Translation of Latin dance nouns and terms Basic movements Basic movements
Square square
Fan Fan step
Progressive parade
(Forward)
(backward) (backward)
Side step bypass
Shadow position
Side by side position juxtaposition
Shoulder to shoulder, shoulder to shoulder
Hand to hand combat opponent
Hockey stick step
The lady turns under her arm and the woman turns under her arm.
Cuban rock Cuban swing
Natural opening movement right spreading step
Natural right-hand rotation
Reverse left turn
Open hip twist, open hip twist.
Closed hip twist
Arimana
Spiral staircase
Ayida, Ayida
Rope rotation lasso turn
Cut-off Steps for Walkways and Counter Walkways
(check from the open P.P. and the open C.P.P.) (from P.P. and from C.P.P.)
(new york) (new york step)
Fixed point turn
Cucala QIA Si Step (kukla QIA)
Three, three, three steps
Turkish towel Turkish towel steps
Advanced hip twist step
Breakthrough in splitting Cuba (from opening C.P.P to separating Cuba) (from opening to reverse P.P. and opening to P.P.)
And open page)
Sliding door sliding door step
Cross basic cross basic step
Rebound action
Correct basic steps of natural basic movements
Left basic step of reverse basic motion
Basic steps of progressive basic movements
Samba walks in the dance.
Samba Whisks (Right and Left) Cross Step (Right and Left)
Step by step while samba.
The still samba walks in the same place.
Samba lock Samba lock steps
Botafogos Point Slide (Botafogos)
(Excerpted from P. P.& (Canadian Pacific Oil Company)
Travelingbotafogos travel point, botafogos travel by taxi.
Shadow Botafogos Shadow Website Sliding Shadow Botafogos
Contra Bota Fogos Reverse Point Sliding Reverse Bota Fogos
Braided rope weaving step
Volta step
Moving Volta (Crossing) Crosscutting Step (Wandering Step)
Step-by-step (for ladies) (for girlfriends)
Continuous Volta Turn (Right and Left) Continuous Step Turn (Right \ Left)
Natural scrolling Scroll to the right.
Corta Jaca pushing and cutting steps
Argentina takes a step across Argentina
basic element
Connecting rod rocker swings continuously.
Falling Rock and Back Swing
Change position from left to right and change pace from left to right.
Change position from right to left and change pace from right to left.
Link and whip walked around step by step.
Throw backward
Change hands behind your back
Cowboy ramble
Melenger's turn step
Stop and go
Arms rolled inward.
Spanish arm Spanish gesture
Windmill department
American rotation
Chicken take the chicken Hangbu
Toe Hell Spin Heel Toe Steps
Step of changing ball and sole
Kick, kick
Apel stamped his foot.
Sur Square still stands.
Take a step to the right
Take a step to the left.
Elevation (Right and Left) Lifting Steps (Lifting Steps Left and Right)
Rotation and rotation in progress (rotation and rotation in progress).)
C.p.p. Travel Rotation in Travel Rotation (C.p.p.)
Spanish line Spanish dance
Flamengo tap dance
Separation step
Attack attack steps
Eight-step replacement method
Sixteen-stage displacement
The promenade is closely synchronized side by side.
Take a stab in anger
Syncopation checkers syncopation spike
Cloak step
The Sixteen Steps of Lapush Swimming
The Indian factor in Latin American music
Before Columbus discovered the New World 1492, Indians were Native Americans, so their music culture became the mainstream of American music culture at that time. After 1492, church music spread from Jesuit priests to native Americans, and the colonial authorities suppressed native music. The local rhythm and melody are gradually mixed with those in Europe, forming a new and distinctive Latin American music form. Up to now, many Indian factors can still be found in Latin American music.
Indian music culture, according to different tribal conditions, is difficult to generalize, but it can be roughly summarized as follows:
First of all, a lot of Indian music is closely related to life, combined with religion, labor and dance, so generally speaking, their melodies are relatively simple and have unique expressions. This feature is especially manifested in the famous South American folk music "Eagle Flying" based on Andean folk songs (played by Indian musical instruments and guitars). There is no pentatonic scale of semitone, and the melody composed of do, re, mi, sol and la forms a unique style and interest.
Secondly, the rhythm of Indian music is relatively simple. But according to records, before the Spanish conquered Mexico, in Mexico, in order to adapt to religious dance, there were percussion instruments with very complicated rhythm. In addition, there is no harmony in the European sense in traditional Indian music.
Thirdly, in terms of musical instruments, the absence of stringed instruments is a major feature of Indian musical instruments. Although stringed instruments such as guitar, violin and harp are often used in Indian music today, they were brought by Europeans from the16th century, or made in the New World under the influence of Europe. Traditional Indian instruments are wind instruments, such as flute and okari, or percussion instruments, such as drums and vibrators. Among wind instruments, clarinet is the most popular one. It is baked with bamboo, reed or clay, and there are flutes and nose flutes. Indian flute is called antara flute in Peru, Cappado flute in Colombia, Long Da flute in Ecuador and Six Flutes in Bolivia. Some people call all kinds of flutes Zappona. Indian percussion instruments are particularly colorful. Drum making is usually done by burning empty tree trunks, such as Teponastal in Mexico and Trocano in Brazil. The housing can be used as a scraper or a hollow vibrating screen. The wigglers are collectively called Malacca. What else is there? Drum? , jungle drums, etc. Indians usually humanize flutes and drums, some of which belong to yin and some belong to yang. For example, Malacas is Yin and Jiyue is Yang. Guna Indians in Panama have two kinds of Trollos flutes, of which only one is yangdi and the other four are yindi.