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Do you agree with the revival of Hanfu? Please say what you think!
The full name of Hanfu is "traditional costume of Han nationality", which is also called Hanfu, Hanfu and Hanfu Crown Clothing. It is a Han costume with Chinese etiquette culture as its connotation from the Huangdi period to the late Ming and early Qing dynasties. As the embodiment of China's "Country of Dress", "Country of Etiquette" and "splendid china", it carries excellent crafts and aesthetics such as Han embroidery, inherits more than 30 intangible cultural heritages of China and China arts and crafts, and is protected. Once, no one cared about it. Now, Hanfu can be seen in every street and alley. Why did Hanfu culture suddenly revive? In fact, up to now, Hanfu has a history of thousands of years, and its development history has a long history. Hanfu in each dynasty will change due to the culture of the times and the convenience of wearing.

By 2002, many people thought that the Tang costume, that is, Manchu cheongsam, was the real Han costume. Many people in society thought so at that time. To change this concept, many literate people at that time hoped to make people realize that the real costume of the Han nationality was Hanfu. For a long time, some people posted the lost civilization on the internet, and then a large number of people clicked on it and spread it to foreign websites. This news aroused the interest of many people, who wanted to restore the Hanfu culture of a man of insight, and the Hanfu movement officially began. In 2003, a Mr. Wang put his Hanfu directly on the street, which aroused widespread concern in society and made more people know about the traditional Chinese culture in China. This Hanfu was stitched by him and his friends. The sewing of this dress is not so good, but some people have consulted the literature, read the history, found various materials and sewed it slowly. Although the sewing is not so beautiful, they are all very happy.

After only a few years, Hanfu culture has made a major breakthrough. This effect must be the convergence of many favorable factors in time, but it can't be any one reason. The first factor that makes Hanfu "go global" is the rapid rise of national complex and traditional cultural upsurge in recent years. With the promotion of China's international status, domestic people's interest in and recognition of China's culture are rapidly heating up. This pride in local culture must be supported by concrete and vivid traditional cultural elements if it is to be maintained. Hanfu culture, which has been quietly formed for many years, is an ideal "cultural rich mine". Driven by this social complex, a large number of newcomers poured in, injecting a fresh blood into Hanfu fans. "Hanfu" seems to have become the banner of "traditional culture revival", which has entrusted young people with their enthusiasm for traditional culture.

Compared with fiery emotion, the second important factor that urges Hanfu to "go out of the circle" is profit-seeking and rational capital. With the continuous expansion of the demand for Hanfu, the requirements for production technology are getting higher and higher, and Hanfu has become a lucrative industry. As long as there is an industry, it will inevitably arouse the interest of social capital. In other words, the disintegration of the production and consumption mode of the original circle of Hanfu enthusiasts "indigenous steelmaking" means the overall normalization and marketization of Hanfu industry. If Hanfu culture is to be successful, on the one hand, it needs the vast number of Hanfu lovers and practitioners to find a way of positioning consistency, competition rather than opposition in the collision of many different concepts, thus promoting the benign development of Hanfu culture; On the other hand, it is also necessary to eliminate negative hidden dangers and realize self-transformation in the way of "making the past serve the present", which is the reason for the sudden emergence of Hanfu culture.

At present, the mainstream society's recognition and expectation of Hanfu is unprecedented. China's clothing culture is widely spread in the mainstream media, and many schools organize related activities or set up related societies. China Clothing Day, with the theme of China clothing, attracted many teenagers. This phenomenon shows that today's Hanfu culture is in a transitional period from barbaric growth to orderly development, and the key to the ultimate success of this transformation lies in whether the players can make the right choice at this time.

Therefore, I am very much in favor of the revival of Hanfu, which is not only the awakening of national culture, but also the awakening of national belonging.