is full of sand, the southern paddy field is planted with basil, the litchi flowers in Lingnan are withered, and the Changbai Mountain Peak in Nanhai, China, etc., in a series of words, the feelings of various senses about the current situation of the country also imply the pain of people's lives in the occupied areas, which are poems of poets who imprison the motherland. In the first half of the year, the author used a comparative method (that is, rice fields in the south) to join the emotional rendering of past lives. In the second half of the year, the author's mood in the liberated area suddenly changed to a distant corner. Because of the uncertainty of "warmth" and "harmony", the poet's emotional tendency is more prominent by comparing the two parts. The baby milk powder in the hand of "Soft Hair of Lover" is widely regarded as two metaphors, which makes people feel like a liberated area at home. Lyrics of Liberation describes that area, and its words are love, hope, sun and spring. The metaphor of animal life is just like the ant's view that the enemy-occupied area-compared with the predicament of the liberated area-is the eternal birthplace of national rejuvenation. Before and after this poem, the author's tendency is more distinct, which shows his deep yearning for the liberated areas and his eager expectation for the bright future of the motherland.

Description object

This poem describes many objects. We read it, but we felt caught. Why? "I damaged your palm" is a poem in your imagination. In your imagination, the poet's hand is touching the expanding vast territory. The hometown of the first enemy-occupied area, then until the territory of the motherland, and finally stopped at the southernmost tip of the northern part of the liberated area. A scene that summarizes every feature of the motherland, the tactile effect of the "palm" (as well as sensory organs such as vision, smell and taste), such as the cold "slippery", "thin" and "soft" highlights, "moist" and so on. In this way, a wider range of objects are described together, making the whole palm emotional clues. Therefore, we think we should catch up on reading.

This poem has a special rhyme besides rhyme. Sometimes four lines rhyme, sometimes two lines rhyme. For example, from the fifth line, the rhyming words are followed by "countryside-vertical axis-square-cool" bones-"grass-Artemisia" gaunt-water "mountain-dark" "ask-milk, palm-hope" live broadcast-country ",which not only embodies the freedom of modern poetry form, but also has the meaning of poetry.

Edit this paragraph, explain the emotional reading feelings, read the text carefully, understand the feelings of the poet when he "hurts his palm" and explores "the motherland", and talk about the emotional ups and downs in the poet's heart. The purpose of this question is to guide students to grasp the thoughts and feelings of poetry as a whole. The poet's broken palm stroked the idea of visualizing the motherland, and his imagination focused on his hometown, Changbai Mountain, Yellow River, Yangtze River and Lingnan. He didn't know that in the liberated areas, the feeling of "palm" showed his inner changes. First of all, the poet turned around in anger and eagerly looked forward to being sent to the liberated areas and the hope of national rejuvenation.

Used at the end of conditional clauses

Pay attention to what is a positive and warm tone and what is a negative and cold tone. Tell me about this poem written by the poet. What kind of expression effect does it have? The purpose of this question is to guide students to appreciate this poem from the perspective of the language used. Positive and warm colors, words, such as: new, distant, warm, bright, powerful, full of vitality, eternal ... negative words, cold colors, such as: damaged, cold, biting, lonely, gaunt, dark ... The reasons for the poet's words, in order to better express the love and hate in the poet's heart.

Express feelings.

Poets often ignite their emotions with concrete images, and abstract emotions are perceptual. To understand this practice, please write a few poems in connection with your own life experience and describe your feelings (such as "missing", "sadness" and "joy"). The purpose of this question is to let students learn the wording of this poem to describe specific things, to describe their thoughts and feelings, and to write a composition. Necessary students must write poems and essays, not too long, 100 to 500 words.

Edit the author of this paragraph.

Dai Wangshu (1905-50), whose original name was Dai Cheng, whose pen name is Jiang Siyue, introduction of Ya Bajia, Ai Angfu, was born in Hangzhou and Nanjing, Zhejiang. /kloc-in the autumn of 0/923, he entered the Chinese Department of Shanghai University. 1925 join the * * * youth league and do a good job in publicity. 1928 * * founded the first online bookstore, "trackless train" in the first half of the month. The renamed Langhua Bookstore closed down the newly published literary magazines. 193 1 Join the China Left-wing League. French self-funded education 1932, universities in Lyon and China. A year later, influenced by French symbolist poets, I listened to the University of Paris. 1935 returned to China. The following year, New Poetry magazine was founded. /kloc-fled to hong kong in 0/938 and edited the poem "vertex", the supplement of sing Tao daily. Dazhong Daily added that he was also the editor-in-chief of Zhujiang Daily. Organize a "cultural association" to serve as the director of the Hong Kong branch. 194 1 year, after Japan occupied Hong Kong, it was arrested and imprisoned, physically disabled and determined, showing lofty national integrity. 1949 back to the mainland to translate the French section of the International Information Bureau. 1950 died of asthma.

