? 20 19 At the beginning of the new semester, Yue went to the Guizhou Provincial Museum to attend Wang's feast. This is a joint exhibition of museums in southwest China, which is very interesting for us in Guizhou. From this exhibition, we know that there were bronzes in the early southwest, and bronzes are a symbol of civilization and progress. Witness the great southwest in historical records.

Our students can learn about Guizhou history, Yelang ancient country, Bashu culture and Luoluo culture through visiting and studying. This is very meaningful for our future study.

? Visit the Museum

? -The King's Feast-Witness Liu Hechen's presence in the southwest in Historical Records

On the eighth day of the first month, Teacher Yang organized us to come to the Guizhou Provincial Museum to enjoy a cultural edification.

? We got there early in the morning. After a while, Teacher Yang came with a classmate. We shook hands, got to know each other and got to know each other quickly. Next, we entered the "King's Feast" exhibition hall.

? Just entering the hall, nine eye-catching Chinese characters "Witness the Historical Records Southwest" came into view. Teacher Yang explained the meaning of this sentence to us one by one. It is said that the southwest refers to the "Yelang country", which is the place around Guizhou now. We continued to visit and saw rare treasures such as "bird-shaped statues, patterned copper pots and shell containers". The treasures of large museums such as Sichuan Province and Yunnan Province can now be an eye-opener in Guizhou Provincial Museum. The changes of stone tools and bronzes, the interesting things that happened in ancient times and the origin of artifacts really made me feel the charm of culture, which really made me linger!

? After the on-site teaching in this exhibition hall, I felt the hardships of the ancients in making utensils and broadened my horizons. I believe that the future of Guizhou will be more brilliant. This is really a meaningful lesson!

? Visiting Guizhou Provincial Museum-A King's Feast

On the eighth day of 20 19, organized by Mr. Yang, students from our Yuexuetang visited the King's Feast Exhibition in the Provincial Museum.

That morning, it was raining in Mao Mao, and I came to the museum early. When I first saw him, I felt a sense of shock. A huge building stands in front of us, with countless stripes on it. On the wall on the right side of the museum, six golden characters are hung vigorously, which is very shocking.

? At half past nine, when everyone was here, we entered the museum. At that time, I had an indescribable excitement. First of all, each of us gave a brief introduction, and Teacher Yang began to explain. After about ten minutes, Teacher Yang finished speaking. We officially started the journey of exploring history.

? When I entered the exhibition hall, I was attracted by these countless treasures. Some are very big, some are as small as nails, and they are very delicate. Approaching these cultural relics, I felt the long history of China and countless historical processes over thousands of years. The cultural relics in the museum reflect Yelang culture, and it is really amazing to witness the southwest in historical records.

? Every cultural relic in it is exquisite, which can be described as exquisite carving. For example, wearing a bronze head of Jin Mianju, with thin face, thick eyebrows, straight nose, exaggerated modeling and dignified expression. The bronze pot with hunting patterns is exquisite in workmanship, and the patterns on it are lifelike and breathtaking. The bronze container on the hunting surface vividly carves the appearance of animals, reflecting the tense atmosphere during hunting, which is very realistic.

? These cultural relics all contain the traditional culture of China. I will keep this visit to Guizhou Provincial Museum in mind, and I hope my enthusiasm for exploring history will persist. ?

Wang De's Feast Sun Ruoyang

? During the winter vacation, Teacher Yang from Guangdong led us to visit the Guizhou Provincial Museum. As soon as I entered the exhibition hall, I saw several striking Chinese characters "The Feast of the King-Witness the Southwest in Historical Records", which is the theme of today's visit. We are all curious, what is the great southwest in historical records? Seeing our puzzled expression, Teacher Yang smiled and explained to us: "The southwest mentioned in historical records refers to Sichuan, Chongqing, Yunnan, Guizhou and Guangxi provinces. There are four cultures, namely Bashu culture, Yunnan culture, Yelang culture and Luo Ou culture. " What is the significance of these cultures? I followed Miss Yang into the exhibition hall with a curious heart.

? When I came to the exhibition hall, the first thing I visited was the "tiger-decorated bronze axe" unearthed in Hezhang Coke, Guizhou. A pair of symmetrical circular carved tigers stand on both sides of the bronze axe, and the tigers are carved vigorously and vividly.

