Appreciate the calligraphy font of Chinese brush cursive script. Picture 1
Brush calligraphy cursive calligraphy font picture 2
Brush calligraphy cursive calligraphy font picture 3
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The cursive script is gone. What should we do now?
At present, the world of books is very lively: not only learners are eager for books, but also a dime a dozen; Known as? Book everyone? For example, there are countless crucian carp crossing the river; All kinds of calligraphy exhibitions are even more dizzying and endless. In today's book world, all kinds of books are comparable, each showing its appearance and each becoming its own wonder. Comparatively speaking, there are many outstanding people in seal script, official script, regular script and running script (including running script and running script). In the field of wild grass, although there are many people involved, there are few real winners.
Although learning regular script first and then cursive script is helpful and reasonable to grasp the font structure, it is contrary to the evolution of calligraphy, and even can be said to reverse the history of calligraphy.
Nowadays, calligraphers are bound by all kinds of secular desires and fetters, and rarely can they really do it? Open your arms. 、? Super HarmonyOS system? , enter? Indifference without desire, indifference without doing anything, forgetting each other's hearts and hands, know what you mean? State, so it is difficult to create? Unintentional, Yoga Yu is better? A masterpiece of weeds. The cursive script here is not the usual cursive script and grass, but weeds and big grass.
When it comes to contemporary cursive script (mainly cursive script), we certainly can't bypass Yu Youren, Lin Sanzhi and Shen Peng. Objectively speaking, Yu Youren's contribution mainly lies in advocating standardized cursive script, and creatively integrating Zhangcao and Caocao in practice to develop it? Flat grass? This new cursive paradigm. His cursive script pays attention to the structure of words, vigorous and free, vigorous and powerful, spicy in the maturity of pens and ingenious in the simplicity of words. Although the words are clear and clear, they lack overall momentum, which is mostly attributed to? Only grass? There is still a long way to go from cursive script to wild grass.
Lin Sanzhi is called? Contemporary grass sage? His paintings are integrated into the book, and his works are full of book spirit and elegance. In particular, he has many unique explorations in pen and ink, which has opened up a new realm that cursive script does not have. However, judging from the way of using words and the overall momentum, it seems that he has not reached the height of wild grass. Shen Peng is still alive and is recognized as the master with the highest achievements in cursive writing. His cursive script is full of fun, full of twists and turns, writing everywhere and leaving pens everywhere. His ups and downs are subtle and colorful. In Wang Yang's wanton and bizarre changes, he avoided the slipperiness that ordinary cursive writers are prone to. However, from the perspective of book history, how to deal with the contradiction between the overall vigorous weather and the local delicate brushwork is still a hurdle that he needs to cross if he wants to achieve better cursive writing. As outstanding cursive and wild grass writers in the past century, Yu Youren, Lin Sanzhi and Shen Peng still have such regrets and shortcomings, and other wild grass writers are hard to find.