Main works:

Poem Wang Shucao Dai Wangshu Poem Disaster Year Dai Wangshu Poem Dai Wangshu Poem Classic: Rain Lane is in my memory. Otherwise, dozens have been translated. China's modern symbolism poems. Theory and creative practice have a great influence on the development of China's poetry. The loneliness, individual mentality and sentimental atmosphere of early poetry creation are heavy, which is due to the vague and implicit influence of western symbolic images. Later poems expressed strong feelings, loving the motherland and hating the invaders. "I ruined your palm" in 1942? On March 3rd, the song dedicated to the motherland was written by the poet in prison. Ryan is known as a poet in the rain. Apart from Dream, Unrequited Love and Worry, he entered the China Literature Department of Shanghai University from 65438 to 0923, transferred to Shanghai Aurora University from 65438 to 0925 to study French, and studied at its law school the following year. He founded the Wreath, Literature Seminar, Poetry and other publications, which were co-edited from the spring of 1926. Xun published, Shi Zhecun published poetry, debuted and left. The monthly novel 1928 attracted attention, and he was awarded the title of poet in Rain Lane. This work of art retains the traces of the poetic tradition of China's ancient and European romantic poems, and uses influential figures such as French symbolist poet Wei Erlun and China's Li Jinfa.

Modernist poet

My Memory, a collection of poems published by 1929, is the most modern magazine founded by 1932. Before going to France, in the same year 165438+ 10, I worked in Paris University, some Sino-French universities or Lyon, and continued to engage in translation activities. Wang Shucao, a restored collection of poems, was published in the stage of a large number of poems in 1933. It is more mature and is the most symbolic art in creation. Become a representative of modernist poets, and return to the history of China's poetry development from France1The Poems of Wang Shu published in 937. After the outbreak of War of Resistance against Japanese Aggression, the First Company continued to translate in Shanghai and went to Hong Kong on May 1938. China Federation of Literary and Art Circles

Dai Wangshu, Hong Kong branch of the Housing Society for Defending the Enemy, served as the director of the organization, Letushan. In the meantime, he edited Constellation, a supplement to Sing Tao Daily, and Writer published in English. After the Japanese occupation of Hong Kong, they were arrested on anti-Japanese charges and were trapped in prison for several months, which greatly damaged their health. After the war began, the artistic style, life and emotion of the works turned to eliminating masculine gender. 194 1 year, "prison title wall" and later "I damaged your palm, the loyalty and integrity of the people and individuals. The income of this period and the following years is published in the disaster of 1948. After the war, I returned to Shanghai and taught at Shanghai Normal University. 1948 went to hongkong again, 1949 worked in the news department of the international information bureau after the first congress of literary and art workers of China Federation of Returned Overseas Chinese. 1989 published a full series of poems. My memory is Wang Shu's grass poems, Dai Wangshu's "Disaster Year" and dozens of other translations. China's modern symbolism poems. poetic sentiment

Dai Wangshu was mainly influenced by China's classical poems and French symbolist poets, essays in the middle and late Tang Dynasty, favorite Yin and Yang poets and fruit hormones. As a modernist poem, Meyer raised the flag. In theory and creative practice, it has had a considerable impact on the development of China's poetry. The poetic integrity and clarity of his poems, as well as the emphasis on form and content are deliberately carved. Dai Wangshu lives with three women. His first love was Shi Zhecun's sister Shi Qiang and his first wife, Mu Shiying's sister Mu, and his second wife.

