Appreciation of classic calligraphy works in fine gold style
Thin gold classic calligraphy pictures 1
Pictures of classic calligraphy works in thin gold body 2
Picture 3 of classic calligraphy works in thin gold
Figure 4 Classic Handwritten Calligraphy Works
Characteristics of hand-painted calligraphy
Thin gold book is a unique font, with its erratic and fast strokes and thin handwriting, it is thin without losing meat. At the corner, you can clearly see the traces of Tibetan front and exposed front. This book is based on imagism and should have been "thin". Changing "gold" into "tendon" is a respect for imperial books.
Song Huizong's calligraphy strokes are thin and hard. He first studied under Huang Tingjian, then under Chu Suiliang, Xue Ji and Xue Yao, and mixed with other schools to learn from each other's strong points and express their opinions, and finally created a unique "thin gold book" style, which had great influence. Calligraphy in Song Dynasty is good at rhyme and interest, and Evonne's "The Book of Thin Gold" embodies similar aesthetic interest of the times, which is called "the beauty of heaven and bones is beautiful, and the interest is hazy"; It also has a strong personality color, the so-called "such as bending iron and breaking gold."
This calligraphy style has never appeared in previous calligraphy works. Chu Suiliang's fine brushwork is only a small part of the same, but most of them are different. Compared with Xue Yao's ci in Tang Dynasty, it is the closest. Perhaps Evonne came from Xue Yao's poem Shi Li, but his writing is obviously much more mature than Xue Yao's. This is a very mature calligraphy style, and Evonne gave full play to its artistic personality. This kind of thin, crisp and elegant calligraphy style, with a side like orchid bamboo, requires extremely high calligraphy skill and self-restraint, as well as a calm mind to complete. Of course, it is not easy for others to imitate. There are many descendants who learn from his books, but few who get his bone marrow are like the morning star. Jin Zhangzong once wrote the famous calligraphy and painting of Song Dynasty in Ming Chang Neifu, like You Chuntu, the wife of Zhang Xuan, which was copied, with delicate brushwork and poor form and quality.
How to write calligraphy
The method of writing is simple, but? Fingers are empty? That's all.
The pen tube should be placed in the knuckles of the first knuckle of the index finger (second finger), the fingertip of the middle finger (third finger) should cling to the first knuckle of the index finger, hook inward in front of the pen tube, the knuckles slightly above the fingernails of the ring finger (fourth finger) should cling to the inside of the pen tube, and the fingernails of the little finger (fifth finger) should cling to the ring finger, thus pushing the pen tube outward, and the first knuckle of the thumb should cling to the left and right sides of the pen tube. It should be noted here that the thumb, index finger and middle finger must be together, the ring finger and little finger must be close to the middle finger, and the knuckles of the thumb must be prominent (this is particularly important).
When writing like this, from the outside, from the index finger to the little finger, you will touch your thumb, like an unopened bud, while from the inside, your palm and fingers will form an arch like a yurt. In a word, from the outside, it is real, but from the inside, it is virtual This is the correct way to write.