Appreciation of Ancient Poems in Tablet Inscriptions Pictures of Ancient Poems in Tablet Inscriptions 1
Figure 2 Ancient Poems in Calligraphy Works of Sacrificial Monuments
Figure 3 Ancient Poems in Calligraphy Works of Sacrificial Monuments
Figure 4 Ancient Poems in Calligraphy Works of Sacrificial Monuments
Fig. 5 Brief introduction to the book of rites of ancient poetry in the book of rites calligraphy works.
Important Inscriptions of Eastern Han Dynasty in China. Full name? Did Lu Han and Xiang Han build a memorial tablet for the Confucian Temple? Also known as? Repair the Confucius Temple Monument? 、? Han Mingfu Confucius Temple Monument? Wait a minute. The Eastern Han Dynasty lived forever for two years (156). Existing Confucius Temple in Qufu, Shandong. The monument is 1.5m in height and 0.73m in width, with characters engraved on all sides. Beiyang 16 line, full of 36 words, Yin Bei 3 columns, column 17 line; There are 3 columns on the left, 4 rows on the right and 4 rows on the right. According to the inscription, Lv Xiang and Han Yi decorated the Confucius Temple, added various ritual vessels, and officials and people donated money to erect a stone to praise their virtues. The name and amount of money of the stone donation official are engraved on the side and yin of the monument. This tablet is one of the important representative works of official script in Han Dynasty, and it is highly praised by tablet engravers. The inscription is beautiful and elegant, vigorous and powerful, solemn and detached.
Summary: The full name is Xu Zao Confucius Temple Sacrifice Monument, also known as Han Ming Fu Confucius Temple Monument into Lu Shifa Monument, Han Xu Monument and so on. Han Yongshou two years (156), official script. Length 227.2 cm, width 102.4 cm. Confucius Temple in Qufu, Shandong Province. There is no amount. Carved on all sides, all official script. There are sixteen lines of stele Yang, with 36 characters. At the end of the text, there are nine titles such as Han Xu. There are inscriptions on the body and sides of the tablet. In Jin Bian, Volume 9
This tablet is the most recorded since the Song Dynasty, and it is a work of high artistic quality of calligraphy, which has always been regarded as the ultimate principle of official script. The style of the book is fine and vigorous, and the ending is rigorous and elegant, which is both beautiful and beautiful. The second half of the monument and the shadow of the monument are its most wonderful parts. The artistic value is extremely high. It has always been regarded as a classic in Han steles.
Comments on Guo Zongchang's The Stone of Ming Dynasty: Should Han Li give priority to offering sacrifices to monuments in Confucian temples? ,? The beauty of his paintings and calligraphy is unprecedented in elegance. If you gain magical power, it is not artificial. What is the so-called? Star current electrotransmission, fiber super hair transplant? Not enough to describe. All the monuments in the Han Dynasty have profound meanings, but this monument, such as Hehan, is invisible. ?
Comments on Wang Shu's "Xu Zhou Ming" in Qing Dynasty: Li fa takes Han as a surprise, and each monument has its own strangeness and no similarity; Moreover, this monument is particularly unique, as thin as iron, as changeable as a dragon, with a strange word and no clue. ? Say it again? Only "Han Xu" is unprepared for beauty, thinking that she is superior but high-spirited, and that she is high-spirited but restrained. No one has been so wonderful since we parted. ?
Yang Qing Shoujing also said:? Han Liru's "Opening the Ramp" and "Yang Jun Shimen Fu" won by temperament; Jing Jun, lujun and Feng Longshan. Win by form and quality; Those who are both can only push this monument. In short, it is difficult to combine adventure with fairness, sparseness with strictness. ? (Pingbei Ji)
The mouth of this tablet is complete, and the words on the side of the tablet are as sharp as new, which is especially elegant and colorful, and is highly praised by calligraphers. Those who attacked Han Li followed the example of "Li Qi". There are many rubbings in the sacrificial tablet. The Mingtuo fault hangs just right, not to write down a word, but to lead the foot for a long time. Is this also a monument? Year? Words are different. ?
Fei Qiansheng, a modern calligrapher:? Beiyang calligraphy has inherited the characteristics of inscriptions on bronze in the State of Qi since the Spring and Autumn Period. With a pen? Fang Bi? Mainly I use it, too? Round pen? . Therefore, the style is both strong and beautiful. When writing, the contrast between light and heavy strokes is strong, and the strokes are thin? A pen? With thick strokes? The alternate use of three-point pen, the ups and downs of the light and heavy changes and tight knots make the font like steel rope and iron rope, which has a combination of fineness and rigidity, thinness, beauty and rigor, and adventure and fairness. The dark pen is more casual and interesting. Kaifa in the early Tang Dynasty was full of Li Yi, and they all had a deep and close blood relationship with this monument. Therefore, it is not an exaggeration to say that "Li Qi" created the scale of the early Tang Dynasty. ?
