Yan Zhenqing is not only outstanding in running script, but also excellent in regular script, which corresponds to his noble personality. Different from the traditional thin and hard book style, his book style is vigorous, magnificent and vigorous, and he is called "Yan Ti" by later generations, and ranks as "four masters of regular script" with Ou Yangxun, Liu Gongquan and Zhao Mengfu! Later generations mostly studied European style and Zhao Ti, but little studied Liu style and Yan style. They can write Yan's majestic style, and it is rare. Yan Ti is difficult to write, and those who don't have enough kung fu are often "unable to learn Yan and become ink pigs"!
In the Qing Dynasty, the calligraphy style of Zhao Mengfu and Dong Qichang was dominant, which prevailed in the calligraphy field, and the style of writing was even rarer. Although Liu Yong, Prince Cheng, Liang and others in Qing Dynasty dabbled in painting style, compared with European style and Zhao Ti, their painting style was not obvious.
On the contrary, during the Qianlong period, a champion Lang suddenly appeared. As a representative figure of Yan Ti in Qing Dynasty, it was really rare at that time! He is Liang Guozhi, deputy editor-in-chief of Sikuquanshu, second only to Ji Xiaolan. Liang Guozhi is well versed in classics, poetry, literature, books, paintings, and especially painting. He is outstanding and deeply appreciated and loved by Qianlong.
Taking his masterpiece "A Thousand Characters in Small Letters" as an example, taking Yan Kai as the prototype, it combines the danger of Ou Kai. From the aesthetic point of view, the dignified beauty of the face, the masculine beauty and the danger of Ou Kai are perfectly combined to write a fresh breath.
Judging from Liang Guozhi's thousand-character writing, his technique is very skillful, his layout is meticulous, his brushwork is steady, his brushwork is meticulous, and he is dignified and harmonious, which is really rare!
Yan Ti's Small Case in Liang Guozhi's Thousand Characters
Different from modern calligraphy, most of the calligraphy in Qing Dynasty advocated the "literati spirit", which is what people often say. This is very obvious in Liang Guozhi's calligraphy. His facial style is very strong and mellow, with Yan Zhenqing's brushwork and solemn momentum.
Our calligraphy skillfully combines Yan and European styles and forms its own style. In the past 300 years, few people can do it!
Yan Ti's Small Case in Liang Guozhi's Thousand Characters
Qian Wen Zi was written by Zhou Xingsi in the Northern and Southern Dynasties. It can be said that the full text is four sentences, and the antithesis is neat. Full text 1000 words, only one word "solution" is repeated. It has become the only way for famous artists to learn calligraphy. There are many works handed down from generation to generation, such as Zhi Yong's "True Grass Thousand Characters", Ou Yangxun's "Thousand Characters", Zhao Mengfu's running script "Thousand Characters" and Wen Zhiming's lower case letters.
Liang Guozhi's Qian Wen Zi is a rare money Wen Zi, which is mainly based on the calligraphy style. This is very rare. Here I recommend his high-definition copy of Qian Wen Zi, which is made of original copy, art micro-jet technology and advanced rice paper. I look forward to your liking!