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Cross talk groups in the same trade should beware of stealing recordings. Why is Degang Guo's performance not afraid to steal the audience's recordings?
Yesterday, I went to the Cultural Street in my hometown of Jinmen and listened to a crosstalk in Xiaoerdu Crosstalk Hall. Several young actors performed very hard in the face of tourists from all over the world. Tickets to 60 yuan cost 60 yuan tea and melon seeds, as well as air conditioning. I bought tickets with two friends and left early because I had something to do after listening to three programs. I laugh at myself, always listen and never laugh. They are all Old Bridge old terrier, most of whom have been heard in Lao Guo's cross talk, but all the actors work hard and the live effect is OK. The comedian's language is hard, the comedian lacks spirituality, and there are not many dialogues. In most cases, yes. As a teahouse crosstalk, it is very good for foreign tourists to feel the atmosphere of listening to crosstalk and enjoy a little coolness in hot summer.

Things in the phonograph world really can't be put to death, nothing is static; In the past, Deyun Society let go of recording objects, and most of its peers strictly guarded against recording and video recording, which was determined by the positions and abilities of both sides.

Deyun Society started out by free communication on the Internet. It is netizens who brought the comic dialogue videos of Degang Guo and his disciples into thousands of households, which helped them accumulate popularity and laid the foundation for success. It can be said that without free network communication, Deyun Society and Degang Guo would not be today.

Of course, Degang Guo will have many works, and every performance will be innovative, so that the audience will not feel bored. This is his confidence in letting the audience record and video. At the same time, Deyun Society requires actors to know 50 works before they are qualified to perform on stage, and the same works should perform different contents at different time periods. This requirement is relatively high among crosstalk performers. Only in this way will the audience feel happy every time you come. As long as this is done, Deyun Society can ignore the massive spread of audio and video.

As peers, most people are not proficient in learning arts, with a small number of works and poor adaptability, so they can't let video materials spread, otherwise they really have no food; You can watch the same program once, twice and three times. If there is no new program for the fourth time, will anyone watch it?

All of the above has become the past, and now the situation has changed. After the 5 12 incident in which Zhang Yunlei teased about the earthquake, Deyun Society has started to tighten its requirements for video recording, from the past unrestricted to the prohibition of professional equipment video recording, but it is still possible to shoot with mobile phones. This is an obvious signal that Deyun should start to control the spread of video materials and guard against unknown risks.

Now Deyun Society is in the limelight, which has aroused the envy and hatred of all forces, so various conspiracies against Deyun Society emerge one after another, and making a fuss about video materials is the most convenient way. After all, disaster comes from the mouth; In order to minimize the risk, Deyun Society has no choice but to ban professional video recording equipment, which is also a normal operation.

Colleagues have long understood the benefits of free online communication from the rise of Deyun Society, and they have let go of the restrictions on audio and video recording. At the same time, they eliminated a group of enterprising internal actors and vigorously trained new people in an attempt to catch up with Deyun Society to make a living. A new crosstalk force like Xi 'an, the best crosstalk gang in Tianjin, has done a good job in free communication and made a lot of money. There should be many teams to follow up.

Different stages, different business strategies and ever-changing gameplay are no longer suitable for this era. If you don't follow the trend, you will be eliminated.

I remember watching his talk show on tape and asking Uncle Guo this question. His answer is also simple and prickly. He said that if I was going to be killed by two paragraphs, I wouldn't let you record it. You finished recording today, and I'll talk about the new one tomorrow. Fortunately, some jokes with uncle Yu will be repeated, but uncle Guo is the king of pits. He said that the ability to read is really not afraid of you. Anyway, there are new ones every day, and if there are no new ones, they are buried in Uncle Yu's place.

I remember I said that the audience at Li's opening ceremony said that he would be told to go to the west. Lao Guo said seriously that Tang Priest opened the book for 20 times and didn't take it out. From the beginning of Jin Chan, where did the nine heads on Friar Sand's head come from? Who is Pig's master? No one really pays attention to this thing, so he can say it. Again, he said there were people who wanted to hear it, and he was afraid of something. If he has no books, he can talk about eating noodles.