Edit the relevant information in this paragraph.

appreciate

19411215 The British authorities, Hong Kong and the Japanese invaders surrendered, and the Japanese occupied Hong Kong in the spring of 1942 to search for anti-Japanese elements. Dai Wangshu was arrested and imprisoned by the Japanese gendarmerie. He suffered a lot in prison, but he didn't give in. He wrote several poems in prison, and My Broken Palm, Your Hand is one of them. According to Feng's representative, "I am very old and I am walking along Pokfulam Road with him. He talked about the territory of China several times, like a leaf, but unfortunately there is no leaf. I hope to see a complete leaf one day. Now his injured palm is your hand. This is very clear. Compared with this palm, he missed the motherland, but he also directed the voice and he survived. " (Literature1February 985) This poem can be divided into two parts. The first film shows deep concern for the fate of the motherland: in the first film, his palm has been destroyed, but he still wants to explore the motherland "and most of the land, just touching blood and gray to feel the" darkness "of the motherland shrouded in long-term suffering. In the second part, the hand who wrote the poem finally touched the "distant iceberg" and was intact, not the liberated area ravaged by the invaders. The poet symbolizes the "eternal" land problem. Describing the darkness of the occupied areas, starting from the solid walls, the prefix describes rich functions, even small screens and neon lights, describing the liberated areas, paying attention to freehand brushwork, using love and tenderness, combining a series of intimate and warm atmosphere metaphors, and showing poems through warm sunshine. It can be said that this poem is the crystallization of the poet's long-term feelings, and his poverty and depression still maintain the sublimation of patriotism. Artistic technique, this poem does not shy away from the direct statement and evaluation of things, but the thoughts and feelings expressed are mainly composed of images. The main creative technique of this poem is to use illusion and virtuality. The poet is in prison, imagining the vast land of the country as if it were in his hand. Not only can he really see its shape and color, but he can also feel its warmth and coldness. The poet's deep and sincere feelings for the motherland are expressed in this virtual strong expression. The poet is immersed in the virtual whole image, but it is also an intuitive description of the details of real things: dike flowers, tender willow branches, Changbai Mountain peaks, Yellow River sediment, Lingnan litchi flowers. Some details in the picture are revealed. The poet loves the motherland, and he loves the sadness of suffering a heavy disaster. It is worth noting that the mud in the folder becomes an intuitive picture detail, and the poet also uses the method of "virtual imagination": touching the water and cooling the soil, feeling the coldness of the "Yellow River" in Changbai Mountain sliding between his fingers, intuitively depicting imagination and virtuality as the illusion of "groping" in poetry, destroying the palm of his hand. I wrote about the grievances of fishing boats. "Blood and ash stained my fingers, and my palm was dark. I wrote about the liberated area of love, saying that my palm stroked my soft hair like a lover, combined with the baby milk powder in my hand, virtual imagination, metaphor, metaphor. In particular, "soft hair, like a lover's baby milk powder" is a metaphor that fitness contains emotional hands and has been praised repeatedly. (Excerpted from the Dictionary of Appreciation of New Poetry, Shanghai Dictionary Publishing House, 199 1)