? Further on, we came to a bronze statue of Shang Dynasty unearthed in Sichuan, which represented Bashu culture. The face of the bronze statue has a high nose. The overall shape is exaggerated and the expression is dignified. The most striking thing is its golden mask. Teacher Yang told us: "Judging from this person's head, it may not be from China." Did China have contacts with foreigners at that time?

? After visiting the exhibition, I can't help but sigh the wisdom of our ancestors and feel infinite respect for their amazing creativity and imagination. Through this "King's Feast", I have a deeper understanding of the history of Guizhou and Southwest China. Guizhou's history and culture really have a long history and are profound!

Beautiful bronzes? Little Angel.

? Thousands of years ago, in the Central Plains, in their eyes, Qianshan Mountain was very backward in the southwest. In fact, the bronze industry in southwest China was very developed at that time. In the Han Dynasty, the people of the Central Plains brought the bronze wares of the Central Plains to the southwest, so that the bronze wares of the Central Plains were more vivid.

? Today, under the exhibition of ancient bronzes in the museum, I witnessed the glory of the southwest in the past.

? During the exhibition, I saw all kinds of bronze drums, big, small, exquisite and simple ... and then I thought to myself: Why are these drums different from what I usually use? The teacher actually thought the same thing as I did: "Students, the drums in the Central Plains are made of cowhide and wood, and the ethnic minorities in the Southwest are made of copper. Everyone must remember! " It is really "a teacher's words are better than ten years' study!"

Later, I visited many bronzes. At this moment, a jar caught my attention, not only because it came out of the ground, but also because of its shape. The pattern of this jar is well preserved, and the picture on it is hunting: everyone holds different weapons, and three or five people catch a deer together, but there are many groups of similar pictures on the jar, but none of them are the same, which just describes the prosperous times at that time.

? These bronzes are beautiful, and you can see the grand occasion from the beauty!

King's feast? Johnny

Sima Qian said in Historical Records: "There are many princes in the southwest, and Yelang is the biggest." Today, I came to the Guizhou Provincial Museum to see the exhibition "Feast of Kings".

? The most attractive thing to enter the exhibition hall is a bronze head with Jin Mianju. Unearthed in No.2 Sacrificial Pit of Sanxingdui Site in Guanghan, Sichuan. The shape of the bronze head is more peculiar. Thin and thick eyebrows, erect eyes, straight nose, wide mouth, pierced ears, braids hanging over the back of the head, and the most striking thing is its golden mask. Seeing it, I can't help but sigh the industriousness, wisdom and special aesthetic concept of the ancient working people.

? Further on, a showcase suddenly caught my attention. It consists of eight bowls, two clips and something like a small round table. They immediately aroused my curiosity, so I went up to have a look. Originally, they were called bean folder combinations, which consisted of eight beans, two folders and one bean folder. According to the explanation, I know that beans are used to hold rice. Clips are used to hold vegetables, not chopping boards. And there are very few people in Badou, which shows the status of users.

? Finally, the visit to the museum is over. Today, I learned a lot besides being happy.

? Visit the king's feast? plum

? On a sunny morning, Teacher Yang took us to visit the cultural relics in the spectacular museum.

? Under teacher Yang's explanation, I know what Bashu culture is and what Yunnan culture is. Among them, what impressed me the most was the mud whistle in the zodiac.

? On this day, I learned a lot of interesting historical knowledge. It was an unforgettable day!

? King's feast? Gao ruoding

Today, Teacher Yang took us to the provincial museum to witness the great southwest in historical records.

? Through the teacher's explanation, I learned that southwest refers to Sichuan, Chongqing, Yunnan, Guangxi and some parts of Tibet, and most of them are recorded as "Naman" and "Southwest Yi" in history books. This exhibition mainly shows the ritual music, food and other bronze vessels in the southwest of China. I've seen many bronzes with special craftsmanship here, such as: copper barrel with hooked thunder pattern, gluttonous pattern and copper pot, among which I like hunting pattern best. Unearthed in Qingyang community, Chengdu. During the Warring States period, the hukou was very small, the neck was slender, the oval abdomen was short and the feet were short. Patterns include a picture of a feathered crane, a picture of hunting, a three-legged bird, a picture of the sun and so on. In these three groups of patterns, they are separated by geometric diamond pattern, flat head pattern, Yun Leiwen pattern and so on. There is also a small and exquisite copper bird, so cute!

