Author Li Bai? the Tang Dynasty

Dapeng rises with the wind and soars in Wan Li.

If the wind weakens, it can still lift away the turbulent current.

When the world saw my unchanging tone, it sneered at all my big words.

Fu Xuan can still fear the afterlife, but her husband can't be young.

Interpretation of vernacular:

One day, Dapeng will fly with the wind, go with the wind and go straight to the outside of the cloud nine. When the wind stopped, Da Pengfei came down and raised the water in the river and sea. People in the world will always sneer at me when they see my high-profile singing. Confucius also said that "the afterlife is terrible, how can we know that it is not now", and a gentleman should not look down on young people.

Extended data writing background:

Li Shangyong is the work of Li Bai, a great poet in the Tang Dynasty, when he was young. By depicting and praising the image of Dapeng, this poem expresses Li Bai's great ambition and strong desire to use the world, and is very dissatisfied with Li Yong's attitude of looking down on young people, showing Li Bai's spirit of being brave in pursuit, confident and conceited, and not afraid of vulgarity. Young Li Bai dared to challenge big shots, and when he first debuted, he was full of the spirit of not being afraid of tigers.

This poem was written by Li Bai when he was young. From 7 19 to 9 (72 1), Li Yong was the secretariat of Yuzhou (now Chongqing). When Li Bai visited Chongqing, he paid an audience with Li Yong. Li Yong was unhappy because he was informal and talked about Wang Ba. According to the history books, Li Yong was "quite conceited" (Biography of Li Yong in Old Tang Dynasty). He was conceited and had a good reputation, but he had reservations about being young and backward. Li Bai was dissatisfied with this, and when he left, he wrote this poem "Li Shangyong" in a rather rude manner to show his return.

Appreciation of articles:

Dapeng is an image that Li Bai often uses to describe himself in his poems and Fu. It is not only a symbol of freedom, but also a symbol of shocking ideals and interests. In the 13th year of Kaiyuan (725), Li Bai, a young boy, wandered out of Sichuan and met Sima Cheng, a famous Taoist in Jiangling. Sima said that Li Bai "has a kind of spirit, which is comparable to that of a wanderer in the octupole", and Li Bai immediately wrote "Dapeng Bird Fu" (later changed to "Dapeng Fu"), comparing himself to the Dapeng bird in Zhuangzi's "Happy Wandering".

There is also a sentence in Li Bai's poem Duiluge: "Great Peng Fei wants to shake the eight generations, but strong days will destroy it. I am excited by the lingering wind, swimming in hibiscus and hanging stones. Later generations spread this, who will cry when Zhong Ni dies? " According to Tang Lihua's Preface to the Epitaph of Academician Li Jun, Li Bai "died of a swan song". Later generations think that it may be a mistake in writing "road" or "end" in "Near the Luge Pavilion". It can be seen that Li Bai cited Dapeng as a metaphor all his life. According to the tone of this poem, it is straightforward and not modest, so some predecessors suspected that it was not the author of Li Bai, and some thought it was to argue for Li Bai's works.