If you don't copy it, you can't draw it, which means that the foundation is not enough. Plagiarism does not represent the foundation. Comics (Japanese) generally have simple lines, and copying does not require any foundation. A steady novice can copy it. If you want to develop in the direction of comics seriously, it is suggested to start with the basic sketch, and then look at the basic introduction of Riman. A lot of painting (sketching) basics are omitted from the introductory course of Riman. After all, they are not painting teaching, but a certain style of teaching.

From a single painting, such as comics from conception to painting:

1. Think about the content first. For example, a boy (girl) is waiting for the bus at the station. He is anxious and expecting, and the expression of joy naturally overflows, but the action of waiting for the bus is bound to be anxious. This step requires daily observation and accumulation of life. Many things that seem to be taken for granted may not be immediately thought of when painting.

2. Consider the scene, station and street again (simplified). -Take photos on the spot by yourself, get materials from different angles, or find relevant pictures online. It will be very convenient to get into the habit of collecting information at ordinary times.

3. Then consider the way of expression, how to clearly convey the protagonist's mood and events, so that readers can feel the protagonist's mood and events. -For example, put the male host at 1/3 of the screen, use the head-up angle horizontally, and the perspective point is the direction of the car, so that readers can follow the male host to see the arrival of the girl and feel the mood of the male host. These all need to accumulate experience in the split-mirror, and comic books can cultivate these quickly, but if you have time, you should learn more split-mirror books related to movies.

4. After the above, you will have a clear picture in your mind, then divide the position on the paper and start drawing the baseline, and then draw the general lines of the characters and scenes. -composition is a very important link. Although this step does not require too much meticulous painting, composition directly affects the reader's reading order, even the focus, which belongs to the basis of painting.

5. After the composition is completed, it begins to be refined, and the general words are given priority, and then scattered around to draw, which can avoid the drawn lines from being stained by hands to the maximum extent. -Exquisiteness is also the foundation. It takes a lot of practice to turn the movements and expressions of a conceived character into pictures.

Finally, it is necessary to say that comics seem simple, but on the surface it is easy to mislead novices. It seems that there are only two or three strokes. In fact, the masters who invented these styles are all abstracted from their solid foundation and understanding of the details of real people's movements and expressions. For example, when the nose is simplified or even not drawn, the master works look comfortable, but the novice works are awkward. It is because the master has a nose in his heart when painting, and only simplifies the expression when making style modeling, while the novice imitates and directly ignores the nose to draw, and there is no nose in his heart, which naturally leads to the embarrassment of the picture modeling.