& gt several

War of Resistance against Japanese Aggression hailed the modernist poets' playing ivory towers. They are not interested in "standing on the bridge and watching the scenery" and decorating other people's dreams. Modernism seems to be a group of spiritual aristocrats behind closed doors. Therefore, when Dai Wangshu wrote his first touching "I Got My Hands on", people discovered that their early works were slender, delicate, sad, mysterious and unique, broad, extensive, profound and clear. Many critics think that he has another profound understanding of realism. Yuan Kejia, a few foreign literary scholars and poets, saw the modernist technology in his bones, but seemed to agree with this view. I think a person may say different things at different times, but not necessarily in different ways. This is the reason why "my palm" is very attractive. The poem begins in a surreal way: "I damaged your palm/exploring this vast land is the soul of the enterprise." Dai Wangshu said: "Poetry is really through imagination, not just truth, not just imagination." The palm of your hand is very small, but you can explore a large area of land. When you touch the algae, the water is cool, and the Yellow River sediment in the water slides between your fingers. This sharp contrast between one big and one small constitutes a unique background, in which the tension between roles produces the connotation and extension of the palm. "Palm" is not only a person's palm, but also hurts the whole nation and "destroys" your palm; Injured, but he is still a vast, extensive and large area. It transcends the individual's body and palm, and enters the "invisible" palm of the country: "the invisible hand sweeps the infinite encounter", and the invisible hand "sticky" is also the invisible "darkness". Romanticism and symbolism must establish surrealism, but they mainly rely on illusory and exaggerated images. The influence of surrealism in modernist works is mainly to achieve a "reasonable" effect in a unique context through language acquisition, emphasis on paradox and irony, and abnormal use of semantic expansion or deformation. Mysterious works have certain subjective feelings and lyrical heroic images. In life, they send images and corresponding actions, that is, "hurting palms and your hands". Inner pain hurts the palm of your hand, discovers your love for the motherland, and regrets that the mountains and rivers fall into deep affection, just like a mother stroking a child, just like a child's mother's caress. It is through images and actions that we transcend the reality of our daily life that an aesthetic distance is formed between the author and reality. When "the invisible hand conveys an infinite country", "I hurt your palm to touch" and "all my strength conveys my palm", I meditate like a soul from a higher place, and look at this pain, persistence and belief. In this way, there are two egos in this poem: one is a kind of land in life, and cruel war and life have damaged his hands and his life experience; Close friends, the wounded soul of our nation, are universal and eternal. He transcended time and space. Looking at this page of history with deep eyes, he only sees suffering and points out hope and strength. Knowing yourself carefully seems to have something to do with the early works of mysticism. China's modern lyric poetry can be divided into three kinds of romantic lyricism: (love), symbolism and modernism. Lyrical romanticism is a direct expression of feelings, and emotional statements directly affect readers' minds. I hurt the palm of your hand, which was born almost at the same time, in the same way, and Randa "cried Sophie": "Where are you going?" Sophie Liu Liang! /Today/Last year, you sang "Japan's export gas is fun! /Today/Your graves are green and foggy! ... "The short limerick has four exclamation points and question marks. Ai Qing, his influential school of July poetry, adopted a more lyrical symbol, giving some form of image the general connotation of light and color. Ai Qing's sallow tone, land, sun, ridge. To understand the meaning and feelings, it depends mainly on the reader's association. Modernist lyricism, although similar and symbolic, also contains symbolic elements, but it is more implicit, emphasizing the arrival of a day and the reappearance of a day's experience, arousing readers' memory expression and allowing readers to appreciate this experience through their own memories and similar experiences. This feeling is that the author and the reader, not the author and the reader, but the day-to-day experience in some media has aroused the reader's heart. Once this feeling arouses the reader's mind, it is heartfelt, internal, profound and lasting. We might as well compare Yan Ai's phrase "When the snow is on the land of China", "When the snow is on the land of China, China is blocked by the cold" and "Destructive palm/exploring this vast land". The former is a symbol of lyricism, a symbol of natural phenomena in China's current social situation, and a symbol of cold psychological essence. Readers of the association will show the tragic loss of life under the Japanese iron hoof in front, while the latter will show it. There are also many people fighting the enemy on the battlefield. On the way to escape, the enemy (author) in the prison, next to the bungalow, was burned. Their "dirty blood and gray destructive palms stroked their relatives, comrades-in-arms, land and land ruins. This poem is the most concrete and important detail that China people generally encounter, but it is also the most common and abstract representation. The tone of this poem is calm and the voice is calm, but its meaning is rich and its feelings are complex and profound, which China people experience every day. China's modern poetry emphasizes "harmony without difference, and at the same time, it is also related to mourning without hurting, and being happy without chasing". China's new attempt to combine the poetics of traditional poetry with the poetics of the United States, France, the West and China, to connect lewdness with the tradition of poetry, and to express the influence of this poem emotionally achieved this goal. Realistic modern art reveals life and self more profoundly and uniquely, and can also be a weapon of criticism, such as Picasso's protest against the fascist atrocities of the "dove of peace" who created "guernica" peace. Dai Wangshu/Kloc-the modernist works of the 1930s, which he reproduces day after day or in the dark, such as My Memory; Loneliness, such as "time alone"; The obscure and poetic Night. When he wrote: "I use the common experience of hurting the people of China to present a powerful reality. Many people think that his creative path has turned. From the above analysis, we can see that in this poem, the author is still applicable to modernist lyricism. The way, such a lyrical way, readers and writers, readers and readers communicate with each other, so this work has received great and lasting artistic appeal.

Prison, Wall Street

& gt If I am here, my friend, don't be sad. I will live in your heart forever. You lost his deep hatred in the prison during the Japanese occupation. You should always remember that when you came back, you broke up with his body, his injury, the cheers of victory, his soul held high, and then went up the mountain, and his bones were exposed to the sun. Wood gone with the wind: this is his only dream in a dark and humid dungeon.