? Time is running out, so I won't introduce them one by one. Let's go and see for ourselves!

Visit the "King's Feast" exhibition? Yangyigou

On February 25th, Teacher Yang led all the students of Yue Xuetang to start the first lesson of the New Year in Guizhou Provincial Museum-visiting the exhibition "Feast of Kings". This is a feast at home, which deepens our understanding of Yelang culture and Guizhou history.

The first thing we look at is the overview of the exhibition. Sima Qian said in Historical Records, "The monarch of southwest yi is the longest, and the yelang is the biggest." From Shang Dynasty to "Yelang Yunnan was printed", Southwest China was included in the history of Chinese territory, and Yelang Kingdom laid the present history of Guizhou. The exhibition shows four distinctive and eclectic cultures: Bashu culture, Yunnan culture, Yelang culture and Luo Ou culture. "The Feast of the King" also exhibited bronze vessels, music, food and other utensils unearthed from senior tombs in southwest China. The first thing I saw was the chimes from small to large. According to Teacher Yang, different sounds will be made according to different sizes, which will turn into beautiful music when played. Next, I have the deepest influence on bronzes-hunting copper pot. There are patterns on the bronze pot, such as feather crane, hunting map, tripod bird facing the sun, etc., and these patterns are separated by geometric diamond pattern, flat head pattern and Yun Leiwen pattern. The whole vessel is very vivid, noble and exquisite in workmanship. There are also many precious and beautiful cultural relics, such as bronze head with Jin Mianju, golden frog-shaped device and pea clip combination. We've all met them.

The most interesting thing is that we know the origin of the idiom "arrogance", and the exhibition specially interprets it. In the first year of founding ceremony, Emperor Wu of the Han Dynasty, the envoy of China went to Yelang and asked, "Which was bigger than Yelang in the Han Dynasty?" Yelang Wang said without thinking, "Yelang is big!" " From then on, the idiom "arrogant" came into being. This has also become a historical business card of Guizhou, and it also shows the strength and conceit of Yelang country at that time.

Through this visit to The King's Feast, I learned about the history of Guizhou and Southwest China, and also saw the bronzes before Southwest China. I admire the creativity of my ancestors. I used to make so many beautiful bronzes with simple tools. Thank you very much, Mr. Yang, for taking us to visit the feast at home-the king's feast. ? 20 19 March 1

Visit Li Xiaofeng, the third grade of Chinese studies in Guizhou Museum.

? Today, I visited the Guizhou Provincial Museum with Teacher Yang and my classmates. The theme of this museum exhibition is "King's Feast", which mainly displays bronzes in southwest China. The bronzes exhibited in the museum are divided into four categories, namely Bashu culture, Yunnan culture, Yelang culture and Luo Ou culture. The exhibition shows the unique charm of bronze civilization and the historical process of southwest China's integration into the China family.

? Teacher Yang took us to visit Yelang culture. Yelang is Guizhou today. Sima Qian said in Historical Records: "There are many princes in the southwest, and Yelang is the biggest." There are many bronzes in Yelang ancient country. At that time, bronze ware was a status symbol. We looked at the chimes first. Chimes are musical instruments made of bronze. From small to large, the bells are arranged in a row, and the bells are small on the top and big on the bottom, like a big clock with a small hole on it, through which the wires can pass, so that the bells can be hung. There are many "thorns" on the clock, and "thorns" are where it is hit. The bell is special. Although it is made of bronze, it can still make a beautiful sound.

? Next, what impressed me the most was the bronzes left by Bashu culture. The most representative of Bashu bronzes is a treasure of Sanxingdui site-a bronze portrait with gold face. The bronze man has a thin face, thick eyebrows, vertical eyes, a straight nose and a wide mouth, with Jin Mianju from the upper edge to the brow. The overall modeling is exaggerated, and the expression is dignified and dignified, reflecting the mysterious and solemn aesthetic style. There are still many unsolved mysteries about Sanxingdui's cultural relics in history. Because after Qin Shihuang unified the world, he burned books and buried Confucianism, lost a lot of historical materials and left many mysteries. However, judging from the bronze figures, Sanxingdui culture was not backward at that time, but it may still be very powerful!

