Regular script pen calligraphy font picture appreciation daquan
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Regular script in Tang dynasty
The Tang Dynasty is the revival era of regular script, which entered a new stage from the Six Dynasties. By the Tang Dynasty, politics, economy and culture were developed, but printing was not popularized, and a large number of documents and books were copied, so the art of regular script was extremely prosperous, which became the heyday of calligraphy and the era of China's calligraphy.
Early Tang dynasty regular script
There were many calligraphers and calligraphy works in the Tang Dynasty, which had a far-reaching influence and was unprecedented. In particular, the development of regular script has been brought to the extreme by the Tang people and has become a typical example through the ages.
Ou Yangxun, Yu Shinan, Chu Suiliang and Xue Qi were four great masters in the early Tang Dynasty, and some people said that Lu Jianzhi was exchanged for Xue Qi.
Ou Yangxun, a letter book, said in the Book of the Old Tang Dynasty: When I first inquired about Wang Xizhi's book, I gradually changed my brushwork, which was dangerous and powerful. ? Ou Yangxun adopted the model of Wang Xizhi, but also adopted the model of Li Fa. In his later years, his calligraphy was slender and vigorous. People often describe his calligraphy like this? As dense as spears and halberds in the armory. ? His masterpiece "Jiuchenggong" and other inscriptions have been respected by all previous dynasties. In addition, his son Ouyang also learned from his letters, such as the "Taoist tablet", which is extremely dangerous.
Yu Shinan, Bo Shi. I studied Zhiyong's books when I was a child. His books are mellow, soft on the outside and firm on the inside. There is a Confucius Temple monument left in the world. Its dictionary is elegant, elegant and simple, and its peaceful image is pure and harmonious.
Chu Suiliang, the handwriting is good. Chu's word "Yan Hua" is a new principle in Europe and abroad. There are famous inscriptions such as "Monument to Mencius" and "Preface to the Wild Goose Pagoda". Later, Yan Zhenqing and Liu Gongquan made innovations on the basis of Chu Suiliang.
In addition to the above-mentioned writers and masterpieces of regular script, there are also inscriptions on brick towers by Wang Jushi, Ling Fei Jing in small letters by Zhong Shaojing, and Lang Guan Shi Ji, a cursive work by Zhang Xu.
Late Tang dynasty regular script
The most important calligraphy is Yan Zhenqing.
Yan Zhenqing, the word clear minister. His regular script is contrary to the calligraphy style of the early Tang Dynasty, and his regular script works are characterized by vigorous strokes, vigorous strokes and broad generosity. This style also reflects the prosperous style of the Tang Dynasty Empire, which is in line with his noble personality. The beauty of calligraphy is integrated with the beauty of personality. There are many regular script works, such as Jingjinbei, Duobaobei, Yanjiamiao Temple. Liu Gongquan, Su Shi, Huang Tingjian and others have all studied Yan, and Yan Zhenqing is the most influential calligrapher after Wang Xizhi.
At the end of the Tang Dynasty, in addition to Yan Zhenqing, there were Liu Gongquan and Liu Gongquan, who were sincere and careless, but a little thinner, so they were called? Yan gu? . His books can be both healthy and attractive in Europe, and they can be unique in Geng Jie, not following in the footsteps of their predecessors, and be circulated as the "Monument to General Ce Shen".
In addition to Yan Liu, there were other works in the late Tang Dynasty, and his masterpiece Bukong Monk Monument was rich in content and impressive. In addition, there are many excellent regular scripts in the Confucian classics written by the Tang people.