You may have seen many horror movies. Maybe some movies are really scary, which can scare you and make you sick, vomit or scream. But I think the horror of sound is even more terrible. It can stimulate your imagination, and it can stimulate the deepest horror and darkness in your heart, far exceeding the horror conveyed by the lens and computer-generated pictures! Music is more primitive than movies. It goes straight to your heart and inspires your most fundamental fear instinct! Some music can make you miserable, and some music can make you completely desperate, just like wandering alone in the dark, never ending! The following is our list of the scariest music albums in history. If you doubt their terror, you can listen to it yourself. abruptum-《Obscuritatem Advoco Amplectere Me 》[ DSP； 1993] Chaos, disgusting, evil, morbid, crazy, angry, hateful ... Abruptum from Sweden exudes extreme evil that even the coldest black metal band can't match. Abrupum is composed of two Swedish lunatics in 1990: it (weird dwarf) and evil. Abruptum may be the band with the greatest influence on experimental music in the black metal world. This album was released by an unknown DSP record company, and the band played the original black metal with industrial, noise and dark atmosphere colors, which made what they did more than half different from the so-called "black metal". In the guitar part, a large number of speakers are used for feedback/whistling, and for pulling strings for special sounds; Many times, this makes the audience feel far away from "black metal" and closer to the role played by guitar in industry and noise music. The lead singer's voice is as good as Mei Sen's! Occasionally, the "spasm" sound made by the violin in the high-pitched area will flash in the music, which is very common in the film soundtrack. In addition, there is no synthesizer voice with similar effect in music, even if the background sampling only appears for a few seconds at most, the embellishment of the dark piano will never be redundant-in other words, the morbid and dark mood is basically expressed by the traditional three pieces. Musicians' imagination and mastery of paragraph arrangement can be seen. Funerals-Chain Saw [relapse 1999] Funerals, a death band composed of Will Lammer and Roger Bojad, are super horror movie lovers. Even in all albums, almost every song begins with samples taken from various horror movies, and sometimes the sample length even exceeds the song itself. Inevitably, the cry of the woman who was slaughtered in cold blood rang loudly. When the victims gradually lost their vitality, a group of crazy and inhuman compact high-speed drums generate came out, accompanied by a deep guitar melody like hell, mixed with a deeper purr than other sounds, and like a scene of crazy slaughter, blood and meat were scattered everywhere-this is the music of the mortician, and it can even be directly used as the soundtrack of a horror film without change. Will and Roger admit that they are extreme fans and collectors of horror movies, and their cabinets are full of countless kinds of horror movies. You can tell by the name of their album. The first time I listened to this album, there was not only horror, but also depression. I feel that this band is really fucking cruel! After that, I took it to some friends and said it was the most difficult music they had ever heard. Leprechaun-Suspiria: Original Music [Cinevox reissued; Suspiria is the most famous work of Italian horror movie master dario argento. This is a film with a very unique style, which is called the most elegant horror film in film history. An American girl came to a ballet school in Europe and was greeted by a series of murders. The use of music, blurred light and lens by Italian masters has brought unprecedented new experience to the audience. Goblin's music can be said to be as scary as movies. Twisted guitar, gloomy keyboard and gloomy atmosphere all make the soundtrack of Suspiria as horrible even without a movie screen. This soundtrack album is favored by many metal fans, because it is even scarier than the scariest album Black Sabbath or Bachelor of Diamond. BBC Radio Audio Workshop-BBC Sound Effects, Volume 13-Death and Terror [BBC; 1977] This is a recording work suggested and produced by Mike Harding in 1977. It is said to be sound material for cinemas or movies, but I doubt that any movie can use such horrible sound! The first half of the album is called Death Penalty and Torture: 1. Decapitation II. Cut off arm 3. Saw head "and so on. Just looking at these names is scary enough. In the second half, there are sound sampling materials such as "monsters" and "digging graves". This is an undisguised naked terror, the purpose of which is to frighten you into a cold sweat. Death of Light Now-Death of the Great Examination [CMI 1998] Roger Kalmanik is not only the owner of the dark industrial brand Cold Meat Industry (CMI), but also the creator of the terrible industrial death band Death of Light Now. Bright Death is now more extreme than TG and other early industrial bands. This is a really scary band, a killing machine. Young people/people with weak intelligence should not go near it. The death of light is now trying to show the audience the ugliest heart of human beings with the loudest and most distorted noise. Nowadays, the bright music is a mixture of harsh noise and chaotic industrial sound/monotonous rhythm and distorted broadcasting. Sharp, cruel and full of blood, this is not what any traditional death band can show. The present Ming death is really extreme, and the terror it brings is not "illusory". I think listening to BDN's works is a physiological reflection rather than a psychological one, which will directly lead to mania and schizophrenia. Other musical ideas are keen to find a symbol for things, even if it is extreme, such as bloody death and black metal. Death is also an image, and the audience can feel it after a meaning, while the early extreme TG, SPK, whitehouse and so on. They all change their attitudes and actively look for intermediaries. Now only the bright dead, its music itself is both a means and an end. Industrial death does not explain to you the cruelty or beauty of death, but directly hurts the audience, which is itself a means of death. Letting you die is the only purpose. So other packaging explanations are secondary. As long as you play it, the atrocities begin. Why do you want to listen? Diamonda Galas——《Schrei X [mute 1996] This is a pure vocal experiment, full of screams, screams and groans of Diamond Galas. Those terrible sound fields will pierce your defenseless chest. It is hard to imagine that such a voice comes from a person's throat, and it is a woman. Those hoarse voices, continuous bel canto, and countless "singing songs" gathered by ultra-high notes are enough to make any dead singer who calls himself "extreme music" pale. All you can think of in the dark is the dark morgue and incurable disease ... Its ruthless exposure of darkness and naked narration of death make many dead metal/gothic music look pale and powerless in expression. Never listen to such music in the middle of the night, because people in the middle of the night are easily reminded of feelings and fears that are difficult to remember during the day. Don't take appreciating Diamin's music as a game for some brave people, which is very dangerous. Current 93-The Rise of Dog Blood [Laylah 1984] This is the scariest album of Current 93. Many works have processed Catholic carols into background sound effects, and the effect is extremely heretical and secretive, which makes people shudder. It's like an evil wizard doing it. If you have heard of Current93, you may be able to describe it in various musical forms, such as Gothic, death ballads, experiments and even religious music. But none of them can accurately express the ever-changing musical experience of David Tibet and his band. From the rough and evil blood of DOGS to the sweetness and beauty of all lovely ponies. The current 93 has been away from the mainstream from the beginning. Wandering in the dark wilderness. Through the current 93 music, we can deeply understand David's inner world in Tibet. The deviant and bloody violence shown by the band in the music, as well as the doomsday scene of Jerusalem's destruction revealed in the text, are actually people's distorted dream reactions to the cruel life of industrial society in reality. The progress of industrial technology and the increasing information can't solve the emptiness and loneliness of modern human beings, and people live as if they have lost their souls. Perhaps only through the power of religion can we find our soul.