? After seeing the exhibition of bronzes, I found that bronzes recorded prehistoric civilization, which is an indispensable part of China's 5,000-year history. I can't help but sigh, it's great that the ancients made such exquisite bronzes with their own hands without machines!

? The Last Supper

-witness the great southwest in historical records? Liao zihan

? Last Sunday, Mr. Yang, a Chinese teacher, took us to the Guizhou Provincial Museum in Jinyang to "attend" the "King's Feast".

? Many ancient bronzes in southwest China were exhibited at this feast. Today's southwest includes Sichuan, Chongqing, Yunnan, Guizhou, Guangxi and parts of Tibet. Sima Qian said in Historical Records that "the king of the southwest is long, and the yelang is the biggest." Among them, "Yelang" refers to Guizhou, so Guizhou has also been labeled as Yelang's arrogant title-in the Han Dynasty, the king came to Yelang on business, and it was Wang Yin. King Yelang asked tolerance: "Which is bigger, the Han Dynasty or Yelang?" As we all know, Yelang is only a province, but the monarch of Yelang country still raised this question, so the word "Yelang arrogance" came into being. Because "Yelang in Yunnan is under the control of Wang Yin", southwest China has since been incorporated into the territory of southwest China. Teacher Yang also told us that this exhibition shows the "four major cultures in Southwest China"-Bashu culture, Yunnan culture, Yelang culture and culture, which highlights the unique charm of Southwest bronze culture and shows the historical process of Southwest China's integration into the Chinese family.

Having said these general situations, I walked into the exhibition hall. What came to the exhibition hall was a copper kettle. Walking in, I saw a pair of symmetrical circular carved tigers standing on both sides of the copper pot, hence the name "Tiger Decorating Copper Pot".

? Then, we walked on and saw one "bowl" after another, which was used by Ba people to place sacrifices. Teacher Yang told us that it was called "Yi", and I saw the name-the combination of pea clips.

? The bronze ware that impressed me the most was called "Jin Mianju Copper Head". This bronze ware, with its head expression, mysterious face, solemn expression and strange appearance, embodies a wonderful aesthetic style. His appearance does not accord with the local appearance, which leads to various speculations by archaeologists.

? This "King's Feast" not only taught me a lot about Southwest China, but also taught me a lot about bronzes. What a meaningful activity!

King's Feast Exhibition Exercise (2065 438+09. 2. 24)

Please read the following carefully and complete the following questions:

? Sima Qian said in Historical Records: "There are many princes in the southwest, and Yelang is the biggest." However, with the archaeological discovery of Sanxingdui and Jinsha sites, it is proved that there has been a splendid bronze civilization in Chengdu Plain since Shang Dynasty. During the Spring and Autumn Period and the Warring States Period, Ba and Shu competed in Sichuan Basin. During the Warring States Period, Yelang, Yunnan and Luo Ou complemented each other and started in the southwest. In 3 16 BC, Qin merged with Bashu, and in 2 14 BC, Qin took Baiyue as Guilin and Xiang Jun. During the period of Emperor Wu of the Han Dynasty, the Han Dynasty developed southwest Yi, "Yelang belongs to Yunnan". In this way, the southwest has been integrated into the territory of China.

? Today's southwest includes Sichuan, Chongqing, Yunnan, Guizhou, Guangxi and parts of Tibet. Most of them are places of "Na Man" and "Southwest Yi" recorded in historical books. This exhibition is based on the relevant records in Historical Records, and under the background of "Qin destroyed Bashu" and "Han Wudi exploited Southwest China", it comprehensively shows the bronze ritual vessels, music, food and other utensils unearthed from senior tombs in Southwest China by means of mutual verification of documents and cultural relics, and tells the unique Bashu culture. Yunnan culture, Yelang culture, Luo Ou culture. Highlight the unique charm of bronze civilization in Southwest China, and show the historical process of Southwest China's integration into the China family.