In the past, many crosstalk groups did not allow viewers to record videos. On the surface, this kind of rhetoric is to protect copyright and prevent peers from stealing works of art. In fact, they are not competent enough and have too few works. If they put it all online, they will have no food. Now is the network era, but also the era of sharing. It has long been proved that building a car behind closed doors is a dead end; In addition, the successful experience of Deyun Society is just around the corner, so more and more crosstalk groups no longer strictly prohibit video recording.

Take the small crosstalk theater in Tianjin as an example. It used to be a loyal executor of the no-video policy, and almost all industries followed it. It's much looser now. I often see the performance videos of some small theaters in Tianjin in Weibo and Mile Mile, among which there are many videos of the best crosstalk band. Qian Cheng and Sui Yi, two contestants who participated in last year's cross talk, are the best actors in the cross talk gang, and their exposure on the Internet has been increasing recently.

Xi 'an's new crosstalk force not only encourages fans to spread videos, but also their official Weibo personally spreads videos online. In addition, the popularity accumulation of Yu Hao, Xinjie and Dou directly promoted the box office of the small theater, and now it has become the local small theater with the highest attendance rate.

Degang Guo often said on the stage that he can make all his works different every time, so that you can buy tickets willingly and listen happily every time. This is his skill. Apprentices in Degang Guo are slowly learning the master's craft. Zhang Helun and Meng He are also performing traditional cross talk, but they often add some new burdens combining hot spots to surprise the audience, so fans will still be happy to buy tickets to the scene.

In addition to constantly renovating works, a major feature of cross talk now is interactivity, which others can't learn and can't experience in front of computers and mobile phones, which also attracts a large number of viewers to have the idea of going to the scene to feel.

Look at Shang Yan of Deyun Society now. All over the country, no matter what kind of actors, most of them can be sold out. Where did the audience come from? In fact, people who watch videos for free for a long time feel the charm of cross talk through computers and mobile phones. As long as there is a local performance, they will definitely want to buy tickets to feel it. This is the market brought by opening up.

And how can crosstalk groups that prohibit video recording cultivate their target customers? Are tourists just taking the opportunity of traveling to the teahouse to taste fresh food? It's all a one-time deal. It won't last long!

Lao Guo really restored the traditional cross talk-a lot of content involved obscenity and pornography. What attracted crosstalk before liberation was spread, and what the phonograph tried to get rid of after liberation was picked up again.

The language is bold, pungent and sharp, and at the same time vulgar and vulgar. The horizontal plane is the horizontal plane of the street. If the impact is not great, it is no problem for small circles and people in the workplace to relax after hard work. However, now is the information age, and there are many means of communication. There are countless "cross talks" full of inferior content (more attractive than the tall, positive and sunny style that the government has been trying to establish), so it is not appropriate to generalize.

Much like Errenzhuan, it's nothing to play in the northeast folk, but it's not appropriate to publicize it in a big way.

In front of the national audience, it is true that he is vulgar.

Lao Guo, who is smart, quick-witted and rich in social experience, rolls around at the bottom all the year round. His heart is strong and dark, and his mouth is clean and mean. There is nothing wrong with him. What is wrong is that his position is too high and his influence is too great. His accumulation at that level is not worthy of his present position, and neither is his morality. If he is still entertaining in the street, it will be just right and there will be no dispute.

To emphasize, as an adult, I personally like his cross talk. I mean, he is not suitable for a platform for a national audience.

It is this mentality that people listen to Degang Guo's cross talk almost every day. Some jokes know the next sentence after listening to the last one. Degang Guo said on the stage that he was the teacher's son ... The audience shouted the slogan "Guo" in unison. This is the atmosphere that the scene wants. 580,880, even 1800 yuan can only be felt on the spot.

Video is not allowed in other crosstalk teahouses. They thought that luggage should not be leaked, and then it stopped ringing. In fact, they don't regard the audience as their parents, and they are always on guard against the audience. This is their fault. They can't sell tickets, don't go to the crowd, and live on their own salary, pension and the name of an artist. Sooner or later, they will die, leaving only envy and jealousy!

