As a short story, Late Arriving can make many book lovers forget it. The most commendable thing is its wonderful characterization, which sells well and is easy and interesting to read. "Here comes Shanshan" completely captures the essence of the original, the main characters are very cute, and their personalities are very consistent with the original. As the soul of the whole play, he simply moved the image in the book to the screen-on the outside, Zhao's steamed stuffed bun has a round face and big eyes, which is very cute and absolutely pleasing; The shape is also very refreshing, and the white sweater with buds looks pure and harmless. Acting is more natural and unpretentious. The role of Shanshan is simple and simple, with a simple personality and a pure and lovely appearance. The biggest feature is her extreme desire for food. But it's hard to say, knowing that the role of Shanshan is easy to be played as a brain-dead or virgin or green tea, but Zhao grasps it very well, just right between MengMeng and nature, and interprets Shanshan's loveliness regardless of eating and the poor appearance of selling MengMeng squeezed by big Boss wonderfully. The details are particularly well controlled: every time Shanshan tries to confront the president, she makes up for her successful resistance in her mind, which is a very interesting contrast with the cautious way she faces Feng Teng in reality. I have to say that the roles of Shanshan and Zhao in TV series are mutually successful, and it is no exaggeration to say that they can become the representative roles of Zhao. Feng Teng, played by Hans Zhang, is inferior in comparison. After all, evil spirits can't play well by dressing up as handsome with a black face, but whether it's a TV series or the original, Feng Teng is an escort, with few scenes and not much room for play. Fortunately, Zhang Hans has long legs and good shelves. When wearing a trench coat and a suit, he still smells like a president. When he partnered with Zhao, he was also young and did not object.

The characters in the original book are extremely simple, almost all of them are one-man shows of Shanshan and Feng Teng, and the supporting role is to play soy sauce. In order to expand the TV series, it is necessary to increase the scenes of Lu, Liu, Yang Liu and Yuan Lishu. Fortunately, these characters still follow the original works, and the increase of scenes can make these supporting roles more vivid. Finally, the moon is elegant, and there are many kinds of good girls' amorous feelings, regardless of appearance and voice. In the original work, Lu, a good friend who only appeared in the conversation with Shanshan's mobile phone, became Shanshan's cohabiting close friend, and was also a simple girl next door role, which also explained the simple and beautiful feelings between girls. She often sings with Shanshan and makes suggestions for Shanshan. Together, they often have a stroke of genius; Liu, mentioned only once in the original work, is Shanshan's cousin. There is a faint meaning of competing with Shanshan in the play, but it is not too big and reasonable. Yuan Lishu was chosen as the second female, beautiful and independent, rational and indifferent. She loves Feng Teng in her own way, but she likes him silently because she is reserved. There are no absolute bad guys, and each character has its own loveliness. In a word, the supporting role in the play is much fuller and more visible than the original.