Artistic style: The rite of Adulthood is thin and broad in calligraphy, vigorous in strokes, and marked with pen power, just like a capable general of Mo Xie, which is extremely sharp. Its structure is located in the middle of the horizontal lines and contains two tight lines, which has always been regarded as the extreme principle of official script.
Li Bei's strokes are thin, hard and vigorous, and the strokes are thin, sharp and sharp, forming a strong visual contrast, which is somewhat similar to the calligraphy of Juyan Han bamboo slips. However, thin but not obvious, does not hurt the weak, very powerful. In particular, Beiyang's calligraphy is exquisite. On the other hand, the side of the monument and the shadow of the monument, because the names of donors and the amount of donations are recorded, look much more random, with random size and density, but there is a beauty of change.
Compared with other famous Han steles, it is different from English steles in beauty, simplicity, indulgence, strangeness, exquisiteness, founder and beauty. The monument has its own style, which is its success. Learning official script, it is best to start from this tablet.
In Qing Dynasty, Wang Shu commented on this monument in "Xu Zhou Ming Ba", saying: With Bill Han as the pole, each monument is unique and has no similarities. This monument is the most unique, as thin as iron, and if it becomes like a dragon, its characters are unique and unpredictable. ? And said:? However, "Han Yu" is beautiful and unprepared, thinking that she is superior but high-spirited, thinking that she is high-spirited but introverted, and has her own division. No one is so wonderful. ?
The line texture of Li Bei is different from other official books in the Eastern Han Dynasty, such as Zhang Qianbei and Cao Quanbei. It belongs to the way of justice, dignity, handsomeness and broadmindedness. Some words and strokes in the inscription are as thin as hair, and iron-painted silver hooks are strong and powerful; Some are as thick as a brush, but they are smart and not dull. Although the lines are ups and downs, they seem to be harmonious from beginning to end, and they are very successful in expressing their sense of strength. Therefore, when studying the Book of Rites, you can choose a double-stranded brush, which is flexible and focuses on practicing brushwork.
The strokes should be thin but not thin, and the waves are thicker than the tips of other strokes. Pause before closing the pen, and stir it up quickly by the elasticity of the pen, so that the strokes fly, fresh and healthy. ? Dovetail? Most of the paintings are square, with a large proportion, which looks very imposing.
In addition, this monument is divided into four sides, namely, Yang and Yin. The inscription on Beiyang part is dignified and the arrangement rules are relatively regular, which can be regarded as the representative of the style of ritual monument, and the manpower should start with Beiyang part. However, from the artistic point of view, the tablet also has its unique value. His pen is unrestrained and elegant, naturally interesting, the size of words is not uniform, the rules of horizontal arrangement have been broken, and he is very lyrical, which has injected more subjective spirit and temperament into the whole book, so the inscription can not be ignored in the study.
Composition and ink color: in the positive part of the ceremony monument, the composition is vertical and orderly, and arranged horizontally; Wide spacing and close spacing. This composition fully shows the overall characteristics of harmony, dignity and beauty. The pudenda of the monument are often vertical and orderly, with a certain distance between lines and uneven word spacing, which is full of fluidity, naturalness and dynamics from beginning to end.
If you study sacrificial tablets, you can pay attention to a little change in the treatment of ink. Generally, when writing Fang Bi, the ink should be moist but not greasy. Pay attention to the relationship between lines: thick lines occupy a more important position and are the main pen of the whole word, with more concentrated strength and heavier pen and ink; The thin line is in the auxiliary position, and the ink color is light. If we want to write a line of Fang Bi's paper while studying, and the pen is out of ink at this time, we might as well copy this line with a round pen. Although as a copy of this line, it lost its original appearance due to the change of pen, but from the inscription to the ink book, the whole word has been supplemented by the loss of this shape. Isn't this contrary to the so-called calligraphy? In the form of God? This principle. To study the memorial tablet, we should first focus on the organic whole composed of thick and thin lines and maintain the strength of the text.
The characteristics of stippling and its writing: The Book of Rites is written by Fang Bi, which is neat and steady. Every stippling is required to be delivered to the end, and wrist strength should be emphasized to write. Only in this way can the gesture be opened and thousands of Li Qi can be achieved.