Degang Guo's words, which were not allowed to be recorded at first, were ugly. Anyone who has heard his cross talk online in the early days should know that it is not unwilling to spend money to listen to his cross talk in the early days. I don't have the conditions to fly there. Don't hack me. I'm a fan of his, too. I'm just stating the facts. I also went to see his first film. As for why you want to do it later, it should be that you can't prevent it first, so now you can make a profit by cooperating with Youku to record it yourself. Then increase the exposure. Now most of them are for so many apprentices. After quarreling with Beijing TV, Degang Guo is more restrained than before. He is insoluble in the so-called mainstream comic dialogue circle, so these fans give him the right to speak. He realized the importance of the internet, and now it is difficult for Deyun to sell tickets for him. Those people can't satisfy so many fans, so now he not only doesn't ban filming, but also cooperates with the video platform to perform cross talk.

Degang Guo Deyun Society brought cross talk back to the theater, rekindled the audience's love for cross talk, continuously expanded the cross talk team, and even brought cross talk abroad to the world. Many crosstalk performers in Deyun Society became popular stars, participated in various variety shows, and constantly tried cross-border development, so that Degang Guo Deyun Society monopolized the crosstalk market and became peers. Crosstalk, in particular, can be divided into so-called mainstream crosstalk represented by Jiang Kun and non-mainstream crosstalk represented by Degang Guo. This kind of hype successfully attracts people's attention, which is the need of plot conflict. Maybe crosstalk is just like when it was born, but people who speak crosstalk have already planted crops. Things have changed for a long time. It depends on who is talking about cross talk. I hope that cross talk, an art that goes deep into the grassroots, can continue to develop and become a national quintessence! ! !

No, Degang Guo encourages video recording, but only if you put it online. It is best to post it on a high-traffic website like Youku. If you don't have an account, you can put it in QQ space. Degang Guo will be unhappy if you take it home and listen to it yourself.

Especially after the rise of mobile Internet, listening to cross talk with mobile phone FM has become a trend, and Degang Guo's cross talk is still the most popular, because the audience and fans basically help spread it independently. Of course, there are high-definition versions with fees, and Guo Lun written by Himalaya, but free of charge has not affected the charging items. Everyone has their own audience, but they all spread it to Degang Guo.

Other societies take Qingqu Society as an example. In the early years, they imitated Deyun Society and encouraged the audience to record and spread. They have heard it in applications such as Dragonfly and Himalaya, but Miao Fu really wants quick success and instant benefit. In addition, it may really affect the free ticket sales. Now it has all been forcibly removed from the shelves, and the paid version has been released by the government.

Newcomers such as hip-hop Bao Yipu and Lu Xin Yu Hao still have free resources, but the click-through rate is far from that of Deyun Society.

And Cao Yunjin, basically can't find resources, free of charge. After all, even if his fans are willing to upload and share, because there is really no click-through rate, their enthusiasm will drop and they will gradually stop recording.

Including storytelling bookstores, for example, storytelling in Wang Yuebo can be recorded secretly in the early years, which may have affected ticket sales, and now it is not allowed to record. This is also a very helpless thing, doomed to be confined to a small garden to eat tickets, can not develop.

Not to mention the teahouse in Tianjin, I can't wait to clean all the electronic equipment as soon as I enter the door. What they are most afraid of is that their voices and smiles will spread to the Internet. One is afraid of affecting ticket sales, and the other is afraid of getting into trouble.

Degang Guo is really popular all over the country, because the awareness is too advanced, and the sharing economy has become the mainstream in the network age, so it is actually welcomed by many artists to let the audience help them promote themselves. Today, there are a lot of Degang Guo resources on the Internet. If Deyun Society wants to charge a spoonful of stew, it is a very simple matter. Moreover, Youku also has an official HD recording version, but fans can also upload and share their own records.

Not every artist has the courage. If not, it will really cut off the money, and the small theater will be outspoken and let people gossip. Therefore, Degang Guo is more advanced in consciousness and bolder.

Other societies were blinded by their own small interests, and posted "No Video" in front of the teahouse. When Degang Guo was not popular, the teahouse was also labeled "No Burden".

Since ancient times, the top level has never been afraid of being imitated by others, let alone spread. Just like Michael Jackson, he has been imitated and never surpassed. In any field, only people who are confident enough can open their minds. When facing the challenges of others, it is the most unsafe behavior to keep pushing yourself and stay in the safe zone.

Constant things are easy to be eliminated, so I think Mr. Guo really understands that the so-called market competition is the survival of the fittest. You can't change the fact of poor quality by hiding anything. It is better to be constantly tested by the market and constantly improve and adjust.